Detective Comics #402

Detective Comics #402 (On Sale: June 30, 1970) has a great cover by Neal Adams.

The Man-Bat returns in "Man or Bat?" by Frank Robbins, Neal Adams and Dick Giordano. The story opens with some thugs pulling a heist at a biochemical lab. what they don't know is that hanging in the rafters above them lurks the tormented Kirk Langstrom, now even more bat than the last time we saw him in the classic Detective #400. He waits in an agitated state for them to crack the safe below so that he can get what he so desperately needs. But just when it seems the hour of his saving is at hand Batman appears to break up the heist. When the Man-Bat appears to join him in thwarting the crime, Batman calls him a friend, but when Man-Bat reveals that he needs something from the safe, something he has brought money to pay for, Batman tries to stop him.

When Batman tries to unmask Kirk he realizes that he is not wearing a mask, but is truly a transformed human. Still he tries to stop the Man-Bat, but is knocked unconscious in the scuffle and Kirk departs with the drug he came looking for.

When he awakens, Batman heads off for the museum when he first met the Man-Bat hoping there to find a clue to his identity. When he gets there he finds Francine Lee, Kirk's fiancée trying to gain entrance. Kirk was supposed to be at an exhibit in Chicago, but he never arrived there and Francine is worried that something may be wrong. Upstairs Kirk has concocted a formula he hopes will reverse his bizarre transformation, but when he is startled by Batman and Francine at his door he drops the serum and flees out the window.

Batman tells Francine that the strange creature who has just fled is her fiancée, Kirk Langstrom, and that when they barged in Batman saw him mouth her name. batman thinks he can recreate the dropped serum in the Batcave and heads off to find Kirk and hopefully a cure for this transformation.

He finds Kirk up on a cliff and when he comes for him Kirk leaps from the cliff in fear, but rather than dying in the fall, huge batwings appear from under his coat and his transformation complete he flies off into the night following the flight of a "brother" bat. He follows the bat to his home, which happens to be, the Batcave. Kirk reaches the inner recesses of the cave just as Batman returns. He is momentarily blinded by the lights as they come one but uses his bat sonar to find an exit. Only, Langstrom's exit is the Batmobile;s entrance and Batman leaps from the car to divert Kirk from hitting it head-on.

He latches on to the Man-Bat, telling him that he is there to help him, to create an antidote, but Kirk takes Batman on a ride to the heights of the Batcave only to drop him from there. Some light fixtures break his fall, but from the floor he sees Langstrom about to fly out the open Batcave entrance. Clicking a remote on his belt Batman closes the door and Kirk is knocked unconscious by the door. Batman then ponders what to do, should he attempt to cure Langstrom, even though his brain may have been permanently damaged by his transformation, or should he leave him alone in his cursed condition? "Merciful heaven--What an impossible decision to make! There can be only one answer...if he must ide...ket it be as the man he once was!"

Batman gets to work in a tale continued in Detective #407. "Man or Bat?" was reprinted in Batman from the 30s to the 70s HC, Man-Bat #1 and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up story is Robin in "My Place in the Sun" by Mike Friedrich, Gil Kane and Vince Colletta. The story begins with Robin flying in on the Arrow Jet with Speedy all the way from Teen Titans #28. Dick shows Roy (Speedy) Harper around Hudson University. In the cafeteria a fight breaks out between some "punks" and a group called Project 70 who work with kids from a nearby juvenile detention farm. Dick changes into Robin to stop the fight. Robin goes after the big punk only to find out that it was the little kid Robin was trying to protect who started the fight.

Back in his room Dick is pissed at himself for jumping to conclusions without any evidence. That day Dick hears it all over campus, as Robin becomes the main topic of discussion. Some of the kids are for him, but many think he is just a vigilante and shouldn't be there. When he returns from shopping he finds Roy in his Speedy threads, heading off for a date with Wonder Girl.

After Roy leaves, Dick begins to question his role as Robin, but in the end he decides to keep the name and the costume. "...if I made a mistake once, I'm not gonna make it again! When I go out into that adult world, I want everyone to know that Robin is no longer a boy, but still a wonder!" Not a great story and certainly not great artwork.

Edited by Julius Schwartz.

Flash #197

Flash #197 (On Sale: March 3, 1970) has a cool cover by Gil Kane, which only makes the ungodly inks of Vince Colletta inside this book all the more unpalatable (and please Dan, don't make up yet another fake identity to tell me how wonderful Vinnie's dreadful inks were. I'm looking at them right now; they were a nightmare!). This cover does beg the one question (maybe not a great question) I have always had regarding the Flash. OK, so somehow he fits this entire costume, with hard-soled boots and all, into his ring. If this was such a great thing, why did he never share it with other DC heroes who had to find inconvenient ways of bringing their costume along with them?

This issue begins with our cover-story "Four Star Super-Hero" by Mike Friedrich, Gil Kane and Vinnie Colletta. This story is based on an interesting idea, how people who work together have silent communication, in this case Detective Charlie Conwell and Barry Allen. When Charlie solves a case he tugs at his ear and Barry touches the tip of his nose as a way of saying "nice going!" It is non-verbal and instinctive between the two of them.

After an overnight snow storm the Ice King is on skis hitting a bunch of jewelry stores when the Flash shows up and takes him out, But after he crashes to the snow he is not moving and his heart is not beating. An ambulance shows up and takes the Ice King away, but a few blocks later we see that the ambulance is a fake and the Ice King has turned off his pacemaker to simulate death (OK, so pacemakers don't work that way, but Friedrich obviously didn't know that). back at the scene of the crime Charlie shows up and asks Flash how the ambulance showed up so quickly. Flash replies that he was too stunned to think straight at which Charlie tugs at his ear and proclaims, "The ambulance was a cover for Ice's getaway!" Out of reflex Flash touches the tip of his nose as Charlie stares at him. Realizing his mistake Flash tried to cover up by faking a sneeze, but Charlie is now wondering about the Flash.

The next morning Barry finds out that wife Iris has been made the temporary drama critic for Picture News and she suggests that Barry get involved in the local drama scene., which he does getting a part in the local production of Hamlet. the morning of their opening night the entire cast, except Barry comes down with some sort of virus and as the Flash Barry suggests to director (and curator of the Flash Museum, Dexter Myles, that he can do the entire performance on his own.

Dexter reluctantly agrees and that night the Flash, moving at super-speed, plays all of the parts in Hamlet. During the curtain call he reveals that he is the Flash. Afterward however, he begins to feel ill, just as Ice and his gang, disguised as cops show up. In the middle of a violent seizure due to the virus now attacking his body the Flash is in no condition to take on Ice and his gang, who beat the crap out of him. However, once rested Flash is back in action and takes out the gang.
The next day Charlie Conwell comes to visit the ill Barry Allen at his home and sees that Barry is being visited by the Flash, which is of course Barry moving at super-speed again and looking as if he is two separate people.

The back-up story is "To the Nth Degree" by Robert Kanigher, Gil Kane and Vinnie Colletta. Professor Ira West creates a breakthrough telescope that can pierce hyper-space and allow one to see stars thousands of light-years away as they exist today.The professor is sending the telescope to the Astronomical Society and an amateur telescope to son-in-law Barry Allen, but he gets the labels mixed up and Barry gets the "hyper-scope"

Through the "hyper-scope" Barry sees an inhabited planet in the process of exploding and uses the scope to transport himself to the planet where he is able to stop the explosion and save the aliens. Once back home Professor West shows up to pick up his scope, realizing the shipping mistake he had made. But the Professor drops the scope and shatters the special lens, but says not to worry as he "wrote all the data I need to grind a duplicate lens on a wall in my lab."

Returning to his lab though he finds that the painters have just finished repainting the wall and secret of the Nth Degree lens is lost forever.

Edited by Julius Schwartz.

Batman #221

Batman #221 (On Sale: March 3, 1970) has cover by Neal Adams, and what a cover. This is another one of those that I would stare at for hours and think, "Yeah, this is Batman!"

This issue begins with our cover-story "A Bat-Death for Batman" by Frank Robbins, Irv Novick and Dick Giordano. This story is not nearly as exciting or moody as the cover and it could have been. Novick really needed to get some more blacks into the work and the coloring provides no mood whatsoever, relying heavily on stale blocks of orange and green. The story begins with strange goings on along the Rhine River in Germany. A man is devoured in the water by killer trout and a farmer is attacked by rampaging oxen. As luck, or the story would have it, Bruce Wayne is visiting Baron Willi Von Ritter, head of Biochem-Fabrik, Ltd, a chemical company on the Rhine.

Von Ritter lives in Fledermaus Castle, created in the shape of a giant Bat. Von Ritter and his company were cleared of accusations of conspiracy with the Nazis, but he refuses to cooperate with health inspectors who are investigating the strange animal activities. Once at the castle Bruce meets Von Ritter's wife Ilga and his head bio-chemist, Professor Otto Kramm.

That night as Batman, Bruce does a little reconnoitering of the castle's underground maze. There he finds a masked man egging on a lion to fight. The lions attacker? A lamb! The masked man says that he has synthesized the essential chemical elements that trigger the killer instinct in predators and that some of it accidentally overflowed into the Rhine. He plans on using the serum to see that Germany does not fail next time because its armies will possess the primal killer instincts of predators. With that the masked man traps Batman in the room and lets loose some bats which have been exposed to the serum.

Leaving Batman to his fate the masked man takes off his protective mask to reveal Otto Kramm as Ilga brings in the valet to be used as the first human test subject for the serum. However, before they can administer the serum, Batman shows up and Ilga injects Otto with the serum. Once infected Otto turns on Ilga for hurting him and Batman has to jump in to save her. In the ensuing fight Otto is thrown into the pit with the killer lamb and is killed by it.

Ilga is dying but wants to know how Batman escaped the bats and he explains that he used a wadded up piece of tin foil, ripped into strips to confuse the bats sonar and escape. OK, not much of a story here.

The back-up Batman story is "Hot Time in Gotham Town Tonight" by Mike Friedrich, Irv Novick and Dick Giordano. There is a heat wave in Gotham City and the fire department keeps being sent out on false alarms. On their way back from one such false alarm a truck gets a call of a fire in his own building. When they get there the place is in flames and a woman is yelling that her baby is trapped inside. Just then Batman is seen repelling down the side of the building, child in hand. Watching the spectacle are a couple of teenage kids who wonder what would have happened if that had been their kid sister in the fire. They decide to turn themselves in for calling in the false alarms.

Meanwhile, back at the fire the fire inspector says to the fireman that "All signs point toward the firs starting in your apartment Frank!" When they go upstairs they see that the door to Frank's apartment is not burned at all. Inside they find Frank's brother Joey who says he was just polishing an idol he brought back with him from Viet Nam. One of the firemen try to touch the idol and says he is overpowered by the feeling of evil it is generating. It begins to glow and some strange rays flash out from its eyes and suddenly Batman is there racing toward the idol.

He picks it up and with great effort tosses it out of the window where it shatters on the ground below. Once it does the eerie feeling disappears, along with Batman. The closing caption reads: "For the natural violence of life there is always the fireman! For the supernatural violence of life there is always the Batman!" Strange take and one of the first to give Batman some heretofore unknown ability to battle the supernatural. Not a great story, but it points the way that DC was moving and the way they were positioning the Batman. Reprinted in Limited Collectors' Edition C-25.

Edited by Julius Schwartz.

Flash #195

Flash #195 (On Sale: January 22, 1970) has a cover by Neal Adams.

This issue begins with "Fugitive from Blind Justice" by Robert Kanigher, Gil Kane and Murphy Anderson. I think I have said enough times in this blog how much I loved this art team. It's one that you never hear mentioned, but one that clicked on so many levels. This story has an interesting beginning, the Flash is at the Jerry Lewis Telethon and is signing autographs at super-speed for three of the most prolific letter-writers of the time: Irene Vartanoff, Peter Sanderson and soon to be famous writer Mark Evanier. This was a neat touch with which to open the story.

On the way home from the telethon, Flash meets a couple in Central Park and the woman wants a picture taken with the Flash. He complies, but the flash of the camera is blindingly bright and Flash is set upon by a gang of killers out to get him. He tries to fight them, but keeps stumbling over things (why he didn't just vibrate in place until he could see again is beyond me), and if finally saved by a dog who shows up and attacks the gunmen, then scampers off, though not before Flash sees the dog in his returning eyesight.

The next day the headlines in the paper are of millionaire Philip Bentley being killed by his dog Lightning. Barry recognizes the dog as the one who saved his life and doesn't believe that he could have turned killer. At the animal detention center, Bentley's brother is relating the story of how he saw the dog attack his brother. Flash says how he doesn't believe it and arranges for a 24-hour stay of Lightning's execution. However, he searched in vain for any of the killers or the couple who set him up. The next morning the Flash dog-naps Lighting before he can be executed and uses Lightning's nose to try and locate the gang, to no avail, but they do rescue a blind man who had fallen into the water.

Flash leaves Lightning with the blind man and heads to the Bentley estate to see if he can pick up any clues there. There in the greenhouse Flash encounters Bentley's brother and mobster Vic Torrence in an argument. Flash also recognizes Vic's voice as being one of the gang that tried to kill him. Flash gets disoriented by the fumes of a noxious plant and is once again saved by Lightning.

Later at the reading of Bentley's will his entire estate is given to Lightning to be administered by someone of Lightning's choosing. He chooses Barry Allen who sets up an annuity to provide for Lightning and gives the rest of the estate to the Jerry Lewis Telethon.

The back-up story is "I Open My Mouth... But I Can't Scream" by Harlan Ellison fan Mike Friedrich, Gil Kane and Vince Colletta. The less said about the abysmal inks on this one, the better. This is a strange little tale of Barry Allen on a roller coaster and him being paralyzed with fear. Barry relates how his first date in high school had been to a carnival and the girl had talked him into riding the coaster and how frightened of it he was and still was years later when he and wife Iris chaperoned the police athletic league champs to a carnival and the kids wanted to ride the coaster. Once on the coaster Barry sees that the track is damaged but is frozen with fear, but after a gut-wrenching scream he Flashes down the track and repairs it before any tragedy can occur. Barry believes it was the scream that "set him free" from his fear and now can't wait to go back for another ride.

Edited by Julius Schwartz.

Our Army at War #217

Our Army at War #217 (On Sale: January 3, 1970) has a great Sgt. Rock cover by Joe Kubert. I know the theme is a common one for DC war books, but in this case it is, 1) so masterfully drawn by Kubert and 2) an actual scene from the story. I love the way Kubert splits his cover between the above and below water shots.

This issue begins with Sgt. Rock in "Surprise Party" written and drawn by Joe Kubert. The men of Easy Co. are acting a little strange around Sgt. Rock but before he can get to the bottom of it they are given a mission. The progress into enemy country has been stopped for the last 48 hours by a company of Nazi soldiers on the other side of a river with some big guns waiting for the G.I.s to set foot on the only bridge in the area. Rock and his men are to "surprise" the enemy.

That night they quietly enter a raft and head out across the river. On the other side a group of enemy scuba divers to the same. Rock notices bubbles in the water getting thicker and they hurl grenades underneath them, killing the divers but also blowing up their raft and losing any element of surprise they might of had. They come ashore under the bridge and are met and captured by a platoon of Germans. Rock breaks down and tells the Germans that the rest of their men will be coming over the bridge soon and as they divert their attention solely to the bridge, the rest of Easy Co. comes up from behind them in the real "surprise" attack.

After the battle is over and won by Easy, the men come to Rock and wish him a "happy Birthday" complete with a gift. Noting the seedy nature of Rock's shirt and helmet they give him a bag with new clothes scrounged from "miles behind the lines" to replace his tattered duds. Only the shrapnel from the big guns they destroyed ripped through the bag and Rock's new clothes are in worse shape than the ones he is wearing.

Next is a beautiful one-page Warrior on William the Conqueror by the masterful Ken Barr.

The back-up "Come the Revolution" is by Mike Friedrich and Fred Ray and concerns Davy and Dan two pioneer settlers in early America. Returning home from a day of hunting they find their farms destroyed, burned to the ground. Dan is enraged by the "big city radicals" who think they can disobey the crown. He says when people start destroying what others have worked their lives for, then you have to defend it and he goes off to "get me a few rebels."

Joining up with group of the King's finest Dan is upset when he is not allowed to chase after the rebels. He decides to sneak off and kill a few rebels on his own, only he is shot by a sniper. Ducking behind a rock Dan sneaks up on the sniper and kills him. One of the King's men search the sniper for personal effects to be sent to his family and finds an unmailed letter. He gives it to Dan to see if there is an address to which they can send the body.

Opening the letter he finds it addressed to him and from his friend Davy, who says he has joined the revolution because there is something worth fighting for and that is freedom. Davy says how he was inspired to pick up his musket and use it by Dan.

Edited by Joe Kubert.

Batman #219

Batman #219 (On Sale: December 4, 1969) has a nice cover by Neal Adams. This is the last issue to use this long-time logo.

We begin with our cover-story, "Death Casts the Deciding Vote" by Frank Robbins, Irv Novick and Dick Giordano. Bruce Wayne heads to the state capitol to find public funding for his Victims Inc, Program but when he reaches the governor's office he finds Senator Lincoln Webster already there. Webster is visiting on the sly and informs Bruce that a new anti-crime bill he is sponsoring will put V.I.P. out of business, but that there might be a federal "Health and Welfare" bill that some of Bruce's ideas might be tacked on to.

Webster invites Bruce to fly with him back to Washington, DC where he needs to be tomorrow to vote on his bill and promises to introduce Bruce tot he right people. Little do they know that they are being watched and followed as they leave the state house. They take a commuter flight back to DC but things go bad almost immediately.

Unbeknownst to Bruce and Webster, the plane has been hijacked. Bruce notices that the plane is flying in the wrong direction and breaks into the cockpit to see what is going on. There he is knocked out and hijackers tell the passengers that Bruce was a hijacker and that they are the FBI. Webster knows something is up, but does not want to reveal his identity. They put Bruce in a back room where he escapes and returns to the front of the plane as Batman. They threaten to kill Webster if Batman doesn't stop and he is also captured and thrown in with Bruce Wayne (Bruce used inflated Mae Wests to fill out his clothing when he changed into Batman garb).

The hijackers land the plane at an abandoned airfield. There they reveal that they are simply holding Webster until after the vote of his bill, so that it will fail. When they go to check on Batman, they find an unconscious Bruce Wayne and an open door where they assume Batman has escaped. They move Bruce back up with the passengers and he talks the Senator into faking a heart attack. Bruce convinces the hijackers to fly to a nearby medic. When they take off, batman pops up in the cockpit. The gunmen freak out and run back into the passenger area where Bruce gets the better of them. He then rushes to the cockpit where he deflates the Batman suit he had rigged with the wheels hydraulic mechanism and tells the pilots to head for DC.

As they approach DC for landing the wheels open and suck the Batman suit out of the plane, which is sort of what you see on the slightly misleading cover. Not a great story by any means, but also not what this issue is known for.

The back-up story is "The Silent Night of the Batman" by Mike Friedrich, Neal Adams and Dick Giordano. This is a beautifully done Christmas tale of a Christmas Eve which Batman spends singing Christmas carols with Commissioner Gordon and his men, while out across Gotham the spirit of Batman stops one crime after another. Sometimes it is a Batman toy, sometimes a blind man in a Batman costume, sometimes the shadow of a suspension bridge forming a Batman symbol. It is a classic tale like no other and has been reprinted in Limited Collectors' Edition C-43, Christmas with the Super-Heroes #1 and Batman Illustrated by Neal Adams Vol. 2 HC.

One more back-up before we go and that is "Time to Kill" by Henry Kuttner and John Giunta and reprinted from Phantom Stranger #5. This is a great little story about a rivalry between two scientists, a time machine and a murder that becomes a suicide. Henry Kuttner was a client of Julius Schwartz's, a science-fiction writer who only wrote 21 stories for DC comics. Twenty of them were written between 1944 and 1946 and all twenty were Green Lantern stories. This, his 21st and last story was written in 1953. Besides his work for DC, Kuttner also wrote for Fawcett, Ace and Avon Comics and worked for a while out of the Chesler Studio.

Kuttner was married to Catherine Louise Moore, also a writer and they co-authored a number of science-fiction novels together. Kuttner is the creator of Elak of Atlantis, an early sword and sorcery character. Ten of Kuttner's novels were published after his death in 1958. The Best of Henry Kuttner was published in 1987 and Catherine Lucille Moore and Henry Kuttner: A Marriage of Souls and Talent: A Working Bibliography was published in 1986.

Kuttner wrote under a number of pseudonyms including Lewis Padgett. One of his stories (co-written with his wife) was Mimsy Were the Borogoves which was adapted into the feature-length film The Last Mimzy.

Edited by Julius Schwartz.

Green Lantern #74

Green Lantern #74 (On Sale: November 26, 1969) has a great cover by Gil Kane.

Green Lantern stars in "Lost In Space" by Mike Friedrich, Gil Kane and Murphy Anderson. This is Friedrich's last Green Lantern story and it's a pretty good one, uniting two villains and two secondary characters (OK, one of them is also one of the villains) and has a nice feel to it. On top of that we have some wonderful artwork by Gil Kane and Murphy Anderson. Good issue this one.

Continuing from last issue which ended with Green Lantern turning Star Sapphire back into Carol Ferris and Sapphire giving one last command before being vanquished, a command that banished Green Lantern to space in his civilian identity and with no knowledge that he is Green Lantern. So, we begin with Hal Jordan floating in space and freaking out! He tries to keep his sanity by remembering what he knows to be true: He is Hal Jordan. He used to be a test pilot. He now has something to do with toys. Yes, he sells toys!

In his pocket he finds a toy spaceship and as he begins to lose his grip on sanity he wishes it to be real, and suddenly it is! Hal knows of only one man who can accomplish that, Green Lantern and so he remembers who he is! As Green Lantern he heads back to Earth to finally tell Carol Ferris who she is. He finds her on the beach and as he nears her she turns back into Star Sapphire. It is the work of Sinestro, who returns to Sapphire the royal gem whom which she obtains her powers.

Together Sinestro and Sapphire attack Green Lantern, whose 24 hours of power suddenly run out. He falls to the sand and Sinestro moves in for the kill. But he has not counted on Sapphire's love for Green Lantern, she only wishes to defeat him so that he will relent to be her mate. Sapphire and Sinestro begin to battle one another in a fight most evenly matches.

Meanwhile Tom "Pieface" Kalmaku wakes up to the news that Green Lantern has been severely injured. Seeing video of Lantern on the beach Tom heads out to assist. Green Lantern on the other hand awakes and seeing Sinestro and Star Sapphire engaged in battle slowly begins to crawl back to his hotel, where his power battery is stashed. The effort is grueling and as he closes in on the hotel steps Sinestro puts up a barrier in his path. Green Lantern collapses, but Tom is waiting in the bushes with the power battery and after a quick recharge Lantern heads back into battle.

Sensing that Sinestro is only a match for him with the added power of Star Sapphire, Green Lantern takes her out first and Sinestro gives up. However, as Green Lantern tries to take him in, he disappears. Green Lantern finds Carol Ferris on the beach and finally tells her that her obsession with him is a dangerous thing, for she is Star Sapphire. She refuses to accept the truth and runs off. Back at Tom's house, Tom says that at least Carol never did anything as Sapphire to land her in jail and Hal agrees.

This story has been reprinted in Green Lantern :The Greatest Stories Ever Told TPB and Showcase Presents: Green Lantern Vol. 4 TPB.

Edited by Julius Schwartz.

Green Lantern #73

Green Lantern #73 (On Sale: October 14, 1969) has a great cover by Gil Kane. It is moody and effective.

"From Space Ye Came --" by Mike Friedrich, Gil Kane and Murphy Anderson has some beautiful artwork. After the last few issue where Joe Giella and Vince Colletta butchered Gil Kane's wonderful pencils, it is great to see an inker up to the task. Returning to Coast City Hal Jordan runs into his old buddy Pieface from Ferris Aircraft, who now owns half a dozen gas stations. Later after checking into his hotel an off-shore oil rig explodes and as Green Lantern Hal caps it and cleans up the mess. All the while, people watching from the beach, particularly the women, are digging the Green lantern hero vibe.

When finished with the clean up Hal meets his adoring throng, one of whom is old flame Carol Ferris. Hal grabs Carol and flies way with her for some private time. She explains that she has broken off her engagement to millionaire Jason Belmore because she can't get Green Lantern out of her mind or her heart. Sensing that he is about to fall back into a big pile of emotional drama, Green Lantern abruptly leaves. back in her apartment Carol pulls out a sapphire brooch given to her by Jason. Both Carol and Hal are engulfed in thoughts of love for the other, but Hal decides to talk to Pieface about it only, when he leaves his hotel he finds the oil well has blown again.

Once more he cleans up the mess only before he can return to being Hal Jordan, guests in the hotel are being chased by giant apparitions of famous guests from the hotel's past. While keeping people from harming themselves in the panic, Hal finds himself being attacked by the ghostly faces. As Hal uses his ring to try and determine who created the apparitions they quickly dissipate and are replaced by a very real Star Sapphire.

She explains that she has been creating the problems in Coast City to weaken Green Lantern's resistance so that he will consent to be her regal consort. Hal uses his ring against Sapphire and forces her to change back to her real identify of Carol Ferris. As she feels her identity slipping, Sapphire issues one final mental command, transforming Green Lantern to his other identity and banishing him to outer space.

Hal finds himself floating in space unaware the he is Green Lantern! This is Mike Friedrich's first Green Lantern in more than a year and the next to last one he would write. Reprinted in Showcase Presents:Green Lantern Vol. 4 TPB.

Edited by Julius Schwartz.

Detective Comics #391

Detective Comics #391 (On Sale: July 31, 1969) has a cover by Neal Adams.

We begin with Batman in "The Gal Most Likely to Be -- Batman's Widow" by Frank Robbins, Bob Brown and Joe Giella. Tim Clark a masseuse and physical therapist at Bruce Wayne's club is having problems with his girlfriend, Ginny Jenkins (from Detective Comics #380). She has started working for Mr. Arnold at Dining Out Magazine. Through an accidentally turned on intercom Tim and Bruce learn that Mr. Arnold is using the magazine to extort advertising money out of restaurants. While Bruce leaves to change into Batman, Tim learns of Ginny's inadvertent involvement in the plan, as she is the magazine's reviewer.

That night at a restaurant being visited by Mr. Arnold and Ginny, two good threaten to ruin the food if the owner does not buy an expensive ad. the plot is broken up by Batman, but the owner refuses to finger Arnold as the instigator. that night Tim tries to warn Ginny that Arnold is a crook, but Ginny just thinks he is jealous and won't listen to him. Tim thinks she would listen if Batman was the one telling her and then hatches a plan.

Arnold meets his henchmen in the sauna at the club once again and gives them the orders for tonight's restaurant attack. When they leave Batman is seen leaving the building and an unseen person removes a bar of soap from the sauna. At tonight's restaurant, the owner is prepared to pay the extortion money when Batman comes to him with a plan. Shortly the waiter brings Arnold and Ginny a souvenir of the restaurant, only Batman shows up and reveals that the small models actually contain the pay-off money. Arnold pulls a gun, but Batman knocks him out and then comforts Ginny.

Arnold comes to and calls for his men who sneak up on Batman and knock him out. Before they throw him off the balcony to his death they unmask Batman and find that he is Tim Clark. Only the real Batman shows up at that time and mops up the gang, reveals that the money they were given was marked by the owner and also reveals a small tape recorder hidden in a bar of soap that Batman used to gather evidence against Arnold and his men.

The back-up Robin story is "Strike" by Mike Friedrich, Gil Kane and Murphy Anderson and continues from last issue. Personally, I thought last issue was a pretty much jumbled mess and this issue doesn't really do much to rectify that feeling.I never liked the Friedrich Robin stories, they never rang true for me, though he sure wrote a lot of them in his five years at DC.

The head negotiator for the college has abruptly ended negotiations with the Teachers' Union. Dick Grayson and Gotham Owl editor Rocky follow the negotiator and see him talking to two kids wearing Skyline jackets, one of whom Dick recognizes as the one that got away from the skirmish Friday night.

Rocky leaves and Dick is free to change into Robin and after a relatively quick fight the head negotiator tells how he was blackmailed into ending negotiations and that someone had tried to run over his son. One of the Skyline kids tells Robin who their boss is, where to find him and what type of protection he has.

Robin quickly foots it to the bosses HQ, and knock out the two guards he was warned about outside the building. He then races into the big man's office only to find two more gunsels that he knew nothing about. Robin realizes he has been set up , but as the thugs prepare to blast him, the police call out over a loudspeaker for the thugs to surrender with their hands up. Robin uses the momentary distraction to take out the two thugs and the big boss. When he calls for the police to come in and take them all away he finds that it was only Rocky, who had followed Robin to the thugs hideout.

It ends up the big boss owned land adjacent to the college and wanted to make sure that his land was used for the campus expansion. Later the negotiations are begun again and a new contract is quickly signed. This story was reprinted in Batman in the Sixties TPB and Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.

Edited by Julius Schwartz.

Phantom Stranger #3

Phantom Stranger #3 (On Sale: July 15, 1969) has its first cover by Neal Adams, and the new Neal Adams logo. What is interesting is that while the logo depicts the revamped Phantom Stranger, using his hat's shadow as a mask, the cover shows an entirely different guy, closer to the Bill Draut covers of the first two issues.

We begin with the Phantom Stranger in "How Do You Know My Name?" a reprint from Phantom Stranger #5 (1953) by John Broome, Frank Giacoa and Joe Giella. A carnival mystic, Vasti, predicts supernatural behavior will increase at an amusement park. Suddenly ghosts and spectres are seen and cause trouble for the park. The Phantom Stranger investigates in order to debunk the supernatural explanation. He exposes Vasti as a fraud, trying to force the park owner to sell cheaply.

Next we have Doctor 13 in "No Such Thing as Ghosts" a reprint from Star-Spangled Comics #126 by France Herron and Leonard Starr. We end with the only new material in the book, the Phantom Stranger in "Some Day in Some Dark Alley..." by Mike Friedrich and Bill Draut. This was reprinted in Showcase Presents: Phantom Stranger Vol. 1 TPB.

Edited by Joe Orlando.

Detective Comics #390

Detective Comics #390 (On Sale: June 26, 1969) has a Batman cover by Irv Novick.

We begin with "If the Coffin Fits -- Wear It" by Frank Robbins, Bob Brown and Joe Giella. There is a new villain in Gotham, the Masquerader, and every time Batman fights him his goons rip Batman's costume to shreds. Batman is down to his last bat-suit when he gets a call from Commissioner Gordon, who has a note from the Masquerader. The note contains a clue that sends Batman and Robin to the Gotham Coliseum where the Annual Gotham Sports Show is being held. complete with an exhibit of gold medal, cups and trophies. While Robin releases the bound and gagged guards, Batman interrupts the Masquerader and his gang in mid theft, but his goons once again manage to shred Batman's costume. Robin and the police show up to help mop up the gang but the Masquerader gets away through an air-conditioner duct that seems way too small for the Masquerader's bulk.

Bat at his hide out one of the Masquerader's goons hands him a piece of Batman's costume containing the label of Batman's tailor, Sam Tweed. Back in the Batcave batman calls Tweed to order a new costume and Sam says he has one ready and waiting and that he will drop it off at police headquarters as usual. Robin is sent into town to fetch Batman's costume and arrives back in time to hear Batman get another call from Gordon with another clue from the Masquerader. Inside the box with Batman's costumes they find a Masquerader costume and when Batman calls Sam Tweed, Sam confesses that he was forced at gun-point to put add in the extra costume. Sam is about to reveal the Masqueraders identity when Batman hears two gunshots and the Masquerader gets on the phone.

Batman sends Robin off where the clue seems to point and he heads over to Sam's shop, finding him barely alive. He gives Batman an address before slipping into unconsciousness as the ambulance arrives to take Sam to the hospital. Batman heads off to the address Sam gave him, bursting into the building and finding the Masquerader waiting for him. The Masquerader turns on some giant heat lamps and Batman attacks him. Batman's fists, seem to bounce off the Masquerader to no ill effect as the Masquerader mentions that Batman must be feeling a little constricted right about now.

Batman grabs the Masquerader in a bear hug, but he presses a button in his suit and it deflates, making him much smaller. Batman is fining it almost impossible to move as his suit is getting smaller and smaller and the Masquerader brags that he has "sewed you into your own shroud!" He reveals himself to be Sam Tweed, who had created a special costume made of hygroscopic mono-filament, strong as steel but loose and flexible ass long as it can absorb moisture from the air. Under the head-lamps it is slowly constricting and will crush Batman, leaving Tweed to become the mastermind of crime in Gotham. With his last bit of strength, batman pulls a small laser from his utility belt and aims it at the ceiling causing the automatic sprinkler system to engage. Moister returned to his suit, Batman makes quick work of Tweed.

The back-up Robin story "Countdown to Chaos" is by Mike Friedrich, Gil Kane and Murphy Anderson. This is a story of vignettes that don't seem to come together as a whole, yet, though I'm sure they will by next issue. Dick Grayson returns to Gotham High after having the flue, specifically to the editorial offices of the Gotham High Owl. There we learn that Dick not only has a date tonight with cutie editor Sandy Cole, but that he has been working on digging up information about which side of the campus, east or west, will be the site of new classroom construction. This is apparently a sticking point in the negotiations between the contract-less teachers union and the school district. We also learnt that editor Craig "Rocky" Rockland is working on a major, "hold the presses" editorial, but he is keeping its contents under wraps.

That night after Gotham High beats Skyline, some kids wearing Skyline jackets start attacking Gotham students. Unfortunately one of their targets has a secret identity and quickly changes into it in order to pound some Skyline butt. One of the "kids" seems older than the rest, but he gets away and Robin can't take the time to chase him as he has to turn back into Dick Grayson or spoil his date with Sandy. None of the Skyline kids will say why they attacked the Gotham kids.

The next week Rocky's editorial has come out, stating why the west-side site is superior for the new construction. that same afternoon the head negotiator gets a phone call threatening his family if he doesn't do as he is told. He then holds a press conference saying that because of the obstinance of the teacher's representatives, there will be no further talks. Dick knows this means the teachers will go on strike. It has been reprinted in Batman in the Sixties TPB and Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.

Edited by Julius Schwartz.

House of Secrets #81

House of Secrets #81 (On Sale: June 3, 1969) has a cover by Neal Adams as it rejoins the DC ranks after being AWOL for the past three years.

We begin with "Don't Move It!" by Mike Friedrich, Jerry Grandenetti and George Roussos which is the origin story for the House of Secrets. That is followed by "House of Secrets" drawn by Bill Draut and containing the first appearance of Abel in the House of Secrets (remember he premiered in last month's DC Special #4).

Next is a text story, "Burn This House!" by persons unknown. That is followed by "Aaron Philips' Photo Finish!" by Gerry Conway and Jack Sparling. The issue ends with an Epilogue to the "House of Secrets" drawn by Bill Draut. The entire issue was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

This was Gerry Conway's first story for DC. Between now and 1990 Gerry would write 630 tales for DC. He began selling such anthological stories here and for Marvel's Chamber of Darkness and Tower of Shadows through the end of 1970. He published his first continuing-character story in The Phantom Stranger #10.

Conway broke into Marvel Comics through Marvel editor Roy Thomas as he explained in Back Issue #26:

"I'd been writing for DC Comics for two or three years . . . but to paraphrase the joke about the actor's ambitions to be a director, what I really wanted to do was write superheroes — specifically Marvel heroes. Through friends I'd become acquainted with Roy Thomas, who was Stan Lee's right-hand man at the time, and Roy offered me a shot at the Marvel 'writing test'. Stan wasn't impressed, but Roy liked what I did, and began throwing some short assignments my way, including scripting over his plot on an early Ka-Zar [story]...”

Following his first continuing-character story for Marvel, with his script for Ka-Zar in Astonishing Tales #3, Conway's began writing superhero stories with Daredevil #72. He quickly went on to assignments on Iron Man, The Incredible Hulk, and both "The Inhumans" and "The Black Widow" features in Amazing Adventures. Conway would eventually script virtually every major Marvel title, as well as co-create (with writers Roy & Dann Thomas and artist Mike Ploog) "Werewolf by Night", in Marvel Spotlight #2; and write the premiere issue of Marvel's The Tomb of Dracula, introducing the longstanding literary vampire into the Marvel universe. He scripted the first Man-Thing story, in 1971, sharing co-creation credit with Stan Lee and Roy Thomas.

At 19, Conway began scripting The Amazing Spider-Man, one of Marvel's flagship titles. His run, from issues #111–149, included the landmark death of Gwen Stacy story in #121. Eight issues later, Conway and Ross Andru introduced the Punisher as a conflicted antagonist for Spider-Man. The character went on to become a popular star of numerous comic books and has been adapted into three movies. Conway additionally scripted Marvel's other flagship, Fantastic Four, from #133–152.

Gerry Conway succeeded Marv Wolfman as editor-in-chief of Marvel Comics in mid-1976, but held the job only briefly, relinquishing the post before the year was out and succeeded in turn by Archie Goodwin.

Conway returned to DC Comics in mid-1975, beginning with three books cover-dated Nov. 1975: Hercules Unbound #1, Kong the Untamed #3, and Swamp Thing #19. Shortly afterward, he was chosen by Marvel and DC editors to script the historic inter-company crossover Superman vs. the Amazing Spider-Man #1, a 96-page, tabloid-sized, $2 one-shot, at a time when comic books sold for 25 cents.

He continued writing for DC, on titles including Superman, Detective Comics (starring Batman), Metal Men, Justice League of America, 1st Issue Special #11 starring Codename: Assassin, and that of the licensed character Tarzan, yet briefly returned to Marvel as editor in mid-1976. For a time, a confluence of publishing schedules resulted in Conway stories appearing in both Marvel and DC comics in the same month.

After leaving Marvel's editorship, he again wrote exclusively for DC, writing both major and lesser titles — from those featuring Superman, Batman, Wonder Woman, the Justice League of America, and the Legion of Super-Heroes to such books as Weird Western Tales, Atari Force and Sun Devils — through mid-1986. His co-creation Firestorm, "the Nuclear Man", debuted in the eponymous Firestorm #1, which lasted five issues before being canceled during a 1978 DC retrenchment. The character then starred in a backup feature in The Flash before again receiving his own series, The Fury of Firestorm (later Firestorm the Nuclear Man), from June 1982 – August 1990; Conway wrote most of the first half of the run, plus four of its five annuals.

Conway returned to Marvel in the 1980s and served as the regular writer of both The Spectacular Spider-Man and Web of Spider-Man from 1988 until 1990. He relinquished writing duties on both titles when he became the script-editor of TV's Father Dowling Mysteries.

Conway's last recorded comics credit is Topps Comics' "Kirbyverse" one-shot NightGlider #1 , scripting from a Roy Thomas plot.

In addition to comics, Conway published two science-fiction novels: The Midnight Dancers and Mindship. He also wrote the February 14 - December 3, 1983 dailies of the syndicated newspaper comic strip Star Trek.

Conway as well moved into screenwriting in the 1980s, starting with the animated feature Fire and Ice in 1983, co-written with Roy Thomas, based on characters created by Ralph Bakshi and Frank Frazetta. Conway and Thomas wrote the story basis for Stanley Mann's screenplay for the film Conan the Destroyer.

Conway went on to write, and eventually produce, for such TV series as Diagnosis Murder, Matlock, Jake and the Fatman, Father Dowling Mysteries, Hercules: The Legendary Journeys, Baywatch Nights, Pacific Blue, Silk Stalkings, Perry Mason telefilms, Law & Order, The Huntress, Law & Order: Criminal Intent, and an episode of Batman: The Animated Series.

Edited by Joe Orlando.

Phantom Stranger #2

Phantom Stranger #2 (On Sale: May 13, 1969) has a cover by Bill Draut. The character is still two issues away from a stylistic redesign at the hands of Neal Adams which will transform the character forever.

The new story this issue is "The Man Who Died Three Times" by Mike Friedrich and Bill Draut. With this story they bring the Doctor Thirteen character into interaction with the Stranger. This was reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.

They round out the book with reprints. From the old Phantom Stranger #1 comes "The House of Strange Secrets" by John Broome, Carmine Infantino and Joe Giella. Neal Hunter is lured to a strange house after he is led of the main road. Neal enters the house and is greeted by a man who wishes to kill him. The Phantom Stranger appears and protects Neal. The killer then disappears and the house changes.

Neal and the Phantom Stranger explore the house as the killer strikes again. The Stranger learns that the killer is the former apprentice of a dead magician named Robart. He believes that by killing Hunter he will gain immortality. The Stranger then exposes the killer's magic as a fraud and rescues Neal. The apprentice is killed himself during an attack on the Stranger.

From Star Spangled Comics #128 comes Doctor Thirteen in "The Girl Who Lived 5,000 Years" by France Herron and Leonard Starr.

Edited by Joe Orlando.

Our Army at War #207

Our Army at War #207 (On Sale: April 1, 1969) has a Sgt. Rock cover by Joe Kubert.

We begin with Sgt. Rock in "A Sparrow's Prayer" by Robert Kanigher and Joe Kubert. The back-ups are "Top of the World" drawn by Sid Greene and "SOS Send Our Food" by Mike Friedrich and Ed Robbins. This is the second of Ed Robbins' 1969 DC stories.

Edited by Joe Kubert.

Detective Comics #387

Detective Comics #387 (On Sale: March 27, 1969) has a cover by Irv Novick. celebrating Batman's 30th anniversary.

"The Cry of Night is -- Sudden Death" is by Mike Friedrich, Bob Brown and Joe Giella. this story was reprinted in Best of DC #2 and Detective Comics #627. "The Cry of Night is -- Sudden Death" is basically an updated version of of the "The Case of the Chemical Syndicate" from Detective #27, only from teenager Mike Friedrich instead of teenager Bob Kane. The plot follows the original fairly closely, only adding a conflict between Robin and Mel Lambert, Robin feeling Lambert must be guilty because he is such a disrespectful youth.

The back-up story is "The Case of the Chemical Syndicate" by Bill Finger and Bob Kane from Detective #27. This is of course the first Batman story. Commissioner Gordon receives a call telling him that Old Lambert, the chemical king, has been murdered. Gordon leaves for the crime scene bringing his millionaire friend Bruce Wayne. The prime suspect is Lambert’s son, but the boy claims to have found his father stabbed. A telephone call from Steven Crane, one of Lambert’s partners, reveals that Lambert’s life had been threatened.

Crane is also murdered by two thugs, who also steal a contract. They are confronted by a masked man on a rooftop, the Batman. Batman dispatches the hoods in short order, recovering the contract which leads him to the laboratory of another of Lambert’s partners, Alfred Stryker.

Stryker is being visited by the final partner, Paul Rogers. Rogers is knocked out and nearly killed by Stryker’s assistant, Jennings. Batman arrives in time to save the man and stop Jennings. Stryker also tries to kill Rogers to protect himself from the knowledge that he made secret contracts with the partners for control of the Apex Chemical Corporation. Batman rescues Rogers again, and knocks Stryker into a vat of acid, killing him.

Edited by Julius Schwartz.

Phantom Stranger #1

Phantom Stranger #1 (On Sale: March 13, 1969) has a cover by Bill Draut.

Fresh from his Showcase tryout we have the Phantom Stranger. We begin with "When Ghosts Walk" from Phantom Stranger #1 (1952) by John Broome, Carmine Infantino and Sy Barry. Three friends share a plane flight that ends in a fatal crash. Sometime after the crash, ghosts appear and carry out the plans of the dead men that they were unable to complete.

The ghost of Carson Rand attempts to take papers from Edgar Jones which were to be used to blackmail him. The ghost is stopped by the Phantom Stranger. Next the ghost of Bart Benson appears to break a unbreakable bronco. The Phantom Stranger appears to and reveals that it was a trick.

Finally, the apparent ghost of John Martin contacts his fiancee, Margo Phillips. The Phantom Stranger once again appears. The Stranger unmasks the ghost as Matt Wright, a night club employee which Margo caught stealing. Matt had used the ghosts to disguise his true goal of killing Margo. The Stranger's arrival saves Margo and exposes the ghostly hoax.

Next is Doctor 13 in "The Hermit's Ghost Dog" from Star Spangled Comics #125 by Francis Herron and Leonard Starr.

Lastly is the only new material in the book, "Defeat the Dragon Curse ...or Die" by Mike Friedrich and Bill Draut. This new story was reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.

Edited by Joe Orlando.

House of Mystery #180

House of Mystery #180 (On Sale: March 11, 1969) has another creepy cover by Neal Adams.

We begin with "Comes a Warrior" written and penciled by Gil Kane and inked by Wally Wood. This is the story of barbarian Rangarry and his search for an adventure that would immortalize his name. He finds an unnamed village haunted by demons and sets out on a quest to slay the dragon in a distant valley that is said to spawn the demons.

Next is "His Name is... Kane" by Mike Friedrich, Gil Kane and Wally Wood. Comic artist Gil Kane finds himself being sucked into the page he has just completed drawing, there to fight against demons. He remembers back to how it all began, how that cheapskate editor Joe Orlando wouldn't pay him until he finished his work. And what crap it all was, hack stories and even worse inkers.

Kane decides to go off to a quiet place to work on his own stories and takes a room from caretaker Cain at the House of Mystery, where he is soon interrupted by Joe Orlando again. In a fit of rage he kills the hapless editor only to find a small factory of creatures how drawing and inking and coloring his pages. Shrinking down into the pages he fights on against the demon editors and writers. Later Cain looks in on Kane only to find him gone, all that remains is his artwork...or is there something else there as well? Reprinted in Limited Collectors' Edition C-23 and Welcome Back to the House of Mystery #1.

This is followed by a Cain's Game Room page by Sergio Aragones and "Oscar Horns In!" as two-page text story by Cliff Rhodes illustrated by Joe Orlando.

Mext is "Scared to Life" by Marv Wolfman and Bernie Wirghtson. Lord Dufferin, the British Ambassador to Paris is vacationing in Ireland when a terrible moaning sound draws him out into the night and to his destiny. Reprinted in House of Mystery #226 and Showcase Presents: The House of Mystery Vol. 3 TPB

The book ends with another Cain's Game Room page by Sergio Aragones. Along with the previously noted, the entire book was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB

Edited by Joe Orlando.

Detective Comics #386

Detective Comics #386 (On Sale: February 27, 1969) has another dramatic cover by Irv Novick. The logo is now flopping back and forth between the Batman and Robin and Batman and Batgirl varieties.

We start with "Stand-In for Murder" by Frank Robbins, Bob Brown and Joe Giella. Bruce Wayne is scheduled to pilot a VTOL aircraft during a test flight. A short time before the test he receives information about a bank robbery, so he hires Morse, a stand-in to act as Bruce during the aircraft test. The real Bruce then handles the bank robbery as Batman.

Morse is murdered on his way to the aircraft test and is replaced by Carlyle Crane, an aircraft tycoon with a grudge against Wayne. Crane pilots the plane away from the test area and lands an unmanned drone in its place. The military is shocked when Bruce appears to have disappeared from the cockpit.

Batman is called by Commissioner Gordon to investigate the case. Batman finds Wayne's helmet in his car and sets a trap for Crane. He then exposes the tycoon as a killer and recovers the body of Morse.

The Robin back-up is "The Teen-Age Gap" by Mike Friedrich, Ross Andru and Mike Esposito. Dick Grayson attends a social gathering with several high school students. He notices that Craig Rockland isn't accepted by the other students because he is slightly younger. During the night, Dick slips away in order to return to the group as Robin. Three boys ambush Robin because they don't want him stealing the attention of the female students. Craig comes to Robin's aid and helps defeat the troublemakers. Robin then befriends Craig and helps him find friendship with the other teens. Reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.

Edited by Julius Schwartz.

Detective Comics #385

Detective Comics #385 (On Sale: January 28, 1969) has a cover by Neal Adams.

"Die Small -- Die Big" is by Robert Kanigher, Bob Brown and Joe Giella. This may be the only Silver Age Batman story that Robert Kanigher wrote. Mailman Herbert Small learns that he will die in less than a month from a incurable medical condition. When he overhears crooks conspiring to kill Batman, Herbert decides to sacrifice his own life to protect the Caped Crusader.

While disguised as one of the conspirators, Small tells the crooks that he has discovered Batman's secret identity, Herbert Small. Small then delivers a message to Bruce Wayne's birthday party which tips off the real Batman. The crooks track Small to his home. Batman gets there before they can kill him, but Small takes a bullet that was intended to hit Batman. The Caped Crusader grants Small a dying glimpse at his real identity in gratitude for saving his life.Reprinted in Batman #257 and Showcase Presents: Batgirl Vol. 1 TPB.

The Batgirl back-up is "Hunt for the Helpless Hostage," by Mike Friedrich, Gil Kane and Murphy Anderson. Continuing from last issue, Batgirl tracks down Mark Hanner who has passed out from diabetic shock. She rushes him to the hospital where he makes a quick recovery. Mark works as a private detective and has gathered evidence against gangster Web Foote. The crook has now captured Sharon, his sister. Batgirl and Mark work together to rescue Sharon and capture Foote. The next Friday at the library, Mark asks Barbara Gordon on a date. Reprinted in Showcase Presents: Batgirl Vol. 1 TPB.

Edited by Julius Schwartz.

Spectre #9

Spectre #9 (On Sale: January 16, 1969) has a cover by Nick Cardy.

We begin with an untitled story by Mike Friedrich and Jerry Grandenetti. Detective Jim Corrigan and a police sergeant track down a criminal known as Sharky. When they try to make the arrest, the sergeant is shot. This causes the Spectre to emerge, and he kills the shooter. Corrigan is upset with the Spectre and lapses into unconsciousness after denying the Spectre access to reenter his body.

The Spectre is called before the powers that created him. He is pronounced a failure and forced to relinquish his power. He is given a book and tasked with the responsibility to observe and judge the lives within.

Next is "Abraca-Doom" by Denny O'Neil and Bernie Wrightson. This would be Bernie Wrightson's second strip for DC and his first super-hero work (if you consider the Spectre to be a super-hero). The Spectre investigates the life of Fredrick Foost, a small-time magician. Foost bargains with the Devil, who gives him a magic wand known as Abraca-Doom. Foost uses the wand to achieve fame as a professional magician. He then begins amassing power by making himself the ruler of a small country. The Spectre continues to withhold judgment, until Foost presses for additional power. Foost then encounters his old assistant Willard who made the same bargain with the Devil as his old boss. The two magicians then must pay the price for their demonic bargains as the Devil collects their souls. Reprinted in House of Mystery #224.

Lastly is "Shadow Show" by Mark Hanerfeld and Jack Sparling. Mark Hanerfeld was an assistant editor at DC and the original model for Abel, the soon-to-be host of the House of Secrets. This is the first of two stories he would write for DC. Mark belonged to a Queens' comic book fan group called T.I.S.O.S., or The Illegitimate Sons of Superman. Other members included Marv Wolfman and Len Wein. In the photo above are Hanerfeld, Wolfman and Wein.

A crook named Hickey evades police by hiding in the shadows. However, as he escapes, the crook begins feeling paranoia. Hickey feels the shadows chasing him, so he tries to remain in the light. When he finally reaches his home Hickey meets the Spectre and is apprehended. Reprinted in House of Mystery #225.

Edited by Dick Giordano.