John Broadley covers Witching Hour 29

Original cover by Nick Cardy; DC 1973. John Broadley's website is here.

Matthew Allison covers World's Finest Comics 217

Original cover by Nick Cardy; DC 1973. Matthew Allison's website is here.

Philip A. Buck covers Superman 277

Original cover by Nick Cardy; DC 1974. Philip A. Buck's website is here.

Aquaman #53

Aquaman #53 (On Sale: July 2, 1970) has another classic cover by Nick Cardy. Good lord they don't get much better than this!

It is 1970 and there is a rumor going around that California is going to have a major earthquake and sink into the Pacific. Kinda hard to believe these days, but this rumor got so much traction that then governor, Ronald Reagan found some flimsy excuse to be out of the state the day it was supposed to happen. Just a funny last minute schedule change his people said, but we all knew. "Is California Sinking?" by the SAG team (Steve Skeates, Jim Aparo and Dick Giordano) taps beautifully into this 1970 paranoia as only Steve Skeates could.


It opens on a mundane scene of a secretary typing away in an office, obvious until the last moment to what is happening around her. From that startling scene we flip the page to one of Jim Aparo's great splash (no pun intended) pages, showing the power of his triple-threat penciling, inking and lettering. IS CALIFORNIA SINKING?


Well, is it? Californian millionaire Elliot Harlanson (gotta love that name!) has just been told that it will and what that means to him is his beautiful home will sink with it. And Elliot is having none of that. But he is being told that he can save his home, and California in the bargain, if he just buys an atomic bomb and blows up Atlantis. Because, you see, it is the rising of Atlantis that will cause the sinking of California and if Atlantis does not rise, well then, California does not sink! Or at least that is the story being peddled by Elliot's visitor, a mysterious "scientist" who we shortly learn is actually an agent of O.G.R.E. (Organization for General Revenge and Enslavement), who can't afford to buy an a-bomb of their own. They plan on seeing that Aquaman is in Atlantis when Elliot's bomb goes off.

It is now two weeks later and on the east coast Elliot and is his ever-present girl-friend meet the "scientists" from O.G.R.E. on a dock, where Elliot's submarine, atomic bomb inside, await. We find out that O.G.R.E. has enlisted the help of Black Manta to keep Aquaman by Atlantis and preoccupied. They have given Manta a gun that scrambles brain waves and Manta uses it to thwart an attack of sea creatures on him orchestrated by Aquaman. As Aquaman leaves Atlantis to confront Manta, the sub leaves the Florida coast heading for Atlantis.

When Manta uses the gun on Aquaman, the Sea King is able to counteract the gun's affects by concentrating on getting Manta. While Aquaman takes care of Black Manta, Aqualad and some Atlantian police take care of Manta's men. When Manta mumbles something about "They said I'd have nothing to worry about," Aquaman wants to know who "they" are and sort of, well, beats the information out of Manta. When Manta confesses that he got the gun from O.G.R.E., Aquaman knows something bigger than Manta and a gun is going on and he begins scouring the area around Atlantis looking for danger.

Meanwhile on the shore the O.G.R.E. "scientists" have a run in with the feds. who take them down only to be told that they are too late to save Atlantis or Aquaman.

Back at Atlantis, Aquaman sees the sub coming in close and sends a giant squid to capture it. Caught in the squid's grasp, Elliot freaks out, "You act like you don't care what happens to my beautiful, spacious home!" and accidentally whacks a lever. The lever that releases the bomb! Learning what he has done a distraught Elliot proclaims, "I'm too rich to die! Do something!" But there is nothing they can do while caught in the squid's grasp.

Aquaman sees the bomb however and races toward it at speeds only the King of the Sea could muster. Alas, he is still to slow and the bomb hit the sea floor!

And bounces harmlessly away. It is a dud! Inside the sub, Elliot is furious! "Wait till I get my hands on the rat who sold me that bomb!" His girl-friend tells him to, "Just cool it!"

In the epilogue a few days later the feds tell Aquaman the O.G.R.E. are being taken care of by them and not to worry. They also tell him that they have let Harlanson go, as he was duped; he actually thought he was saving California from destruction and had no idea that Atlantis was populated. When Aquaman talks about the act a fate that resulted in a dud atomic bomb the feds reveal that they actually took care of that, or rather their agent on the inside did. That is when Elliot's girl-friend, in reality Agent 03, Honey James, shows up.

Aquaman says that he let Manta go, as the revelation that Manta was being duped by O.G.R.E. was more than enough punishment. After they leave the feds and head back for Atlantis, Aqualad wonders what will happen to Atlantis's people should it rise from the ocean depths. Aquaman says not to worry as that would not happen till well past the year 2000, so they have plenty of time to figure it out.

"And so our story ends. Yet, once question remains unanswered..." Shots of the secretary going under water... "Is California Sinking?" Shamefully, shamefully never reprinted.

Edited by Dick Giordano.

Brave and the Bold #91

Brave and the Bold #91 (On Sale: June 23, 1970) has a cover by Nick Cardy.

"A Cold Corpse for the Collector" featuring Batman and the Black Canary is by Bob Haney and Nick Cardy and I remember this being some really great artwork. I wish I could remember the story and I know I have this around here somewhere, but everything got rearranged when I moved my new table into my studio. Damn! I'll find it soon and put a real entry in here. This was reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB.

Edited by Murray Boltinoff.

Unexpected #119

Unexpected #119 (On Sale: April 2, 1970) has a cover by Nick Cardy.

We begin with "Mirror, Mirror on the Wall, Who's the Deadliest of All?" drawn by Bernie Wrightson. That is followed by "The Swampchild" by Carl Wessler, Werner Roth and Frank Giacoia. Next is "Rachel Isn't Ready to Die" by George Kashdan, Sid Greene and Vinny Colletta. We next have "Rest in Pieces" drawn by Murphy Anderson and reprinted in Unexpected #160. We end with "A Phantom in the Tree" by Murray Boltinoff and Jerry Grandenetti.

Edited by Murray Boltinoff.

Girls' Love Stories #151

Girls' Love Stories #151 (On Sale: March 24, 1970) has a cover attributed by GCD to John Rosenberger, but is obviously the work of the great Nick Cardy.

This issue begins with our cover-story, "The Wrong Kind of Love" drawn by John Rosenberger and Vince Colletta. Next is "Love Thief" drawn by Joe Giella. We end with "Confessions, Episode 5" drawn by John Rosenberger.

Edited by Joe Orlando.

Teen Titans #27

Teen Titans #27 (On Sale: March 12, 1970) has a cover by Nick Cardy. The full-body Titans down the side of the cover appear this issue for the first time in an act of extremely strange timing. We all remember last issue's cover where Wonder Girl says they will, "never wear their costumes again!" and the next issue they become a feature of the cover. I guess it could have been worse had these body-shots premiered last issue.

This issue we have "Nightmare in Space" by Robert Kanigher and Nick Cardy. Now, some people attribute the pencils on this one to George Tuska and Carmine Infantino (GCD even tells you which pages Carmine penciled), but all you have to do is look at the artwork to see that Carmine Infantino and George Tuska had nothing to do with this book. Also, Nick Cardy sure seems to think he drew the whole thing as noted in the checklist in The Art of Nick Cardy. I can see why people would want to take credit for this book though, as the artwork is wonderful throughout.

This story left me very conflicted in 1970 and I'll tell you why. First off, I was a grade A, number one space nerd. I watched every launch and reentry of every Mercury, Gemini and Apollo mission (my mother thinking it was better for me to see history happening than to read about it in school). I belonged to the "Space Club" at school and flew model rockets. I even designed my own model rocket LM (Lunar Module) that I actually got off the ground. My point being, I was very jazzed about all things that were space. But the "space" that I was jazzed about was very different from the "space" of comic books, what with Superman and Green Lantern and Hawkman zipping about all the time, just to name a few. Comic book space was always very different from real space and when they tried to do real space in comic books they usually goofed it up really bad. So where does this story fit into that scenario?

"Nightmare in Space" is maybe the most realistic portrayal of "space" I ever read in a comic book and the whole time I am reading it I am thinking, "Yeah, but if things go really bad they can somehow contact Superman or Green Lantern and they can fly out to save them!" which totally destroys the universe this story attempts to play in. The problem is the universe this story plays in is not the DC Comics universe. It is a hell of a great attempt at a real space story in a DC comic book and when it fails it is because it is a real space story in a DC comic book.

But for a space nerd in 1970, man was this something to read (and I don't often say nice things about Robert Kanigher stories)!

The de-uniformed Teen titans have been training with Mr. Jupiter and their newest member, Mal has done a Dr. Smith and stowawayed on board Jupiter's supposedly unmanned ship to Venus. The Titans and Jupiter have been working round the clock to get a rescue mission going and in a few day's time the Venus Chaser launches with the Titans as crew. On their way to the Moon the Titans lose contact with Mal but continue on their journey.

The mission is complicated. The first objective is to get to the Moon where Dove will stay in the Command Module (CM) while Speedy, Wonder Girl and Hawk take the Lunar Module (LM) down to the moon to check on experimental packages left by Apollo 11 and Kid Flash and Lilith man the Venus Probe Chaser going after Mal. Eventually everyone has to rendezvous above the moon with Dove in the Command Module for the return trip to Earth. The Cardy artwork on this stuff is just spectacular, particularly on the lunar landing.

The first real problem we have is with the lunar landing party. They land fine, but there is no sign of the equipment, or anything for that matter, left by Apollo 11. While Wonder Girl works on a bent landing probe rod, Speedy, and Hawk take a moonwalk scouting for signs of Apollo 11. They find nothing but when they get back to the LM they find Wonder Girl is missing.

Meanwhile on the Venus Probe Chaser they locate Mal's ship and though it is touch and go for a bit, including broken tethers and such, they are able to transfer Mal from the Venus Space Probe, which will go on with it's unmanned mission, to the chaser ship.

Back on the moon these glowing creatures (see the cover for details), show up with Wonder Girl in tow. They are alien creatures who crash landed on the moon and were using the Apollo 11 lunar packages as spare parts to try and repair their damaged ship. Wonder Girl has convinced them to put everything back the way it was and that the next Apollo mission will be there soon and will provide assistance to the aliens.

The Venus Probe Chaser docks with the CM and soon the three on the moon are blasting off in the LM to do the same. All goes well with the docking and the Titans head back for Earth. But at some point they all go mad and begin attacking each other but luckily Kid Flash notices that their is a malfunction in the oxygen mix and corrects their nitrogen intake, ending their hallucinations. This story was reprinted in Showcase Presents: Teen Titans Vol. 2 TPB.

Thirty days after this issue hit the stands, on April 11, 1970, Apollo 13 launched from the Kennedy Space Center in Florida.

Edited by Dick Giordano.

Aquaman #51

Aquaman #51 (On Sale: February 26, 1970) has another brilliant cover by Nick Cardy. This may be the Silver Age of comics, but it was the Golden Age of Comic Covers.

We begin with Aquaman in "The Big Pull" by Steve Skeates and Jim Aparo. Continuing from last issue, some alien creatures sent by Ocean Master have blasted Aquaman, well, somewhere unearthly. There he met a woman who lived in a strange city where their religion only allowed for communication in their sanctuary. Looking for information about Earth the woman has brought Aquaman to Brother Warnn and as we pick up the story this issue we learn that even this man has no concept of Earth. The people here only believe in the City and the Wilderness beyond; to them nothing else exists.

When Aquaman tells the woman that he intends to search for someone who knows of Earth, the woman warns him that there is nothing but the City and the Wilderness and to speak otherwise is blasphemy. Aquaman is overheard however by a Supreme Brother, one of the few allowed to communicate outside of the sanctuary. The woman tells Aquaman that if he leaves they will surely attack him, but Aquaman doesn't want to wait around any longer and bolts from the place. He is followed by a couple of warriors with the crazy bubble-guns seen last issue. Aquaman sneaks up on an unsuspecting guard, and knocking him out, uses his body as a shield from the bubbles. Escaping Aquaman soon finds that he is once again being followed by the woman.

Back in the City, on official turns on a machine which sends out huge telepathic waves into the Wilderness. The waves his Aquaman and his companion, causing extreme pain and knocking her out. Aquaman carries the woman and swims on. Eventually as he puts more distance between him and the City the pain eases.

Back in Atlantis, Black Manta is seen approaching the city and Mera, alone and in charge, wishes with all her might that her husband were back with her. At that same instance, somewhere else, Aquaman feels a strange force pulling him in a specific direction. His companion wakes up and seems unsure of what to do, but eventually decides to continue following Aquaman.

As they continue on they are seen by two strange little men toiling in a rock quarry. Jimm thinks he sees Aquaman, but Steev has never heard of Aquaman and thinks they better get back to work or Dikk will have their heads. This was a nice little inside bit by Skeates and Aparo.

Luckily the woman did not see Steev or Jimm for she would have surely freaked when she saw them talking, for a little later on Aquaman is drawn toward a large sphere, covered with cave-like structures. When the woman sees the cave-people communicating in the open she is shocked and pulls out her gun to shoot them. Aquaman stops her, but not before one errant shot is let loose. It hits near a child playing and the cave people head toward Aquaman with clubs at the ready. This story was reprinted in Adventure Comics #503.

The back-up is Deadman in "The World Cannot Wait for a Deadman" written and drawn by Neal Adams. If you remember last time, the same aliens that zapped Aquaman where ever the heck he has been zapped, let loose a cat-like creature when they realized a non-corporal being like Deadman was in their midst and said cat-like creature was flipping Deadman out! More like taking him for an inter-dimensional ride! Now as he lands on solid ground (hard for a dead man to do!), the cat-like create has turned into a beautiful woman who explains that in this dimension Deadman is real

The beautiful Tatsinda explains that in our world she can only exist as the "cat-like" creature, that the aliens captured her two years ago and that the only way she could get home was to "ride" a nonentity, such as Deadman, back to her dimension. Deadman says that she can just ride him right back then, "Look, just drop me off and you can come back here!" But of course, she can only make the dimensional jump with someone like Deadman to ride her through it.

Just then Tatsinda's brother and sister arrive and after a tearful reunion they all run underground to avoid a massive storm. As they near Tatsinda's underground home city they are attacked by two ugly-looking guys on a giant crab-like creature. The crab-like creature's eyes hold them all in a hypnotic trance as the ugly ones grab Tatsinda and scamper (scuttle?) away on a giant network of spider-like webbing. Once they snap out of the trance Deadman asks what is the best way to go after them and Tatsinda's brother says that there is no way, that no one has ever followed the depth crabs, "We'll never see Tatsinda again!"

Not the right answer for Deadman, who leaps into the depths and swings about on the webs like he once did the trapeze. He quickly finds the ugly ones and landing among them begins to open a can o' wup ass! He rescues Tatsinda and as he is taking her back to her home she says, "You've done what no man on this whole planet could have done! I've been thinking...about how your dimension needs you more than I need to go home! Don't throw up!" and she rides him once again through the dimensional barrier! This story was reprinted in Deadman Collection HC.

Edited by Dick Giordano.

Girls' Romances #148

Girls' Romances #148 (On Sale: February 24, 1970) has an absolutely beautiful cover by the great Nick Cardy.

This issue begins with "I Won't Fall in Love" drawn by Ric Estrada and Vince Colletta. Next is "My Nightmare Love Affair" drawn by John Rosenberger. We end with the transgendered romance (just kidding) "I Wish I Wasn't Born a Girl" inked by Vince Colletta.

Edited by Murray Boltinoff.

Witching Hour #8

Witching Hour #8 (On Sale: February 17, 1970) has a nice cover by Neal Adams.

This month DC put out two excellent horror/mystery comics, House of Secrets #85 and this book. Not surprisingly, they are both the work of editor Dick Giordano. This issue's framing sequence, "The True Picture of the Servant Problem at the Witching Hour" is drawn by, well, my guess is Alex Toth and Neal Adams. It might be Adams by himself, but if so he is surely channeling the work of Toth; it is a beauty. It seems the girls have hired photographer Renay Phydeaux to create a family portrait. In order to set the mood for Renay, the girls each tell a tale...

The first real story is "Above and Beyond the Call of Duty" written by Sergio Aragones and Neal Adams and drawn, so they say, by Neal Adams. I say that because this is obviously Neal's inks, but the pencils have got to be by someone else. Neal doesn't draw entire pages with no backgrounds; it just doesn't happen. Stylistically this reminds me of "The Succubus" from Vampirella #10, which was penciled mostly my soon to be comic writer Steve Engelhart. I don't know if Steve was apprenticing with Neal here a year earlier, but it has that look of Neal working with a raw, young talent, rather than Neal blasting through a story.

Don't get me wrong, the artwork is extremely nice, just the lack of backgrounds makes you wonder. Also, the layout is very straightforward; most pages are in a three-tier, six-panel fixed format. Not very Adams-like, but his may have to do with Aragones, who was known for turning in his stories as quick-sketch layouts.

Regardless, old, rich Jonas Sentry spends his days contemplating the glories of his past. He wishes he had a young body again, like that of his butler, so that he could chase after beautiful young women, like his chambermaid Maria. His butler overhears him one day and says that for his soul, a deal can be struck, where Jonas could have the butler's young body. Over the next few days, Maria seems more attentive to Jonas than ever and finally he confronts her, will she be his?

She says that it is not possible due to the difference in their ages, but if he were young like her, she would marry him in an instant. And with that incentive the deal with the butler is done. As Jonas moves from his old body to that of the butler, the devil emerges from the butler's body. Jonas kicks his old useless body down the stairs and grabs Maria as the devil phones the police to report that Jonas Sentry has been murdered by his butler. Jonas tries to explain, but in the end he is sentenced to life in prison. This story has been reprinted in DC Special Blue Ribbon Digest #17 and Deadman #4.

Next is our cover-story, "Three Day Free Home Trial" drawn by Nick Cardy. A housekeeper named Winifred offers Emily Carson three days free of charge to test out her abilities. On Wednesday Emily finds her house to be the cleanest she has ever seen it, but she feels a bit faint and Winifred offers her some more of her wonderful tea, an old family recipe don't you know? For some reason Winifred shoos away Emily's cousin Elmer. By Thursday Emily's head feels like it is going to explode. but the doctor she has summoned is sent away by Winifred, who offers up more tea as her cure-all.

Later that evening Emily awakens to some horrible noises in her house but finds the door to her bedroom locked. Looking through the keyhole she sees Winifred dancing and cavorting with all manor of demon and creature. Winifred comes in to calm her, but so do her fiends. they leave poor Emily in her room going mad while outside the loud noises continue. Then, abruptly, they end. The silence is deafening, but it to eventually ends, replaced by the thumping of footsteps, getting closer and closer. The door slowly opens and in walks Cousin Elmer.

He finds his cousin in a state of shock and summons a doctor. They find a note to Emily from Winifred reading, "Dear Miss Emily, I thank you for the use of your lovely home!! It made our annual meeting a great success! You really must learn to relax more! Get Well! Love Winnie! P.S., Hope to see you again next year...that is if we don't find a better place!" It is the morning of Friday, the 13th.

Our last story is "ComputERR" written, drawn and lettered by Alex Toth. It's a cute little piece: Kipp meets Rod through computer dating and they get married. Rob moves Kipp to his house, a huge mansion all alone in the hills. It's a sweet place, just Kipp and Rod and, oh yeah, Ferencz, a trollish little bald fellow who takes care of Rod's every need. Days turn into weeks and Kipp and Rod are in bliss in their new life together, just the, eh, three of them; Ferencz is ever-present.

One day Rod is missing, gone on a business trip and it is just Kipp and Ferencz together for a bit. Rod's trips become more frequent, more lengthy. Ferencz tries to entertain Kipp, but she begins to resent the ugly little fellow. They have no phone, no car except the one Rod takes on trips, they get no mail, Kipp has no contact with the outside world; her house has become a prison and Ferencz is her jailer. Finally she can stand it no more and confronts Rod, either Ferencz goes or she goes.

Hearing this sentence of confinement Kipp hops into Rod's beautiful 1937 yellow Cord and attempts to drive off. Rod tries to stop her and she backs into him as she leaves. Ferencz runs to Rod's side. Later we see Ferencz working on Rod's insides, he is a robot. and Ferencz promises that he will make him better than before and they will once again use their computer-match service to find a more quiet, stay-at-home type of girl. Just then there is a knock at the door. The police want to know if Ferencz owns a yellow Cord and when he replies in the affirmative they want him to come with them to the site of the wreck. "Wreck?" he asks?

There is something they want him to explain to them. When they get there, he sees the body of Kipp, thrown from the car and lying on the road. She has been ripped apart and her mechanical insides are showing.

This brings us back to the wrapper story, which now looks to be totally Neal Adams art. The girls' stories have petrified Phydeaux, so Igor shows him out, dragging his chair behind him as he goes and then trudging off into the swamp. The girls are sure the readers will be upset with them as they promised the readers a picture of Igor. There is a pounding at the door and the girls worry that the readers are in revolt, but at the door they find waiting for them a cute little girl, holding a big envelope. She gives the witches the envelope then runs off. Inside they find a picture of the girl and Igor. Of course, you can't see much of Igor, but what did you expect?

Edited by Dick Giordano.

Challengers of the Unknown #73

Challengers of the Unknown #73 (On Sale: February 3, 1970) has a cover by Nick Cardy.

This issue begins with our Challengers of the Unknown cover-story, "The Curse of the Killer Time Forgot" by Denny O'Neil and George Tuska. This is Tuska's first action strip for DC. The back-up is "A Flash of Memory" by Murray Boltinoff, Dick Dillin and Vince Colletta.

Edited by Murray Boltinoff.

Teen Titans #26

Teen Titans #26 (On Sale: January 20, 1970) has another great cover by Nick Cardy. I know that as a young man, I spent many a hour staring at Wonder Girls' butt on this one.

"A Penny for a Black Star" is by Robert Kanigher and Nick Cardy and continues from the dramatic events of last issue, where the Titans responsible for the death of Nobel Peace Prize winner Dr. Arthur Swenson, gave up their costumes, vowed to not use their powers and joined Mr. Jupiter's top-secret project.

Continuing really from the cover, they enter into Mr. Jupiter's training facility, a kind of Titans version of the X-Men Danger Room, a gauntlet of lasers, fire and wind. When they come out on the other side, Mr. Jupiter gives them each a penny and tells them the next part of their training will be in Hell's Corner, the toughest neighborhood in the city, where they are to find jobs, a place to live and one other thing, something they will have to figure out on their own. Lilith says that the answer to the last enigmatic task will be found in Hell's Corner, but she knows know more than that.

Donna wonders what they can do with a penny each and Lilith says that perhaps they can "find... a black star," but once again, more than that she does not know. In Hell's Corner they find a young black girl selling lemonade for a penny and buy some, one to see the girl attacked by Storm and his gang, the Hell's Hawks. Don (Hawk) wants to jump in and pound the gang, but he is held back by Dove and the reminder of what happened the last time they went off one someone. Seeing that they won't fight back, the gang go after the girls, groping at Lilith and Donna. Suddenly the gang is attacked by Mal Duncan, the little girl's older brother and once the gang starts beating up on him the Titans do come to the rescue, without using their super-powers.

The gang runs off and the Titans thank Mal, who tells them that they don't belong there and should leave. But they don't heed his advice and continue on through the neighborhood. Donna and Lilith get jobs at a clothing store and the guys get work and room and board at the neighborhood boys club. where they help the kids with baseball, boxing and painting. That night they learn of a monthly boxing match where the youth of the neighborhood let off steam. A week or so later at the match, Mal is pitted against Storm and knocks him out in the ring. Later when the Titans go to congratulate him they find him being beaten by the gang. The Titans put a quick end to that. Afterward the celebrate and reluctantly Mal goes along, where mainly through the efforts of Lilith, he becomes part of the gang, the Titans realizing that recruiting Mal must be the unknown task they needed to perform.

They bring Mal to Mr. Jupiter where Mal learns that his new friends are actually the Teen Titans. Mal goes through the same danger room gauntlet as the rest of the team and over the next few weeks (months?) they all train (for some reason) for spaceflight. Eventually they are taken to a secret launch site where automated rockets are being prepped for a one-way unmanned trip to Venus. That night Mal sneaks out of the facility, though he meets Lilith on the way, and when the spaceship launches the next morning they find out Mal is on board. With Jupiter's help the Titans vow to take another ship to the moon to rendezvous with Mal and save him.

This was not the best of follow-ups to last issue's story, but I don't really expect much from Robert Kanigher. I'm not sure where Dick Giordano thought he could take the unpowered Titans, but he needed someone like Mike Sekowsky to pull this off and Kanigher just didn't qualify. This was reprinted in Showcase Presents: Teen Titans Vol. 2 TPB.

Edited by Dick Giordano.

Girls' Romances #147

Girls' Romances #147 (On Sale: January 15, 1970) has a cover by Nick Cardy.

This issue begins with "Too Beautiful to Be Loved" drawn by Jay Scott Pike. That is followed by "I See You in My Dreams," and the issue rounds off with our cover-story, "No Sweetheart for Cinderella," drawn by George Tuska and Vince Colletta.

Edited by Murray Boltinoff.

Steve Tillotson covers Congo Bill 3

Original cover by Nick Cardy; DC 1954. Steve Tillotson's website is here.

Aquaman #50

Aquaman #50 (On Sale: January 3, 1970) has a cover by Nick Cardy.

This issue begins with our cover-story, "Can This Be Death?," (its second chapter has the Harlan Ellison-inspired title of "City on the Edge of Nowhere") by Steve Skeates and Jim Aparo. Aquaman awakens in a strange realm of storage floating geometric pink and purple objects and remembers back to how he came to this unusual place.

Returning to Atlantis from Alaska, Aquaman and Aqualad see Mera outside of the Atlantis dome talking to Ocean Master. Aquaman confronts Ocean Master who says that his mind is now clear and he remembers that he and Aquaman are brothers and that he is there to warn him about something. Just then a strange craft arrives and two aliens emerge and shoot Aquaman with some sort of ray gun, causing Aquaman to black out. When he awakens it is to the madness surrounding him.

Aquaman realizes that he can swim through the strange atmosphere and does so only to come upon a bizarre giant creature with one eye. The creature attacks Aquaman who is forced to retreat from it when the creature is shot with an arrow, delivered by a beautiful woman holding a strange-looking gun. Aquaman tries to communicate with her telepathically to shoot the creature in the eye to no avail, so he takes the arrow-gun away from her and scores a bullseye, or creatures-eye with his shot. The woman abruptly pushes Aquaman away from the creature as it explodes. Now he knows why she avoided the eye!

Aquaman picks up a hint of garbled telepathic communication and follows it. In a neat visual twist from Aparo, the communication takes the form of a large distorted word: GIORDANO.
He follows the communication trail and is in turn followed by the woman, to a city full of people. Once again he attempts telepathic communication with negative results. Continuing to follow the hints, Aquaman is led to a guarded building. Here there are more hints of communication and Aquaman is swimming in a sea of DC staff: ORLANDO, HEATH, PIKE, WRIGHTSON, TOTH, etc.

The guard shoots at Aquaman with a gun that emits green bubbles, which latch on to him sapping his strength. With the last of his energy Aquaman knocks out the guard and swims inside the building, where the guard does not give chase. Inside he finds people sitting around and communicating telepathically. The woman comes up behind him and explains that she too can now communicate with him now that they are in the "sacred place." Apparently the religion of these people only allow communication in there churches or sanctuaries.

Aquaman asks the woman what planet they are on and in what galaxy they are in, but the concepts are unknown to her. She knows only the city and the wilderness beyond. Aquaman realizes that he must be in another plane of existence and asks the woman if there is someone he can talk to. She says only Brother Warnn, but that no one dares talk to him. A voice asks Aquaman what he wants and when he turns around he is confronted by Brother Warnn. Obviously continued, and not just in the next issue, but in the next story, sort of. Reprinted in Adventure Comics #502.

The back-up is Deadman in "Deadman Rides Again" written and drawn by Neal Adams. In Nanda Parbat, Deadman has a meeting with Rama Kushna where Rama says that he will keep his "deal" with Deadman to allow him to attempt to balance the good against the evil of the world. To that end Rama sends Deadman out on a mission to discover the danger in a small deep-sea craft. Chasing down the craft, being driven by Ocean Master, Deadman watches as he places a small glowing device on the ocean floor. Staying with Ocean Master Deadman watches as he rendezvous with an alien space craft. There he learns that Ocean Master has made a deal with the aliens to plant their device for them in return for them killing Aquaman.

As Ocean Master leaves, Deadman attempts to take over his body only to find a portion of his mind blocked off. Needing full control of Ocean Master, Deadman breaks through the barrier, but finding himself weakened, leaves Ocean Master's body to "catch my breath." As he does so, Ocean Master regains control of his body and feels long forgotten memories flooding his mind and realizes that Aquaman is his brother and that he has sent aliens to kill him. He heads off to warn Aquaman leaving Deadman free to find out what the aliens are up to with the strange device.

The aliens converse telepathically and Deadman listens in as they discuss how the device, and others like it, will lower the mental capacity of humans by 25%. Deadman finds that he can take over the bodies of an alien just as easily as a human, but he walks through a restricted area and the other alien takes off as if he knows what is going on. When Deadman goes after his body the first alien says that he has "been under the control of a non-entity" as if Deadman-types are a known issue with them. Unable to control both aliens at the same time they make there way to a hatch where the let loose a "Sddrie," a small cat/rat-like creature with large ears and huge glowing eyes. As the creature looks at Deadman he feels himself slipping into another dimension.

This story, reprinted in Deadman Collection HC, sure had me hooked.

Edited by Dick Giordano.

Falling In Love #113

Falling In Love #113 (On Sale: December 16, 1969) has a another wonderful cover by Nick Cardy.

We begin with "I.O.U.: My Heart" inked by Vinny Colletta. Next is "The Most Bitter Lesson of Her Life" penciled by Lee Elias. We end with our cover-story, "Please, Please, Don't Tell Him About Me" inked by Vinny Colletta.

Edited by Murray Boltinoff.

Unexpected #117

Unexpected #117 (On Sale: December 4, 1969) has a cover by Nick Cardy.

We begin with Johnny Peril in "Midnight Summons the Executioner" by George Kashdan and Sid Greene. This is the last Johnny Peril story for ten years. Next is "Hands of Death" by Murray Boltinoff and Jerry Grandenetti. That is followed by "The House That Hate Built" by Carl Wessler and George Tuska. This story was reprinted in Unexpected #161. We end with "Death of the Man Who Never Lived" by Carl Wessler and Bruno Premiani.

Edited by Murray Boltinoff.

Teen Titans #25 (On Sale: November 18, 1969) has a powerful cover by Nick Cardy.

The Teen Titans take a dramatic turn in "The Titans Kill a Saint" by Robert Kanigher and Nick Cardy. In an absolute classic art job by Cardy we begin with the Titans and the Hawk and the Dove watching a surgery take place and blaming themselves. Later in the recovery room they attempt to talk to the patient, Nobel Peace Prize winner Dr. Arthur Swenson, but as they do so, he dies. In shock and tears the Titans are called to the morgue for a meeting of some sort. When the dejected Titans leave a short time later they run into Lilith, onto whom they try to foist some of the blame for Swenson's death, but she will have none of their nonsense and splits.

The Titans think back to how it all began a few hours earlier at the Canary Cottage Discotheque, where they met a dancer named Lilith, who knew who the Titans were even in their civilian identities and asked to join the team. She said her power is that she just knows things, like she knows the Titans will open the door to death tonight. They blow Lilith off and leave running into a peace rally, where Dr. Swenson is speaking. As the crowd begins to get heated, the Titans head for a back alley to change only to run into the Hawk and the Dove doing the same thing.

Back inside they all do what they can to control the crowd but when a man pulls a gun, Speedy, Wonder Girl, Kid Flash and the Hawk and the Dove all jump him and try to wrest the gun from his hands. It goes off and the single bullet strikes Dr. Swenson in the head. Speedy rushes them all to the hospital, where our story began. We also learn that when they went to the morgue, they were confronted by the Justice League who told them that they had violated their most sacred duty and that something must be done about it. Superman tells them that they must act as their own judge and jury and Batman warns that if they do not reach a decision by the day's end that the JLA will execute punishment on their own.

The Titans wander the streets, finding themselves eventually at the docks, where they are met by a small boat containing Lilith and Mr. Jupiter, the richest man in the world. Jupiter says he has an urgent government mission that he wants the Titans to undertake, but that the mission may change them forever and may even cost them their lives. Lilith leaves them, saying she knows she is a reminder to them of what has happened. The Titans go with Jupiter back to his estate to hear more.

Jupiter explains that he is in charge of a secret training project to prepare teens for the task of handling the world's problems and asks them if they will join. Robin bows out, saying that he has already committed to college. Though he leaves, the rest of the Titans and the Hawk and the Dove accept and are taken to Jupiter's secret headquarters on the 13th floor of his skyscraper complex, a floor run completely by computers.

There the Titans once again meet Lilith and give up their uniforms and fore go their powers to join Jupiter's secret project. This classic story was reprinted in Showcase Presents: Teen Titans Vol. 2 TPB.

Edited by Dick Giordano.

Phantom Stranger #5

Phantom Stranger #5 (On Sale: November 13, 1969) has a nice cover by Neal Adams. This will be the last cover for a while that shows the Stranger as an actual character on the cover.

We begin with "The Devil's Playground" by Robert Kanigher, Mike Sekowsky and Murphy Anderson. I cannot tell you how much I dislike the writing in this issue, mainly as it pertains to the four "hippie" characters returning from last issue. These four: Spartacus, Wild Rose, Attile and Mister Square (you can't make up names that bad! Oh wait, Robert Kanigher actually did!), are at the beach one night when they hear a man calling out. When they get to him they find him dead. When they go to show the body to a security guard, it is missing.

Back in "the city," the four teenagers, Dr. Thirteen and Tala all end up at the same dance club, where a man named Earl Winthrop is breaking up with his girlfriend Vera. Broken-hearted Vera drives off into the night and, after hitting an oil slick on the road, off a bridge and into the ocean. The Phantom Stranger appears and retrieves her dead body from the deep, bringing her to shore where the police are waiting.

Meanwhile, back at the club, Earl is now on to another conquest, this time it is Wild Rose who, along with her friends recognize Earl Winthrop as the man they saw drowned at the beach. Rose dances with Winthrop and Tala decides to set the club on fire. The Phantom Stranger shows up and uses his cape to put out the fire. Tala tries to win him over with a kiss and then leaves, while Dr. Thirteen once again calls the Stranger a phony.

Outside Winthrop invites everyone to party at his beach house while he flies to Florida. The house keeper lets them in but shows them a newspaper with a headline regarding Winthrop being lost at sea. The gang parties anyway (it is the 60's after all) and eventually Winthrop shows up saying the newspaper was mistaken, yet with a bit of seaweed hanging off his hand. The kids notice that Earl dances with every woman in the room and seems to ask each one the same question, which always results in the woman laughing.

They get a warning that a hurricane is coming and everyone leaves the beach house except Earl, the four kids and Dr. Thirteen. Earl takes Wild Rose out to the beach for a walk and confides in her that the newspaper was right and that his plane did crash. While floating in the sea a strange light appeared and told Earl that he was doomed to float in eternal loneliness forever unless he can find someone who will weep tears of pity for him. He told every woman he met tonight his story and they all laughed at him, but Wild Rose does cry for him and he returns to the sea to meet his end.

However Tala shows up to see that Wild Rose joins Winthrop in death and a fight ensues between her and the Phantom Stranger. In the end, the Stranger wins and Dr. Thirteen once again, calls the Stranger a phony. Wow, was this a badly written story.

The back-up story is "The Devil's Footprints" by Robert Kanigher and the unusal, but good-looking art team of Curt Swan and Nick Cardy.

This entire book was reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.

Edited by Joe Orlando.