Superboy #165

Superboy #165 (On Sale: March 5, 1970) has cover by Curt Swan and Murphy Anderson.

This issue begins with "The Super-Dog from Krypton" by Otto Binder, Curt Swan and John Fishetti and reprinted from Adventure Comics #210. This story tells the origin of Krypto, Superboy's dog. Superboy encounters a super powered dog on the streets of Smallville. The dog seems to recognize him and is friendly. Superboy follows the dog to a rocket that has recently crashed on Earth. Inside the rocket he finds papers which reveal that the dog came from Krypton. The dog was sent into space by Jor-El to test a rocket which was deflected by a meteor. The dog, Krypto, belonged to Kal-El as a baby. Krypto's ship eventually made its way to Earth.

Superboy is thrilled to have his dog back. However, Krypto's frisky nature and super powers cause several problems for Superboy including threatening his secret identity. Superboy constructs a super doghouse for Krypto, but the dog is easily able to free himself.

Eventually Krypto takes off into space to chase meteors. Superboy is happy that he won't have to deal with Krypto's antics anymore, but he is sad that his friend is gone.

Next we have "Superboy's Last Day" by Otto Binder and George Papp and reprinted from Adventure Comics #251. This story tells of Superboy's first encounter with Kryptonite. While cleaning house, Clark Kent recalls how one of his Superboy robots saved his life. Many years before, Pa Kent brought home a green glowing rock for Clark’s mineral collection. Clark immediately took ill and was on his deathbed. To replace him as Superboy, a recently constructed Superboy robot was sent out controlled by Jonathan.

When the robot returned, it inadvertently stepped in front of the Kryptonite. Being made of lead, the robot blocked the radiation. Superboy recovered but relapsed when the robot moved away. Pa Kent realizes that the rock must be responsible and places it inside the robot. Superboy recovers and learns that the rock was Kryptonite, a fragment of his home planet, which is deadly to him.

This is followed by "The Girl Who Saw the Future Superboy" by Jerry Coleman and Al Plastino and reprinted from Superboy #90. While helping her father clean a scientist’s lab, Lana accidentally activates a machine that allows her to see the future. Although the image only lasts for a moment, Lana sees Superman and his girlfriend, Lois Lane. Lana become jealous and tries to alter fate by getting Lois to enter a different career.

Lana visits Lois’s school and tries to sabotage Lois’s attempts to join the school paper. Failing in that, Lana tries to get Lois to pursue a career in science and later, sculpture. Each attempt fails due to the Unbeknownst actions of Superboy and Krypto.

Next we have "The Phantom Superboy" by Robert Bernstein and George Papp and reprinted from Adventure Comics #283. This is the first appearance of the Phantom Zone. Professor Lang discovers a box of Kryptonian weapons which he delivers to Superboy. While Superboy examines and tests the weapons, he is accidentally sent into the Phantom Zone, a dimension which exists near ours in which beings can only exist in a ghostly state. Kryptonian criminals were banished here before the destruction of the planet.

Unable to be seen or heard Superboy can not communicate with anyone in his own dimension. Eventually he discovers that his super thought is enough to activate an electric typewriter on which he types a message to Pa Kent. Jonathan rescues Superboy from the Zone, and then the Boy of Steel disposes of the box of weapons.

We end with "The Death of Ma and Pa Kent" by Leo Dorfman and Al Plastino and reprinted from Superman #161. While on vacation in the Caribbean, Jonathan and Martha Kent find a buried pirate’s treasure. The chest contains a scrap from the diary of Pegleg Morgan and presents them a mystery. Superboy carries them into the past to learn how Pegleg was stranded on the island by Blackbeard the Pirate.

When they return to present-day Smallville, the Kents become ill from jungle fever. Doctors are unable to find the cure, and Superboy is likewise helpless. Superboy tries to send them to the Phantom Zone, but solar flares prevent the projector from functioning.

Without a cure, the Kents die. Superboy blames himself for their deaths and gives up his Superboy career. He donates their money to charity, maintaining their house and store for himself. When searching through his father’s belongings he finds the diary scrap and learns that the chest the Kents found in the sand was the actually source of their illness. Relieved that his time-trip was not responsible for the death of his parents, Superboy resumes his career and treasures the memory of his Earth parents.

Edited by E. Nelson Bridwell.

DC Special #4

DC Special #4 (On Sale: May 22, 1969) has a cover by Neal Adams for the 13 Shock-Ending Stories issue.

We begin with a framing sequence for 13 Shock-Ending Stories 13 by Mark Hanerfeld and Bill Draut. This is famous for being the first appearance of Abel, caretaker of the House of Secrets. Not only did Hanerfeld write Abel's first appearance he is the original model for Abel.

Next is "Ghost Writer" drawn by Leonard Starr and reprinted from House of Mystery #19. That is followed by "The Magic Hammer" drawn by Jack Kirby and reprinted from Tales of the Unexpected #16 where it was originally entitled "The Magic Stick."

We next have "A Piece of Rope" from House of Mystery #5. Jerry Grandenetti drew "Last Mile Martin" from House of Mystery #15 "The Dream Lamp " is drawn by John Prentice and is reprinted from Tales of the Unexpected #1.

Next is "Door of No Return" written by Murray Boltinoff and drawn by George Roussos and reprinted from House of Secrets #62. That is followed by "Beware after Dark" drawn by Carmine Infantino and Joe Giella and reprinted from Sensation Mystery #114.

"The Tree Man of Tanganyika" comes to us from House of Mystery #30 and is drawn by Ralph Mayo. Ralph Mayo was the art director of AC Comics in the 1940s. He drew 'Black Terror and Tim' for America's Best Comics, Black Terror and Exciting Comics. He also penciled some 'Miss Masque' splash pages. In the 1950s he drew Jann of the Jungle for Marvel, 'Camilla' for Fiction House and crime stories for Lev Gleason and St. John. He was penciller and/or inker on Dell titles like Dragoon Wells Massacre, Jungle Jim, Lassie, Quentin Durward and Roy Rogers. His first work for DC was in Mr. District Attorney #2 in 1948. He worked mainly on the Johnny Quick feature in Adventure Comics and drew 66 stories in all for DC before his death in 1956. Some of his last work was with Al Williamson on Jann of the Jungle.

Next is "Written in the Sands" drawn by George Papp and reprinted from House of Mystery #26. "The Secret of Salzo the Great" comes to us from artist John Prentice and House of Mystery #2. That is followed by "Secret Locked in the Ice" from House of Secrets #63 and the pen of artist Gene Colan.

Rounding out the issue is "The Bullet Man" drawn by Bernard Baily from Tales of the Unexpected #17 and "The Strange Faces of Death" drawn by Ruben Moreira and reprinted from House of Mystery #19.

Edited by Joe Orlando.

Superboy #156

Superboy #156 (On Sale: March 6, 1969) has a cover by Curt Swan and Mike Esposito celebrating the 20th anniversary of Superboy.

We begin with "Superboy's Farewell to Smallville" from Adventure Comics #217 by Otto Binder, Curt Swan and Creig Flessel. A rocket ship lands on Earth. Two people emerge from the ship claiming to be Superboy's real parents, Jor-El and Lara. Superboy listens to their story in which they claim to have escaped Krypton's doom. Superboy happily believes them. Then they tell him that they want him to join them to live on another world. Superboy agrees, so he leaves Earth.

The story continues in "The Two Worlds of Superboy" from Adventure Comics #218 also by Otto Binder, Curt Swan and Creig Flessel. Superboy leaves Earth to live with two people claiming to be his real parents, Jor-El and Lara. When word of this reaches death row convict Duke Mason, he is angry. Mason has just deciphered a code which revealed Superboy's secret identity. With Superboy gone from Earth, Mason is unable to take revenge and dies in the electric chair.

Superboy witnesses the execution with his telescopic vision. He then decides that he can safely return to Earth. His parents were really actors hired by Superboy. The hoax was created in order to stall until Mason was executed.

Back on Earth, the Kents find a note left by Superboy revealing his plan. The note had been lost, so they were heartbroken over Superboy's decision to leave. They nearly reveal their son's secret to the people of Smallville, but find the note in time. Jonathan then uses a Clark Kent robot to protect his son's secret, until the real Superboy returns.

Next we have "The Super-Hungry Super-Heroes" from Superboy #91 by Robert Bernstein and George Papp. After an encounter with a metal-eating monster in space, Superboy and Krypto gain insatiable appetites which force them to eat strange objects, such as a park bench, a wooden statue, a pair of shoes, a painting, and a ladder. After realizing that he is eating only green objects and Krypto is eating red ones, Superboy realizes that the monster must have eaten some Red Kryptonite which caused its fiery breath to have an effect on Krypto and himself. To cure their condition, they travel into space finding a red and a green moon. They proceed to eat them until their hunger goes away, and they return to normal.

We end with "The New Boy of Steel" reprinted from Superboy #96 and by Robert Bernstein and George Papp. Lex Luthor creates a device designed to kill Superboy. In a fluke accident the device transfers Superboy’s powers to Pete Ross instead. Pete takes over as Superboy and flies three days into the future by mistake. When Pete returns, Clark believes his friend has changed and is out to get him.

Luthor tries to kill Superboy again; this time he destroys a Superboy statue and Pete loses his powers giving them back to Clark. Pete explains his odd behavior because when he was in the future, he saw a headline that Luthor destroyed Superboy. Pete missed the rest of the headline though which read "Luthor destroys Superboy statue."

Edited by Mort Weisinger (E. Nelson Bridwell).