Our Fighting Forces #127

Our Fighting Forces #127 (On Sale: July 9, 1970) has a Losers cover by Joe Kubert.

We begin with the Losers in "Angels Over Hell's Corner" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up story is the U.S.S. Stevens in "Dragonfly" written and drawn by Sam Glanzman.

Edited by Joe Kubert.

Super DC Giant S-14

Super DC Giant S-14 (On Sale: July 7, 1970) has a cover by Joe Kubert and features "Top Guns of the West."

We begin the reprint-fest with Johnny Thunder in "Target -- Johnny Thunder" by Robert Kanigher and Gil Kane and reprinted from All-Star Western #107.

Next is Nighthawk in "Black Sar Gang" by Gardner Fox and Ruben Moreira and reprinted from Western Comics #43.

That is followed by Matt Savage Trail Boss in "The Gun-Trap on Signal Hill" by Gardner Fox, Gil Kane and Joe Giella and reprinted from Western Comics #84.

Next we have the Wyoming Kid in "The Million Dollar Coin" by Gardner Fox and Bruno Premiani and reprinted from World's Finest Comics #62.

We have another Johnny Thunder tale, "Trap of the Sheriff's Hat" by Bob Haney and Gil Kane and reprinted from All-Star Western #99.

We end with the Trigger Twins in "The Surprise Sheriff of Rocky City" by Robert Kanigher and Carmine Infantino and reprinted from All-Star Western #104.

Edited by Dick Giordano.

Tomahawk #130

Tomahawk #130 (On Sale: July 2, 1970) has a cover by Neal Adams.

Well, the great run on Neal Adams' covers and the superior artwork by Frank Thorne could not quite save Tomahawk. This is the last issue to go by that name, at least on the cover, as next issue is known as Hawk, Son of Tomahawk as Joe Kubert takes over the editorial reigns from Murray Boltinoff. We begin this last true Tomahawk issue with "Deathwatch at Desolation Valley" by Robert Kanigher and Frank Thorne.

The back-up Tomahawk story is "A Bullet for My Brother" by George Kashdan and Frank Thorne.

Edited by Murray Boltinoff.

Adventure Comics #396

Adventure Comics #396 (On Sale: June 30, 1970) has a Supergirl cover by Curt Swan and Murphy Anderson.

We begin with "I am a Witch" by Robert Kanigher and Kurt Schaffenberger.

We end with our cover-story "The Mystery of the Super-Orphan" by Leo Dorfman, Winslow Mortimer and Jack Abel.

Edited by Mort Weisinger.

Action Comics #391

Action Comics #391 (On Sale: June 30, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story, the imaginary tale "The Punishment of Superman's Son" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up is the Legion of Super-Heroes in "The Ordeal of Element Lad" by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Superman's Girl Friend Lois Lane #103

Superman's Girl Friend Lois Lane #103 (On Sale: June 25, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story "The Devil's Bride" by Robert Kanigher, Irv Novick and Mike Esposito. The back-up story is "The Fantastic Wigs of Mr. Dupre" drawn by Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #35. Lois Lane attends a performance of Booth Barry, an old actor. Barry invites Lois backstage and relates a story about magical wigs that cause a person wearing them to die in the same manor as the model for the wigs did. Barry then is accidentally shot with a pistol in a manor similar to Alexander Hamilton, whose wig he was wearing.

Lois investigates the story and is led to the shop of Anton Dupre. Lois tests two wigs herself and is nearly killed. The third attempt nearly succeeds as Lois wears a Supergirl wig, however the real Supergirl has replaced Lois. Together they expose Dupre’s plot to eliminate Lois from discovering his underworld activities. The dangerous wigs were merely a hoax, and Dupre turns out to be Booth Barry in disguise.

Edited by Mort Weisinger.

G.I. Combat #142

G.I. Combat #142 (On Sale: April 7, 1970) has a Haunted Tank cover by Joe Kubert.

We begin with the Haunted Tank in "Checkpoint -- Death" by Robert Kanigher and Russ Heath and reprinted in Showcase Presents: Haunted Tank Vol. 2 TPB. Next is "The Garbage Hero" by Bob Haney and Sam Glanzman. We end with "The Last Survivors" by Robert Kanigher and Russ Heath.

Edited by Joe Kubert.

Our Army at War #220

Our Army at War #220 (On Sale: March 31, 1970) has an awesome Sgt. Rock cover by Joe Kubert.

Our Sgt. Rock cover-story is "Stone-Age War" written and illustrated by Joe Kubert. This story was reprinted in Sgt. Rock #318. Next is "The Last Soldier" by Robert Kanigher, Ross Andru and Mike Esposito. We end with a U.S.S. Stevens story, "The Idiot" by Sam Glanzman.

Edited by Joe Kubert.

Adventure Comics #393

Adventure Comics #393 (On Sale: March 26, 1970) has a cover by Curt Swan and Murphy Anderson.

Our cover-story is "The Unwanted Supergirl" by Robert Kanigher, Winslow Mortimer and Jack Abel. The back-up is "The Girl Who Knew Supergirl's Secrets" by E. Nelson Bridwell and Kurt Schaffenberger.

Edited by Mort Weisinger.

Teen Titans #27

Teen Titans #27 (On Sale: March 12, 1970) has a cover by Nick Cardy. The full-body Titans down the side of the cover appear this issue for the first time in an act of extremely strange timing. We all remember last issue's cover where Wonder Girl says they will, "never wear their costumes again!" and the next issue they become a feature of the cover. I guess it could have been worse had these body-shots premiered last issue.

This issue we have "Nightmare in Space" by Robert Kanigher and Nick Cardy. Now, some people attribute the pencils on this one to George Tuska and Carmine Infantino (GCD even tells you which pages Carmine penciled), but all you have to do is look at the artwork to see that Carmine Infantino and George Tuska had nothing to do with this book. Also, Nick Cardy sure seems to think he drew the whole thing as noted in the checklist in The Art of Nick Cardy. I can see why people would want to take credit for this book though, as the artwork is wonderful throughout.

This story left me very conflicted in 1970 and I'll tell you why. First off, I was a grade A, number one space nerd. I watched every launch and reentry of every Mercury, Gemini and Apollo mission (my mother thinking it was better for me to see history happening than to read about it in school). I belonged to the "Space Club" at school and flew model rockets. I even designed my own model rocket LM (Lunar Module) that I actually got off the ground. My point being, I was very jazzed about all things that were space. But the "space" that I was jazzed about was very different from the "space" of comic books, what with Superman and Green Lantern and Hawkman zipping about all the time, just to name a few. Comic book space was always very different from real space and when they tried to do real space in comic books they usually goofed it up really bad. So where does this story fit into that scenario?

"Nightmare in Space" is maybe the most realistic portrayal of "space" I ever read in a comic book and the whole time I am reading it I am thinking, "Yeah, but if things go really bad they can somehow contact Superman or Green Lantern and they can fly out to save them!" which totally destroys the universe this story attempts to play in. The problem is the universe this story plays in is not the DC Comics universe. It is a hell of a great attempt at a real space story in a DC comic book and when it fails it is because it is a real space story in a DC comic book.

But for a space nerd in 1970, man was this something to read (and I don't often say nice things about Robert Kanigher stories)!

The de-uniformed Teen titans have been training with Mr. Jupiter and their newest member, Mal has done a Dr. Smith and stowawayed on board Jupiter's supposedly unmanned ship to Venus. The Titans and Jupiter have been working round the clock to get a rescue mission going and in a few day's time the Venus Chaser launches with the Titans as crew. On their way to the Moon the Titans lose contact with Mal but continue on their journey.

The mission is complicated. The first objective is to get to the Moon where Dove will stay in the Command Module (CM) while Speedy, Wonder Girl and Hawk take the Lunar Module (LM) down to the moon to check on experimental packages left by Apollo 11 and Kid Flash and Lilith man the Venus Probe Chaser going after Mal. Eventually everyone has to rendezvous above the moon with Dove in the Command Module for the return trip to Earth. The Cardy artwork on this stuff is just spectacular, particularly on the lunar landing.

The first real problem we have is with the lunar landing party. They land fine, but there is no sign of the equipment, or anything for that matter, left by Apollo 11. While Wonder Girl works on a bent landing probe rod, Speedy, and Hawk take a moonwalk scouting for signs of Apollo 11. They find nothing but when they get back to the LM they find Wonder Girl is missing.

Meanwhile on the Venus Probe Chaser they locate Mal's ship and though it is touch and go for a bit, including broken tethers and such, they are able to transfer Mal from the Venus Space Probe, which will go on with it's unmanned mission, to the chaser ship.

Back on the moon these glowing creatures (see the cover for details), show up with Wonder Girl in tow. They are alien creatures who crash landed on the moon and were using the Apollo 11 lunar packages as spare parts to try and repair their damaged ship. Wonder Girl has convinced them to put everything back the way it was and that the next Apollo mission will be there soon and will provide assistance to the aliens.

The Venus Probe Chaser docks with the CM and soon the three on the moon are blasting off in the LM to do the same. All goes well with the docking and the Titans head back for Earth. But at some point they all go mad and begin attacking each other but luckily Kid Flash notices that their is a malfunction in the oxygen mix and corrects their nitrogen intake, ending their hallucinations. This story was reprinted in Showcase Presents: Teen Titans Vol. 2 TPB.

Thirty days after this issue hit the stands, on April 11, 1970, Apollo 13 launched from the Kennedy Space Center in Florida.

Edited by Dick Giordano.

Phantom Stranger #7

Phantom Stranger #7 (On Sale: March 12, 1970) has a great cover by Neal Adams. this is the second issue to use the Phantom Stranger as a passive part of the background, as a force maybe not controlling events, but watching them unfold.

This issue features "The Curse" by Robert Kanigher and Jim Aparo and the real news here is that in Jim Aparo the Phantom Stranger has found a champion, someone who will stay with the character as it develops and someone who as their own talent is exploding pushed that dynamic and exciting energy into the character. It is the perfect match. On one hand you have a character DC is trying to revive but having some conflicting issues on what direction the revived character should take, given the ever-changing environment of comics in 1970 and on the other you have an artist coming into his own, a burgeoning talent looking for an outlet in which to mature. A match made in heaven or wherever the Phantom Stranger comes from.

Since we still have Robert Kanigher we still have the loopy "teenagers" and Tala and multiple stories of no consequence and Dr. Thirteen saying the same lame dialog over and over. But, as it did with Neal Adams' artwork a few issues ago, it all goes down much better with Jim Aparo's wonderful dark and gloomy illustrations.

Jim Aparo's Phantom Stranger has that sort of domino mask like another character called the Phantom which Aparo was known to draw from time to time, but his pages and panels are much darker than the work he did on that other Phantom. His panels here are dense and full of detail and loaded with dark and unsettling corners where god knows what may be lurking. There is a rich yet claustrophobic feeling to the artwork in this book, very much at odds with the open feeling you get from his Aquaman pages of the same time. His visual voice fully secured in Aparo's hands, this is the point where the Phantom Stranger finally took root.

So the "teenagers" have come to the town of Seaview in search of Vulcan's Castle, invited by Vanessa Vulcan a chick they met at a folk festival. No one will rent them a boat but they find one unattended and decide to avail themselves of its services. It has a strange black sail, but that doesn't deter them. However, once at sea the sail turns into Tala and deserts them and the sea turns into a giant whirlpool and sucks them down to their deaths. Oh, so we hoped! The Phantom Stranger shows up and plays with Tala for a bit then saves the kids. When they get back to the surface, Dr. Thirteen arrives in time to call the Stranger a "stage charlatan" and to let us know that he is also going to Vulcan's Castle because billionaire Andrew Vulcan has hired him to break a curse which torments his daughter.

They all arrive at the castle in time to meet Vulcan, his gardener Thomas and to see Tala lure Vanessa off one of the ramparts to the peaceful "embrace" of the sea. The Stranger is there once again to save Vanessa and be called a "stunt man" by Dr. Thirteen. We learn that the supposed curse began when Vulcan bought the castle from old bankrupt Count Druga in Transylvania who said the curse would follow the castle across the sea. Dr. Thirteen then tells a story of a fake curse that he exposed, which includes the pretty cool scene from the cover of the tree branches attacking Dr. Thirteen himself. "The Curse of Shaft Seven" has to do with a cursed coal mine which was actually being haunted by the brother of a dead miner.

The Phantom Stranger then tells his story, "The Curse of the Sea Siren!" about a ship haunted by the figurehead on the ship (which bears more than a passing resemblance to Tala) and how the ship really was cursed. After those plot stretchers (and I give them such short shift because that is what they obviously are) we return to the real story and Vanessa and the curse that befalls anyone who loves her.

It started with Nicholas, son of Thomas the gardener we met earlier. Nicholas and Vanessa grew up together as children but as they grew older Vanessa became interested in other men and Nicholas wanted Vanessa to himself. One night Nicholas poisons himself and on his deathbed curses anyone who so much as kisses Vanessa (don't know why we had the Count Druga story if this is the cause of the curse!). Since then it has been one Lifetime Move of the Week romantic tragedy after another for Vanessa. Lee accidentally shot himself on their wedding day, Michael's boat was capsized at sea, William was thrown from his horse. Dr. Thirteen calls them all coincidences, but the Phantom Stranger sees something else.

He has Nicholas's body exhumed and though Dr. Thirteen proclaims him dead, the Stranger notes that he perspires quite a lot for a dead man. Thomas rushes in and commands Nicholas to awaken and to kill the Phantom Stranger for exposing their secret. Nicholas tries to kill Vanessa first, but one of the teenagers (where did they go during this story?) knocks her out of the way and Dr. Thirteen takes one in the arm. The Phantom Stranger explains to us that Thomas, in a fit of rage over Vulcan having so much and he having so little, placed his son into a hypnotic trance, simulating death, and would call him from his coffin to "off" Vanessa's beaus. But the power to do so was given to Thomas by none other than Tala.

Nicholas attacks the Stranger and falls to his death, Tala beats a hasty retreat, Dr. Thirteen says the whole thing was just coincidences and Nicolas was in too deep of a trance to do any of the killings and the Stranger says, "you be the judge of--The Curse!" We won't even attempt to go through all the holes in this one, just know that Aparo's artwork somehow makes all of this total nonsense work. Oh, and also know that it is reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.

Edited by Joe Orlando.

Tomahawk #128

Tomahawk #128 (On Sale: March 5, 1970) has cover by Neal Adams. The layout of this one seems forced; the medicine man and the archers too squeezed into the picture and the coloring somewhat off-putting.

This issue begins with Tomahawk in "Rangers -- Your 9 Lives for Mine" by Robert Kanigher and Frank Thorne. The back-up Tomahawk story is "Stovepipe's Secret Skirmish" by George Kashdan and Frank Thorne.

Edited by Murray Boltinoff.

Our Fighting Forces #125

Our Fighting Forces #125 (On Sale: March 3, 1970) has a Losers cover by Joe Kubert

We begin with our cover-story, the Losers in "Daughters of Death" by Robert Kanigher, Ross Andru and Mike Esposito. Finally, a book I don't own!

That is followed by "Too Much G.I." from All-American Men of War #60 by Bob Haney and Russ Heath. We end with "The Browning Shot" another story of the U.S.S. Stevens by Sam Glanzman.

Edited by Joe Kubert.

House of Mystery #186

House of Mystery #186 (On Sale: March 3, 1970) has a very nice cover by Neal Adams.

This issue begins with our "The Secret of the Egyptian Cat" by Robert Kanigher and Bernie Wrightson. Cain is complaining about the caterwauling of the cat belonging to one of his boarders. Mr. Konassos, when said cat makes an appearance. As he stares into the cat's eyes it turns into a beautiful young girl who says that she was once a priestess in an Egyptian temple.

One night the man Cain knows a Mr. Konassos came to the temple and bespoke of his lust for the priestess. Guards arrive and throw Konassos out, but he returns the next day with magical potions to take care of the guards and a spell that turns the priestess into a cat. And so he kept her through time as they wandered the world together till one day they came to the House of Mystery and Mr. Cain.

At night Isha the cat would sneak out and wail her troubles into the night. Only the wild cats of the woods would answer her call and one of them, Ra-Na became her protector, keeping the other cats at bay. But Konassos saw them together and killed Ra-Na with some poisoned milk. One night Konassos drank himself into a stupor and forgot to lock up his potions. Isha dug through them finding just what she was looking for and dripping the potion onto a scarf she had her revenge.

When Konassos awoke Isha was once again a beautiful woman, but he on the other hand had been transformed into a mouse. And Isha let in Ra-Na's friends from the woods. Cain calls Isha's revenge, "purrfect!" This story has been reprinted in Limited Collectors' Edition C-23, Masterworks Series of Great Comic Book Artists #3, Welcome Back to the House of Mystery #1 and Showcase Presents: The House of Mystery Vol. 1 TPB.

It is followed by a Room 13 page and a two-page Cain's Game Room both by Sergio Aragones.

Next is our cover-story "Nightmare" by Jack Oleck and Neal Adams.Little Judy is a lonely rich girl but in the yard of the estate she lives in the statue of Pan comes alive and plays with her, or so it seems to her. Not to her governess though nor her father. Her nights are filled with the joy of playing with Pan, but during the day she lays in bed, stricken with a fever. When she does get to see Pan again he takes her to a beautiful place of unicorns and fairies but warns her never to go beyond a wall, "There are bad things on the other side. You must never go through the door. Never!"

But Pan fades away and she is back in bed, her fever getting worse by the day. But for Judy, the world of Pan is the only reality. One day Pan takes a nap during their play and Judy opens the door in the wall. She is transported to a realm of hideous creatures who pursue her leading her toward a fire. Alone amidst the hot flames she is rescued by Pan only to awaken in her bed, her terrific fever finally broken. Her father explains that it was all a dream of hers, a way to escape the pain of the fever and he shows her that Pan is not real, but a statue of stone. And she touches the statue and she knows it is true and she walks away and never looks back as the statue of Pan cries.

Great story of the loss of innocence and childhood, wonderfully told and justifiably reprinted in Limited Collectors' Edition C-23, DC Special Blue Ribbon Digest #17, Welcome Back to the House of Mystery #1 and Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Flash #197

Flash #197 (On Sale: March 3, 1970) has a cool cover by Gil Kane, which only makes the ungodly inks of Vince Colletta inside this book all the more unpalatable (and please Dan, don't make up yet another fake identity to tell me how wonderful Vinnie's dreadful inks were. I'm looking at them right now; they were a nightmare!). This cover does beg the one question (maybe not a great question) I have always had regarding the Flash. OK, so somehow he fits this entire costume, with hard-soled boots and all, into his ring. If this was such a great thing, why did he never share it with other DC heroes who had to find inconvenient ways of bringing their costume along with them?

This issue begins with our cover-story "Four Star Super-Hero" by Mike Friedrich, Gil Kane and Vinnie Colletta. This story is based on an interesting idea, how people who work together have silent communication, in this case Detective Charlie Conwell and Barry Allen. When Charlie solves a case he tugs at his ear and Barry touches the tip of his nose as a way of saying "nice going!" It is non-verbal and instinctive between the two of them.

After an overnight snow storm the Ice King is on skis hitting a bunch of jewelry stores when the Flash shows up and takes him out, But after he crashes to the snow he is not moving and his heart is not beating. An ambulance shows up and takes the Ice King away, but a few blocks later we see that the ambulance is a fake and the Ice King has turned off his pacemaker to simulate death (OK, so pacemakers don't work that way, but Friedrich obviously didn't know that). back at the scene of the crime Charlie shows up and asks Flash how the ambulance showed up so quickly. Flash replies that he was too stunned to think straight at which Charlie tugs at his ear and proclaims, "The ambulance was a cover for Ice's getaway!" Out of reflex Flash touches the tip of his nose as Charlie stares at him. Realizing his mistake Flash tried to cover up by faking a sneeze, but Charlie is now wondering about the Flash.

The next morning Barry finds out that wife Iris has been made the temporary drama critic for Picture News and she suggests that Barry get involved in the local drama scene., which he does getting a part in the local production of Hamlet. the morning of their opening night the entire cast, except Barry comes down with some sort of virus and as the Flash Barry suggests to director (and curator of the Flash Museum, Dexter Myles, that he can do the entire performance on his own.

Dexter reluctantly agrees and that night the Flash, moving at super-speed, plays all of the parts in Hamlet. During the curtain call he reveals that he is the Flash. Afterward however, he begins to feel ill, just as Ice and his gang, disguised as cops show up. In the middle of a violent seizure due to the virus now attacking his body the Flash is in no condition to take on Ice and his gang, who beat the crap out of him. However, once rested Flash is back in action and takes out the gang.
The next day Charlie Conwell comes to visit the ill Barry Allen at his home and sees that Barry is being visited by the Flash, which is of course Barry moving at super-speed again and looking as if he is two separate people.

The back-up story is "To the Nth Degree" by Robert Kanigher, Gil Kane and Vinnie Colletta. Professor Ira West creates a breakthrough telescope that can pierce hyper-space and allow one to see stars thousands of light-years away as they exist today.The professor is sending the telescope to the Astronomical Society and an amateur telescope to son-in-law Barry Allen, but he gets the labels mixed up and Barry gets the "hyper-scope"

Through the "hyper-scope" Barry sees an inhabited planet in the process of exploding and uses the scope to transport himself to the planet where he is able to stop the explosion and save the aliens. Once back home Professor West shows up to pick up his scope, realizing the shipping mistake he had made. But the Professor drops the scope and shatters the special lens, but says not to worry as he "wrote all the data I need to grind a duplicate lens on a wall in my lab."

Returning to his lab though he finds that the painters have just finished repainting the wall and secret of the Nth Degree lens is lost forever.

Edited by Julius Schwartz.

Adventure Comics #392

Adventure Comics #392 (On Sale: February 24, 1970) has a Supergirl cover by Curt Swan and Murphy Anderson.

This issue begins with Supergirl in "The Super-Cheat" by Robert Kanigher and Kurt Schaffenberger. The back-up story is our Supergirl cover-story "One Hero Too Many" by Leo Dorfman, Winslow Mortimer and Jack Abel. This story guest-starred the Legion of Super-Pets and was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Superman's Girl Friend Lois Lane #100

Superman's Girl Friend Lois Lane #100 (On Sale: February 12, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, "Lois Lane's Last Mile" by Robert Kanigher and Irv Novick. The back-up is from Showcase #9, "The Un-Curious Lois Lane" is by Otto Binder, Ruben Morira and Al Plastino. Superman has created a new identity for himself, salesman Allen Todd. He does this because two nosy crooks have been trailing Clark Kent in an effort to expose him as Superman’s other identity. The Man of Steel plants clues for Lois to lead her to Todd, but Lois has taken a new approach and is now trying to cover for Superman.

After she successfully protects his new identity several times, he sends a letter with the address of Todd to Lois and leads the crooks to believe Lois knows his secret. The crooks expose Todd in front of Lois, but Superman then takes them to jail because they tried to shoot him. He then vows to adopt a new identity, which is really his old one, Clark Kent. Lois is intrigued and returns to her old ways of trying to learn the big secret again.

Edited by Mort Weisinger.

G.I. Combat #141

G.I. Combat #141 (On Sale: February 10, 1970) has a Haunted Tank cover by Joe Kubert.

We begin with the Haunted Tank in "Let Me Live... Let Me Die" by Robert Kanigher and Russ Heath. This story was reprinted in DC Special Blue Ribbon Digest #21 and Showcase Presents: Haunted Tank Vol. 2 TPB.

Our back-up stories are "Sea Devil" from All-American Men of War #65 by Bob Haney and Mort Drucker and "Churchill at Omdurman" by Ric Estrada.

Edited by Joe Kubert.

Our Army at War #218

Our Army at War #218 (On Sale: February 3, 1970) has a cover by Joe Kubert.

This issue begins with our Sgt. Rock cover-story, "Medic" by Robert Kanigher and Russ Heath.

Next we have a reprint from Our Fighting Forces #5, "The Tortoise and the Hare Went to War" by John Reed, Sam Burlockoff, and Joe Giella.

Sam Burlockoff started out at DC in 1943 as an inker working on such strips as King, The Justice Society of America, Green Lantern and Wonder Woman. Around the same time he was working for MLJ on The Shield, The Web and Dusty. He later moved on to Quality where he inked Blackhawk, Captain Triumph and Plastic Man. He returned to DC in the 1950s to work on a number of mainly war stories, this time doing pencils or full art. His last DC story was this one from 1955.

After that final stint at DC he worked for Atlas and Eastman Color and on a number of newspaper strips, such as Flash Gordon, Apartment 3-G and The Saint. He worked on comics for overseas syndication and also drew illustrations for encyclopedias and coloring books. He retired in 1989.

The final story in this issue is "Frightened Boys... or Fighting Men?" written and drawn by Sam Glansman. This is the first of Glanzman's U.S.S. Stevens stories that he would write and draw for DC war comics for the next eight years. These stories were based on Glanzman's own experiences in World War II on the destroyer U.S.S. Stevens.

Sam Glansman broke into comics in 1939 working at Funnies, Inc. a "packager" that supplied comics to publishers. There, for Centaur Publications, he wrote text stories with some art for Amazing-Man Comics. Later for Harvey Comics, he created Fly-Man, writing and drawing the feature for at least two issues. He also contributed to Harvey's All-New Short Story Comics, Champ Comics (doing the Human Meteor) and Green Hornet Comics. His comics career was cut short by World War II, where he did indeed serve in the Navy on the U.S.S. Stevens. When it was over Glansman chose to not return to comics, as the pay was not to his liking and he took to working in cabinet shops, lumber mills and boat yards. In the 1950s he would work at Republic Aviation installing machine guns on military jets.

Glansman toyed with some comic work in 1950, but not until 1958 that he would return to the field in earnest, working at Charlton Comics. There he drew war stories in Attack, Battlefield Action, Fightin' Air Force, Fightin' Marines, Submarine Attack, U.S. Air Force Comics and War at Sea through 1961, when he switched to Dell Comics. At Dell he drew Combat and Kona, as well as movie adaptations such as Voyage to the Bottom of the Sea and the very similar book, Voyage to the Deep.

Beginning in 1964, Glansman worked regularly for both Dell and Charlton doing a ton of war books. At Charlton he was also drawing Tarzan and creating, with Joe Gill, Sarge Steel and Hercules, Adventures of the Man-God. With writer Willy Fran,z Glansman also created The Lonely War of Willy Schultz, about a U.S. Army captain conflicted by the war and his German heritage.

Once he made the shift to DC, Glansman never looked back. Besides his years on U.S.S. Stevens, Glansman drew the Haunted Tank feature in G.I. Combat from 1972 through 1986. In '86 he also started drawing Mercenaries in G.I. Combat and in 1988 he drew a few issues of Sgt. Rock. Beginning in 1993 Sam Glansman became the inker for a number of Jonah Hex mini-series drawn by Timothy Truman, his last being Jonah Hex Shadows West in 1999. His last work for DC was in the 9-ll book, DC published in 2002.

Sam Glansman did a handful of war stories for Marvel in the late 1980s and in the 1990s worked for Topps Comics inking Turok Dinosaur Hunter and Zorro. In 2003 Glansman began doing web-comics.

Edited by Joe Kubert.

Adventure Comics #391

Adventure Comics #391 (On Sale: January 29, 1970) has a Supergirl cover by Murphy Anderson.

This issue begins with our cover-story, Supergirl in "Linda Danvers, Super-Star" by Robert Kanigher and Kurt Schaffenberger. The back-up is Supergirl in "The Super-Exchange Student" by Cary Bates, Winslow Mortimer and Jack Abel.

Edited by Mort Weisinger.