Lauren Barnett covers Career Girl Romances 27

Original cover attributed to Dick Giordano; Charlton 1965. Lauren Barnett's website is here.

Young Love #82

Young Love #82 (On Sale: July 9, 1970) has a cover inked by Dick Giordano.

We begin with "He's the One I Want." That is followed by "Happy Ending." We end with "Please, Please... Make Him Forget Her" drawn by the great Gray Morrow.

Edited by Dick Giordano.

Wonder Woman #190

Wonder Woman #190 (On Sale: July 7, 1970) has a cover Mike Sekowsky and Dick Giordano.

Mike Sekowsky wrote and drew and Dick Giordano inked "Detour" our book-length Wonder Woman story. Back from China and a little bit down, I-Ching suggests that Diana visit her mother on Paradise Island, but when Amazon messenger Leda attempts to bring Diana through the dimensional stream they take and unexpected detour and end up int he dark fending off unseen creatures. When a green moon appears the creatures scamper and Diana and Leda find themselves in an alien landscape.

When finally the sun rises a strange flying ship appears and armed men attempt to capture Diana and Leda. Diana holds them at bay while Leda escapes through the dimensions to Paradise Island to bring reinforcements. Eventually the men overpower Diana and she and a barbarian man are taken to the city of Calendar where they are brought before the queen.

They learn that they were captured to fight in the arena for sport, but the queen dismisses Diana as "just a girl." Diana says she sees no reason to wait for the arena to fight and using her shackles as a weapon sets upon her captors, the barbarian man at her side. Diana makes it to the queen but is overpowered and knocked unconscious.

She awakes in a cell with Rancor the barbarian and they manage to escape. They are chased through the castle but end up in the arena, realizing they were allowed to escape and were pointed toward their death. In the arena they face a giant monster called a gnarth, but Diana has a plan for killing it. The plan works and then they leap out of the arena and once again are upon the queen and her men. As reinforcements arrive they are chased once again through the castle and up to the top of a tower. From there they see an army amassed at the gates of Calendar.

Rancor says it is the army of his father, King Zangor and that he was captured when he was scouting ahead of the army. They are there to end the rule of the evil queen. As the queen's men approach, Diana and Rancor leap from the tower into the moat. This one is continued.

Reprinted in Diana Prince:Wonder Woman Vol. 3 TPB.

Edited by Mike Sekowsky.

Secret Hearts #146

Secret Hearts #146 (On Sale: July 7, 1970) has a cover inked by Dick Giordano.

This issue has two longer than normal stories. We begin with "A Kiss to Light the Darkness" inked by Vinny Colletta and we end with our cover-story, "Wasting My Love on You." Not much else to say about this one.

Edited by Dick Giordano.

Detective Comics #402

Detective Comics #402 (On Sale: June 30, 1970) has a great cover by Neal Adams.

The Man-Bat returns in "Man or Bat?" by Frank Robbins, Neal Adams and Dick Giordano. The story opens with some thugs pulling a heist at a biochemical lab. what they don't know is that hanging in the rafters above them lurks the tormented Kirk Langstrom, now even more bat than the last time we saw him in the classic Detective #400. He waits in an agitated state for them to crack the safe below so that he can get what he so desperately needs. But just when it seems the hour of his saving is at hand Batman appears to break up the heist. When the Man-Bat appears to join him in thwarting the crime, Batman calls him a friend, but when Man-Bat reveals that he needs something from the safe, something he has brought money to pay for, Batman tries to stop him.

When Batman tries to unmask Kirk he realizes that he is not wearing a mask, but is truly a transformed human. Still he tries to stop the Man-Bat, but is knocked unconscious in the scuffle and Kirk departs with the drug he came looking for.

When he awakens, Batman heads off for the museum when he first met the Man-Bat hoping there to find a clue to his identity. When he gets there he finds Francine Lee, Kirk's fiancée trying to gain entrance. Kirk was supposed to be at an exhibit in Chicago, but he never arrived there and Francine is worried that something may be wrong. Upstairs Kirk has concocted a formula he hopes will reverse his bizarre transformation, but when he is startled by Batman and Francine at his door he drops the serum and flees out the window.

Batman tells Francine that the strange creature who has just fled is her fiancée, Kirk Langstrom, and that when they barged in Batman saw him mouth her name. batman thinks he can recreate the dropped serum in the Batcave and heads off to find Kirk and hopefully a cure for this transformation.

He finds Kirk up on a cliff and when he comes for him Kirk leaps from the cliff in fear, but rather than dying in the fall, huge batwings appear from under his coat and his transformation complete he flies off into the night following the flight of a "brother" bat. He follows the bat to his home, which happens to be, the Batcave. Kirk reaches the inner recesses of the cave just as Batman returns. He is momentarily blinded by the lights as they come one but uses his bat sonar to find an exit. Only, Langstrom's exit is the Batmobile;s entrance and Batman leaps from the car to divert Kirk from hitting it head-on.

He latches on to the Man-Bat, telling him that he is there to help him, to create an antidote, but Kirk takes Batman on a ride to the heights of the Batcave only to drop him from there. Some light fixtures break his fall, but from the floor he sees Langstrom about to fly out the open Batcave entrance. Clicking a remote on his belt Batman closes the door and Kirk is knocked unconscious by the door. Batman then ponders what to do, should he attempt to cure Langstrom, even though his brain may have been permanently damaged by his transformation, or should he leave him alone in his cursed condition? "Merciful heaven--What an impossible decision to make! There can be only one answer...if he must ide...ket it be as the man he once was!"

Batman gets to work in a tale continued in Detective #407. "Man or Bat?" was reprinted in Batman from the 30s to the 70s HC, Man-Bat #1 and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up story is Robin in "My Place in the Sun" by Mike Friedrich, Gil Kane and Vince Colletta. The story begins with Robin flying in on the Arrow Jet with Speedy all the way from Teen Titans #28. Dick shows Roy (Speedy) Harper around Hudson University. In the cafeteria a fight breaks out between some "punks" and a group called Project 70 who work with kids from a nearby juvenile detention farm. Dick changes into Robin to stop the fight. Robin goes after the big punk only to find out that it was the little kid Robin was trying to protect who started the fight.

Back in his room Dick is pissed at himself for jumping to conclusions without any evidence. That day Dick hears it all over campus, as Robin becomes the main topic of discussion. Some of the kids are for him, but many think he is just a vigilante and shouldn't be there. When he returns from shopping he finds Roy in his Speedy threads, heading off for a date with Wonder Girl.

After Roy leaves, Dick begins to question his role as Robin, but in the end he decides to keep the name and the costume. "...if I made a mistake once, I'm not gonna make it again! When I go out into that adult world, I want everyone to know that Robin is no longer a boy, but still a wonder!" Not a great story and certainly not great artwork.

Edited by Julius Schwartz.

Girls' Love Stories #153

Girls' Love Stories #153 (On Sale: June 25, 1970) has a cover inked by Dick Giordano.

We begin with "For Love or Money," which according to Wikipedia, contains the first American comic work of Tony DeZuniga. In this case it is Tony's inking that is introduced over the pencils of Ric Estrada. We move on to "The Engagement Ring" pencilled by Don Heck. Next is "The Cheat" inked by Vinny Colletta and we end with "The 3 Faces of Love."

Edited by Joe Orlando.

John Bishop covers Showcase 78

Original cover by Dick Giordano; DC 1968. John Bishop's website is here.

Christian Scheuer covers Wonder Woman 196

Original cover by Mike Sekowsky and Dick Giordano; DC 1971. Christian Scheuer's website is here.

Secret Hearts #144

Secret Hearts #144 (On Sale: April 2, 1970) has a cover inked by Dick Giordano.

We begin with "Run -- Heart -- Run" inked by Vinny Colletta. Next is "Meet You in Paris, Love?" pencilled by Murphy Anderson. We end with our cover-story, "Second Hand Love" drawn by Ric Estrada and Vince Colletta.

Edited by Dick Giordano.

Dick Giordano, R.I.P.

Dick Giordano died this morning. I was re-reading Hot Wheels #2 (March 17, 1970) for this blog last night, late as usual, and thinking what a stupid and utterly lame idea for a comic book this was. And what a magnificent series this turned out to be and the reason it was not the disaster it should have been was Dick Giordano. As editor he pulled together an amazing team, from the actually exciting scripts of Joe Gill and Alex Toth and Len Wein to the wonderful covers of Neal Adams and Alex to the even better pencils of Alex and Ric Estrada and later Neal and the glue that held the interior artwork together, some amazing, just dazzling, inks by Dick himself.

Dick Giordano had his hands on more of the comic books that I loved in those important early teen years than any other person in comics. The Marvel people had Stan Lee, but I never felt welcomed in by Stan. Dick Giordano on the other hand welcomed me into his books and seemed genuinely interested in what I and other fans had to say and he was nice enough to actually thank us at the end of each letter column for buying the book and joining in on the fun he had a hand in creating. I felt at home at DC because Dick Giordano made me feel that way.

I feel a hole in my heart the size of a child's wide-eyed enthusiasm. Thank you Dick, but this one is not going to be a very good afternoon.

And I sincerely mean that thank you. Thank you Dick, for the best series I ever read, the Skeates/Aparo/Giordano run on Aquaman, a series that was likely to go anywhere at any time and always do it with style and the greatest of artistry, Thank you for the Secret Six, the Mission:Impossible of comics that made me appreciate the non-super-hero books for the first time. Thank you for The Hawk and the Dove and the Creeper and the excitement that Ditko brought to DC if only for a little while. Thank you for the Teen Titans issues with the Wein/Wolfman controversy, Wonder girl's uniform, the sexiness of uniformless heroes, and the great artistry of Neal and Gil and George and of course and always Nick Cardy. Thank you for Hot Wheels, the greatest TV show/Toy/Comic book cross-over ever. Thank you for mixing a little more humor into the horror with The House of Secrets and even more humor in The Witching Hour, those early issues being more fun than chilling.

Thank you for knowing when to stay out of the way and let your writers write and your pencilers pencil and your inkers ink and for letting Nick Cardy create one amazing masterpiece after another. Thank you for bringing us Steve and Jim and Denny. Thank you for proving over and over again the pencils do not have to be weak to be improved by the inker. Thank you for some of the better parts of my childhood.

-Keller

Hot Wheels #2

Hot Wheels #2 (On Sale: March 17, 1970) has a cover by Neal Adams.

This issue begins with "Dragstrip Disaster!!!" by Joe Gill, Alex Toth and Dick Giordano. an exceedingly well done piece of work from all involved. It is the dragstrip finals and Jack Wheeler is on the line for the Top Eliminator, but watching is Dexter Carter and his Demons and they let on that they have spiked Jack's fuel with nitro. As Jack barrels down the track his throttle is stuck wide open and he jumps into the lead when suddenly his engine erupts in flames. Jack jumps from the smoking railer as it explodes! Guessing that Dexter spiked his fuel, Jack has to hold Tank back from taking it out of Dexter's hide and Dexter challenges Jack to a no-rules race in one month at the same track.

During the next month Jack and the gang build a sweet railster, but Dexter and his goons, seeing the threat it poses, steal it and leave in it's place, an old clunker railer. With the threat of police intervention Dexter lets them check out his mansion, but Jack rod is not to be found. On the way back to their shop Jack thinks he has a way of beating Dexter at his own game.

The next day is the big race and Jack talks Dexter into betting their railers on the outcome of the race. During the prelims, Mickey Barnes and Ardeth both smoke their competition (Ardeth's being the nasty-looking woody from the cover). Before the big race a gloating Dexter reminds Jack that there are no rules in this race, only a winner.

The race begins and Dexter's railer jumps into the lead of Jack beater till Jack pushes a newly installed dashboard button and ignites the J.A.T.O. (Jet-Assisted-Take-Off) rocket packs he installed on the car the night before. With the rocket boost Jack easily beats Dexter, A dejected Dexter offers Jack his railer but Jack declines saying all he wants back is his railer that Dexter stole.

In the middle of this story was a two-page "Racing Album" on the 1953 Grand Prix of France by Jack Keller who did his only work for DC in this book.

Next is "The Mint 400, A Membership Drive!!" by I am guessing Joe Gill and drawn by Ric Estrada and Dick Giordano. Gill isn't credited, but he seems to be the only writer of record for the first three issues. The Mint 400 is a 400-mile race that takes place every year in the desert outside of Las Vegas. During a trail run, Mikey Barnes and Tank Mallory barely escape an avalanche of boulders during part of their run and when they find find Dexter and his goons in the pits they throw down. Mickey busts his knuckles on the jaw of one of the demons and the rest dog-pile on Tank. In to the fray jumps Kip Clarke, an African student who happens to be an expert on karate, and just about everything else it appears.

Kip takes the place of the injured Mickey in the race and they note that Dexter's Demons took off a bit before them so are out ahead of them on the course. Up ahead Dexter and his thugs put up some fake signs to send Kip and tank off course. It works and Kip and Tank are soon careening down a steep cliff, rumbling boulders at their back. But, Kip's skilled driving handles the problem completely and they finish the race anyway as the 4WD winner. Afterward Kip is introduced to Jack and he finds out that Kip will be staying in California, Jack offers Kip membership in the Hot Wheels, which he gladly accepts.

This is followed by a text piece (something Dick Giordano included often in the DC books) and another "Racing Album" by Jack Keller, this one on the Novi race car.

Edited by Dick Giordano.

Showcase #90 (On Sale: March 10, 1970) has a Jason's Quest cover by Mike Sekowsky and Dick Giordano.

This issue begins with Jason's Quest in "The Circle of Death" written and penciled by Mike Sekowsky and inked by Jack Abel. Continuing from last issue, Tuborg has put the word out on the streets of Paris to find Jason and his sister and they do. Jason has bought a new guitar and is picking up a little extra cash playing in a club in town when in walks Jason's sister. Jason is shocked that she knows his name and then finds out that she was GG, the girl from the ferry, as she looks so different without her wig and makeup on.

As Jason tries to tell her he is her brother, the guy GG came to the club with attacks Jason for making a move on his girl at about the same time that Tuborg's men move in for the kill. Jason grabs GG and they head out the back and into the streets. Eventually they meet artist Andy and with his help get away from Tuborg's men. Just as Jason is about to tell GG they ware brother and sister more of Tuborg's men show up and they head off once again, once again meeting Andy who takes them to his second studio where a group of "friends" are making signs for a big protest tomorrow.

The next morning Jason and GG join the protest and Jason decides the safest place for them to be is in jail, so he smacks a French cop with a protest sign and he and GG are arrested. But Andy and his friends hijack the police van they are being carried in and "rescue" Jason and GG. Though they get away from the police, Tuborg's men are still on their trail.

Eventually Jason and GG make it to a warehouse and a room full of mannequins. Putting GG's clothes on one of the mannequins and strapping it to the back of his bike, Jason lures Tuborg's men away from GG and tells her to meet him tomorrow at noon under the Eiffel Tower. But GG has other ideas, "If I ever see that crazy man again--I'll take off in the opposite direction as fast as I can go! What a kook! And those friends of his--they're worse than he is! goodbye -- and good riddance!"

I really liked Jason's Quest and was sorry that this was the last issue. My good friend Tony Isabella also liked the strip as there is a long letter from on on the letter page.

Next is a on-page ad from Manhunter 2070 in the next issue of Showcase and that is followed by "Incident on Krobar 3" a two-page Manhunter 2070 story by Mike Sekowsky and Dick Giordano.

Edited by Mike Sekowsky.

Young Love #80

Young Love #80 (On Sale: March 3, 1970) has cover not by Bob Oksner and Vinny Colletta as reported elsewhere, but surely inked by Dick Giordano.

This issue begins with "3 Loves... 1 Broken Heart." That is followed by "The Wrong Boy." We end with our cover-story
"Love Me a Little Longer."

Edited by Dick Giordano.

Batman #221

Batman #221 (On Sale: March 3, 1970) has cover by Neal Adams, and what a cover. This is another one of those that I would stare at for hours and think, "Yeah, this is Batman!"

This issue begins with our cover-story "A Bat-Death for Batman" by Frank Robbins, Irv Novick and Dick Giordano. This story is not nearly as exciting or moody as the cover and it could have been. Novick really needed to get some more blacks into the work and the coloring provides no mood whatsoever, relying heavily on stale blocks of orange and green. The story begins with strange goings on along the Rhine River in Germany. A man is devoured in the water by killer trout and a farmer is attacked by rampaging oxen. As luck, or the story would have it, Bruce Wayne is visiting Baron Willi Von Ritter, head of Biochem-Fabrik, Ltd, a chemical company on the Rhine.

Von Ritter lives in Fledermaus Castle, created in the shape of a giant Bat. Von Ritter and his company were cleared of accusations of conspiracy with the Nazis, but he refuses to cooperate with health inspectors who are investigating the strange animal activities. Once at the castle Bruce meets Von Ritter's wife Ilga and his head bio-chemist, Professor Otto Kramm.

That night as Batman, Bruce does a little reconnoitering of the castle's underground maze. There he finds a masked man egging on a lion to fight. The lions attacker? A lamb! The masked man says that he has synthesized the essential chemical elements that trigger the killer instinct in predators and that some of it accidentally overflowed into the Rhine. He plans on using the serum to see that Germany does not fail next time because its armies will possess the primal killer instincts of predators. With that the masked man traps Batman in the room and lets loose some bats which have been exposed to the serum.

Leaving Batman to his fate the masked man takes off his protective mask to reveal Otto Kramm as Ilga brings in the valet to be used as the first human test subject for the serum. However, before they can administer the serum, Batman shows up and Ilga injects Otto with the serum. Once infected Otto turns on Ilga for hurting him and Batman has to jump in to save her. In the ensuing fight Otto is thrown into the pit with the killer lamb and is killed by it.

Ilga is dying but wants to know how Batman escaped the bats and he explains that he used a wadded up piece of tin foil, ripped into strips to confuse the bats sonar and escape. OK, not much of a story here.

The back-up Batman story is "Hot Time in Gotham Town Tonight" by Mike Friedrich, Irv Novick and Dick Giordano. There is a heat wave in Gotham City and the fire department keeps being sent out on false alarms. On their way back from one such false alarm a truck gets a call of a fire in his own building. When they get there the place is in flames and a woman is yelling that her baby is trapped inside. Just then Batman is seen repelling down the side of the building, child in hand. Watching the spectacle are a couple of teenage kids who wonder what would have happened if that had been their kid sister in the fire. They decide to turn themselves in for calling in the false alarms.

Meanwhile, back at the fire the fire inspector says to the fireman that "All signs point toward the firs starting in your apartment Frank!" When they go upstairs they see that the door to Frank's apartment is not burned at all. Inside they find Frank's brother Joey who says he was just polishing an idol he brought back with him from Viet Nam. One of the firemen try to touch the idol and says he is overpowered by the feeling of evil it is generating. It begins to glow and some strange rays flash out from its eyes and suddenly Batman is there racing toward the idol.

He picks it up and with great effort tosses it out of the window where it shatters on the ground below. Once it does the eerie feeling disappears, along with Batman. The closing caption reads: "For the natural violence of life there is always the fireman! For the supernatural violence of life there is always the Batman!" Strange take and one of the first to give Batman some heretofore unknown ability to battle the supernatural. Not a great story, but it points the way that DC was moving and the way they were positioning the Batman. Reprinted in Limited Collectors' Edition C-25.

Edited by Julius Schwartz.

Sam Mitchell covers Green Lantern

Original cover by George Perez and Dick Giordano; DC 1980. Sam Mitchell's website is here.

Wonder Woman #188

Wonder Woman #188 (On Sale: February 26, 1970) has a cover by Mike Sekowsky and Dick Giordano that is a wonderful return to the heavy bondage roots of classic Golden Age Wonder Woman covers.

We begin with our cover-story "Cyber's Revenge" written and penciled by Mike Sekowsky and inked by Dick Giordano. Continuing from last issue, Diana and Ching have been pulled from the waters of Hong Kong Harbor as the Junk that was the headquarters of Dr. Cyber burns. The badly burned Cyber and her associate Lu Shan, maybe I Ching's daughter, escaped with a new power source to be used to power Cyber's earthquaker devices. Ching was shot by Lu Shan and is rushed to the hospital, while Diana and Patrick McGuire meet at the police station and go over the events thus far.

Suddenly Hong Kong is hit by an earthquake and Diana and Patrick head for the streets where they are shot at by a strange car carrying Lu Shan and a assortment of Cyber henchmen. They escape Cyber's people by hiding under some wreckage, when another quake hits Patrick is knocked unconscious. Meanwhile Cyber sends a message to the wold that she must be declared supreme ruler of Earth or she will level every city on the planet with her earthquakers.

Lu Shan and her thugs locate Diana but she overpowers her and chases off the thugs and "convinces" Lu Shan to show them where one of the earthquakers is located. However, suspecting a trap, Diana wants Lu Shan to throw the power switch to turn off the machine and when she refuses Diana once again overpowers her. Eventually Lu Shan is convinced to turn off the earthquakers safely, bypassing the self-destruct feature that she was hoping would catch Diana.

Back at the inspector's office, Diana gets the location of the other earthquakers out of Lu Shan and while the inspector's men go after most of the machine, Diana and Patrick take the last one themselves. They race across the destroyed city to the location of the final earthquaker as it is turned on once again. They make it into the facility but run afoul of a trap door.

When they awaken they are chained to the ceiling and a heavily bandaged Dr. Cyber is there. She removes her bandages and shows Diana the mess she made of her face. Diana turns her face away from the sight and Cyber grabs her and turns Diana toward her. Which is what Diana hoped she would do, come in close enough so that Diana could knock her out with a swift kick to the face. Using the training she was taught by I Ching Diana is able to free herself but then is attacked by Cyber's personal guards, whom she quickly defeats.

As Diana frees Patrick Cyber awakens and attacks her with a sword, but Diana uses the chains to keep Cyber at bay and knock her into a power supply on the earthquaker. As Cyber fries, she pushes the self-destruct button. Diana and Patrick barely make it out alive. From hiding we see Lu Shan, vowing to get revenge. Diana and Patrick then begin helping those wounded in the quakes.

Days later she and Patrick make it to the hospital to check in on I Ching only to find that he is gone. A visitor came to his room and spoke something of Lu Shan and how she had crossed the border into Red China. Ching seems to have followed her. Reprinted in Diana Prince:Wonder Woman Vol. 2 TPB.

We get another great Sekowsky/Giordano teaser page for the next issue followed by a two page filler, "Crime Does Not Pay!" also by Mike Sekowsky and Dick Giordano. This little short is about a pick-pocket who unwisely tries to pick Diana's pocket!

Edited by Mike Sekowsky.

Secret Hearts #143

Secret Hearts #143 (On Sale: February 17, 1970) has a cover inked by Dick Giordano.

This issue begins with "I Never Thought It'd End Like This" inked by Vinny Colletta. Next is "Masquerade" drawn by Alex Toth. We end with "For Singles Only" also inked by Vinny Colletta.

Edited by Dick Giordano.

Showcase #89

Showcase #89 (On Sale: January 27, 1970) has a nice Jason's Quest cover by Mike Sekowsky and Dick Giordano.

Jason's Quest continues this issue with "The Deadly Chase" written and penciled by Mike Sekowsky and inked by, well, I'm not sure. The GCD says this is Jack Abel, but I don't really see it. Abel has a certain smoothness to his inking, particularly around the eyes, noses and hands of characters, that I just don't see in this inking. He is also credited with inking the next issue, and I sort of see some Abel-like inking in that book. If anyone can point me to particular panels that display Abel's technique I would feel much better about this attribution.

As we left Jason last issue, he had just saved his sister's life, not knowing it was her and is now ahead of her on the road to Paris thinking she must be just ahead of him. Meanwhile, Tuborg sends two more assassins after Jason and his sister. Jason on the other hand sees a blond woman on the side of the road with a flat tire and thinks it is his sister, but when he hears her deep southern accent he knows he is mistaken.

She is "Billie Jo Brock of the Lo'siana Brocks" and is immediately smitten with Jason, but her advances are interrupted by gunshots from the two assassins, who also mistake Billie Jo for Jason's sister. They blow the "petrol tank" of Billie Jo's car and she and Jason high-tail it on his bike, the killers in hot pursuit and Billie Jo firing back at them with her own gun. As they are being chased, Jason sees the car of the woman he saved last issue and seeing her without her wig realizes that she is his sister. He lures the gunmen away from her and loses them in some woods.

There his bike runs out of gas and he and Billie Jo take off on foot finding a large empty house in the woods in which to hide. Later the gunmen find the house as well and while Billie Jo passes the time away in a lip-lock with Jason, he feels a gun against the back of his head. But it is not the gunmen, but rather the owner of the house, who had shut it down but remembered something she left and found the broken window where Jason and Billie Jo had entered and now found them. But it seems she is a widow, from Lo'siana as well and actually loosely related to Billie Jo. She provides them some gas for the bike and some cover fire from the assassins while they make their escape.

They gas up Jason's bike and Billie Jo shoots the tires on the assassin's car. They figure out what the four shots must mean and steal a car from the woman's garage and the chase continues. Jason loses them under a bridge and later in a bike race. Later Jason and Billie Jo barely escape from going off the end of an unfinished bridge, but the assassins are not so lucky. They crash off the bridge and die in a horrible explosion. Jason and Billie Jo make it to Paris where Jason tells Billie Jo the entirety of his story and says he must find his sister before Tuborg's men do. Billie Jo says she understands, "Find her, quick-- then come back 'cause Billie Jo has chosen you for herself!'

We then have one of those great Sekowshy full-page previes of the next issue inked by Dick Giordano.

Edited by Mike Sekowsky.

Hot Wheels #1

Hot Wheels #1 (On Sale: January 22, 1970) is based on the Saturday-morning TV show based on the die-cast toy cars from Mattel and features a cover by Alex Toth and Dick Giordano. I loved that Giordano put the kids' faces in a line-up down the left side of the cover like the Justice League of America was doing a this time.

"Wipe-Out at Le Mans" is by Joe Gill, Alex Toth and Dick Giordano. With so much work at Hana-Barbera in recent years, Toth was the perfect guy to draw Hot Wheels and man did he shine on this series, a forgotten gem from DC. We begin in 1959 at Le Mans where driver Mike Wheeler is spinning out of control and about to center-punch another disabled car. He instead throws his car into the wall in an horrific explosion . Mike's young son Jackie rushes to his burning car and is pulled way. Mike is extracted from the wreckage and taken to the hospital where after agonizing hours of surgery they find that he will live, but his leg is so badly damaged that he will never race again. Weeks later a hobbled Mike Wheeler tells his son that he always planned on opening a garage when he retired, it's just happening sooner than he expected. Wow. six beautiful pages from Toth and Giordano of textbook-perfect efficient and evocative story-telling.

So on to California and Wheeler Motors and Jack growing into a teenager at Metro High and hanging out with Janet Martin and being harassed by rich punk Dexter Carter, the plague of Metro City. Dexter and his gang make it so bad on the street of Metro City that a special town hall meeting is called to revoking all drivers licenses held by those under the age of 21 (which would have been highly illegal in California I would think). Anyway Mike talks Jack into going to the meeting and defending the teenagers, which he does by pointing out that most teenagers are responsible drivers. like he and his friends, who have formed a club called Hot Wheels to sponsor closed-course races so kids can have there fun, but responsibly.

The club goes on a PR offensive but Dexter and his goons are not to pleased. While out testing a new car at the track, Hot Wheeler Mickey Barnes is run off the track and crashes due to Dexter and his friends. Dexter challenges Jack to a grudge race and Jack accepts, only Mike will only let him use parts from junkers for a grudge race. They build a car as best they can. On race day they find that Dexter has bought two new v-12 Ferrari's to race against Jack and that he and one of his goons will both be racing against Jack.

Once the race begins Dexter and his goon tray to double-team jack, boxing him in and roughing up his car, but Jack avoids the worst of it. However dexter inadvertently gets caught in the oil slick laid down by his goon and is about to center-punch a pole when Jack floors it and knocks Dexter out of harms way, but knocks himself right into the pole destroying his car. Dexter wins the race but Mike liked what he saw his son do, both in building a competitive car and in saving Dexter's neck and promises that next time he will have his father's full support in building a car.

Next issue promises to be a rematch. Not a bad start for the book. For copyright reasons, this fine series has never been reprinted.

Edited by Dick Giordano.

Batman #220

Batman #220 (On Sale: January 22, 1970) has a cover by Neal Adams. Three things about this cover: 1) I don't normally like the multi-panel covers, but this one completely works for me, 2) some attribute the inks on this cover to Dick Giordano, but I just don't see it, particularly in the Batman figure in panel one, and 3) this is the debut of a radically new Batman logo, this after reverting back to pretty much the original logo less than a year ago. Now I liked this new logo, but it would not last very long; within a year they would slip Robin's name into the logo and a year after that they will move to a new logo that is more a throw-back to the logo they are currently replacing.

This issue has the book-length "This Murder Has Been... Pre-Recorded" by Frank Robbins, Irv Novick and Dick Giordano. It opens up with pretty much a rehash of the cover and then shows us how we got there. Bruce is visited by Marla Manning, the woman whose articles on "Victims Anonymous" was the inspiration for Bruce's own Victims Inc. Program. She relates how she has received anonymous threats ever since she hinted in an article that the death of young file clerk in the city contract bids department might be linked to bidder for a certain city contract. Bruce's VIP had provided some financial aid to the victims sister and when he checks his files on the woman, Sandra Sloan, they are missing and in there place is a note to "Lay off...or else!" Bruce says he will call on Batman's help and sends Manning on her way.

Manning floated the name of Nova Demolition Co. and Bruce checks into them and the other companies who bid on the suspected contract. That night Batman visits Sandra Sloan and is given the brush-off at the door. Suspecting foul play Batman crashes in and interrupts an unknown gunman who gets away. Sloan knows who it was, but refuses to tell. Batman heads to Nova Demolition where he breaks in to look at their records. There he fights with owner Zack Nova, ex-military demolition expert. Nova threatens to call the police on Batman if he doesn't leave and tells him to "lay off."

Batman then visits Manning and convinces her to say in her next article that she has evidence of who killed Sloan. When the article hits the paper, Manning gets a call from Nova, saying he knows she is lying about having proof but offers to give her what she needs for $5,000, the money to be left in a phone booth.

In preparation for the meeting Batman goes to the airport for something and then meets Manning near the phone booth where he takes her place for the rendezvous. As soon as the booth door closes a tape plays of Zach Nova confessing to the murder and then the booth blows up. Manning comes out of hiding and is confronted by Zach Nova plans on killing her just in case she heard his confession. Just then his confession starts replaying and Nova freaks out a bit. Batman comes out of hiding and takes Nova out explaining that he used a black box recorder from a plane to capture the confession and put an inflated Batman costume into the booth while he then ran for cover, expecting that a demolition expert was planning an explosion.

Afterward we learn from Sloan's sister that Nova had saved Sloan's life in Viet Nam and used that to get secret information from Sloan so that he could win contracts. When Sloan could bear it no longer and threatened to expose Nova he murdered Sloan.

Once again, I am disappointed by the Robbins' story, yet I recall loving this stuff 40 years ago.

Edited by Julius Schwartz.