Challengers of the Unknown #74

Challengers of the Unknown #74 (On Sale: April 2, 1970) has a very nice cover featuring the Challs and mentioning Deadman.

The 23-page "To Call a Deadman" brings together not only the Challengers of the Unknown and Deadman, which seems like a match made in heaven, but als features Johnny Double in his first appearance since his Showcase tryout. The story is by Denny O'Neil and the artwork is by George Tuska, except for the panels featuring Deadman which are drawn by Neal Adams. I thought putting Deadman and the Challs together was a brilliant idea that would save this book, but of course, I was wrong. Starting next issue the Challengers of the Unknown became a reprint book; DC wasn't even waiting to see if Deadman helped out sales. This strange tale was reprinted in World's Finest Comics #230 and Deadman Collection HC.

The one-page filler this issue is "Dark as Death" by Murray Boltinoff and Bernie Wrightson.

Edited by Murray Boltinoff.

Aquaman #51

Aquaman #51 (On Sale: February 26, 1970) has another brilliant cover by Nick Cardy. This may be the Silver Age of comics, but it was the Golden Age of Comic Covers.

We begin with Aquaman in "The Big Pull" by Steve Skeates and Jim Aparo. Continuing from last issue, some alien creatures sent by Ocean Master have blasted Aquaman, well, somewhere unearthly. There he met a woman who lived in a strange city where their religion only allowed for communication in their sanctuary. Looking for information about Earth the woman has brought Aquaman to Brother Warnn and as we pick up the story this issue we learn that even this man has no concept of Earth. The people here only believe in the City and the Wilderness beyond; to them nothing else exists.

When Aquaman tells the woman that he intends to search for someone who knows of Earth, the woman warns him that there is nothing but the City and the Wilderness and to speak otherwise is blasphemy. Aquaman is overheard however by a Supreme Brother, one of the few allowed to communicate outside of the sanctuary. The woman tells Aquaman that if he leaves they will surely attack him, but Aquaman doesn't want to wait around any longer and bolts from the place. He is followed by a couple of warriors with the crazy bubble-guns seen last issue. Aquaman sneaks up on an unsuspecting guard, and knocking him out, uses his body as a shield from the bubbles. Escaping Aquaman soon finds that he is once again being followed by the woman.

Back in the City, on official turns on a machine which sends out huge telepathic waves into the Wilderness. The waves his Aquaman and his companion, causing extreme pain and knocking her out. Aquaman carries the woman and swims on. Eventually as he puts more distance between him and the City the pain eases.

Back in Atlantis, Black Manta is seen approaching the city and Mera, alone and in charge, wishes with all her might that her husband were back with her. At that same instance, somewhere else, Aquaman feels a strange force pulling him in a specific direction. His companion wakes up and seems unsure of what to do, but eventually decides to continue following Aquaman.

As they continue on they are seen by two strange little men toiling in a rock quarry. Jimm thinks he sees Aquaman, but Steev has never heard of Aquaman and thinks they better get back to work or Dikk will have their heads. This was a nice little inside bit by Skeates and Aparo.

Luckily the woman did not see Steev or Jimm for she would have surely freaked when she saw them talking, for a little later on Aquaman is drawn toward a large sphere, covered with cave-like structures. When the woman sees the cave-people communicating in the open she is shocked and pulls out her gun to shoot them. Aquaman stops her, but not before one errant shot is let loose. It hits near a child playing and the cave people head toward Aquaman with clubs at the ready. This story was reprinted in Adventure Comics #503.

The back-up is Deadman in "The World Cannot Wait for a Deadman" written and drawn by Neal Adams. If you remember last time, the same aliens that zapped Aquaman where ever the heck he has been zapped, let loose a cat-like creature when they realized a non-corporal being like Deadman was in their midst and said cat-like creature was flipping Deadman out! More like taking him for an inter-dimensional ride! Now as he lands on solid ground (hard for a dead man to do!), the cat-like create has turned into a beautiful woman who explains that in this dimension Deadman is real

The beautiful Tatsinda explains that in our world she can only exist as the "cat-like" creature, that the aliens captured her two years ago and that the only way she could get home was to "ride" a nonentity, such as Deadman, back to her dimension. Deadman says that she can just ride him right back then, "Look, just drop me off and you can come back here!" But of course, she can only make the dimensional jump with someone like Deadman to ride her through it.

Just then Tatsinda's brother and sister arrive and after a tearful reunion they all run underground to avoid a massive storm. As they near Tatsinda's underground home city they are attacked by two ugly-looking guys on a giant crab-like creature. The crab-like creature's eyes hold them all in a hypnotic trance as the ugly ones grab Tatsinda and scamper (scuttle?) away on a giant network of spider-like webbing. Once they snap out of the trance Deadman asks what is the best way to go after them and Tatsinda's brother says that there is no way, that no one has ever followed the depth crabs, "We'll never see Tatsinda again!"

Not the right answer for Deadman, who leaps into the depths and swings about on the webs like he once did the trapeze. He quickly finds the ugly ones and landing among them begins to open a can o' wup ass! He rescues Tatsinda and as he is taking her back to her home she says, "You've done what no man on this whole planet could have done! I've been thinking...about how your dimension needs you more than I need to go home! Don't throw up!" and she rides him once again through the dimensional barrier! This story was reprinted in Deadman Collection HC.

Edited by Dick Giordano.

Aquaman #50

Aquaman #50 (On Sale: January 3, 1970) has a cover by Nick Cardy.

This issue begins with our cover-story, "Can This Be Death?," (its second chapter has the Harlan Ellison-inspired title of "City on the Edge of Nowhere") by Steve Skeates and Jim Aparo. Aquaman awakens in a strange realm of storage floating geometric pink and purple objects and remembers back to how he came to this unusual place.

Returning to Atlantis from Alaska, Aquaman and Aqualad see Mera outside of the Atlantis dome talking to Ocean Master. Aquaman confronts Ocean Master who says that his mind is now clear and he remembers that he and Aquaman are brothers and that he is there to warn him about something. Just then a strange craft arrives and two aliens emerge and shoot Aquaman with some sort of ray gun, causing Aquaman to black out. When he awakens it is to the madness surrounding him.

Aquaman realizes that he can swim through the strange atmosphere and does so only to come upon a bizarre giant creature with one eye. The creature attacks Aquaman who is forced to retreat from it when the creature is shot with an arrow, delivered by a beautiful woman holding a strange-looking gun. Aquaman tries to communicate with her telepathically to shoot the creature in the eye to no avail, so he takes the arrow-gun away from her and scores a bullseye, or creatures-eye with his shot. The woman abruptly pushes Aquaman away from the creature as it explodes. Now he knows why she avoided the eye!

Aquaman picks up a hint of garbled telepathic communication and follows it. In a neat visual twist from Aparo, the communication takes the form of a large distorted word: GIORDANO.
He follows the communication trail and is in turn followed by the woman, to a city full of people. Once again he attempts telepathic communication with negative results. Continuing to follow the hints, Aquaman is led to a guarded building. Here there are more hints of communication and Aquaman is swimming in a sea of DC staff: ORLANDO, HEATH, PIKE, WRIGHTSON, TOTH, etc.

The guard shoots at Aquaman with a gun that emits green bubbles, which latch on to him sapping his strength. With the last of his energy Aquaman knocks out the guard and swims inside the building, where the guard does not give chase. Inside he finds people sitting around and communicating telepathically. The woman comes up behind him and explains that she too can now communicate with him now that they are in the "sacred place." Apparently the religion of these people only allow communication in there churches or sanctuaries.

Aquaman asks the woman what planet they are on and in what galaxy they are in, but the concepts are unknown to her. She knows only the city and the wilderness beyond. Aquaman realizes that he must be in another plane of existence and asks the woman if there is someone he can talk to. She says only Brother Warnn, but that no one dares talk to him. A voice asks Aquaman what he wants and when he turns around he is confronted by Brother Warnn. Obviously continued, and not just in the next issue, but in the next story, sort of. Reprinted in Adventure Comics #502.

The back-up is Deadman in "Deadman Rides Again" written and drawn by Neal Adams. In Nanda Parbat, Deadman has a meeting with Rama Kushna where Rama says that he will keep his "deal" with Deadman to allow him to attempt to balance the good against the evil of the world. To that end Rama sends Deadman out on a mission to discover the danger in a small deep-sea craft. Chasing down the craft, being driven by Ocean Master, Deadman watches as he places a small glowing device on the ocean floor. Staying with Ocean Master Deadman watches as he rendezvous with an alien space craft. There he learns that Ocean Master has made a deal with the aliens to plant their device for them in return for them killing Aquaman.

As Ocean Master leaves, Deadman attempts to take over his body only to find a portion of his mind blocked off. Needing full control of Ocean Master, Deadman breaks through the barrier, but finding himself weakened, leaves Ocean Master's body to "catch my breath." As he does so, Ocean Master regains control of his body and feels long forgotten memories flooding his mind and realizes that Aquaman is his brother and that he has sent aliens to kill him. He heads off to warn Aquaman leaving Deadman free to find out what the aliens are up to with the strange device.

The aliens converse telepathically and Deadman listens in as they discuss how the device, and others like it, will lower the mental capacity of humans by 25%. Deadman finds that he can take over the bodies of an alien just as easily as a human, but he walks through a restricted area and the other alien takes off as if he knows what is going on. When Deadman goes after his body the first alien says that he has "been under the control of a non-entity" as if Deadman-types are a known issue with them. Unable to control both aliens at the same time they make there way to a hatch where the let loose a "Sddrie," a small cat/rat-like creature with large ears and huge glowing eyes. As the creature looks at Deadman he feels himself slipping into another dimension.

This story, reprinted in Deadman Collection HC, sure had me hooked.

Edited by Dick Giordano.

Brave and the Bold #86

Brave and the Bold #86 (On Sale: August 21, 1969) has another great cover by Neal Adams. Nothing like Deadman to bring out the best in Neal.

Batman and Deadman star in "You Can't Hide from a Deadman" which is written by Bob Haney and drawn by Neal Adams. Well, that's the story anyway, but I don't buy it for one minute because the Neal Adams Checklist on Neal's own site and my gut say this is Neal's work through and though. Now it is not that this checklist is all that accurate, as it only lists Neal as the writer and penciler of this story when he is obviously the inker as well, but my gut is pretty good on this stuff and this story so nicely wraps up the writing that Neal was doing on the Deadman strip in Strange Adventures, that I guess it is possible that Bob Haney did some of the dialog, but the plot has got to be Neal's.

This is Neal's eighth Brave and the Bold and his last of this run. Neal would draw one more full issue in a little over a year and finish up a Jim Aparo story a year or so later, but for all intents and purposes, this was the end of Neal's run as the regular penciler and it seems appropriate that he both began and ended his B&B run with Deadman.

However, this end-of-the-run may not have been Neal's idea. According to the DC Timeline "Neal Adams fired by Murray Boltinoff for rewriting Bob Haney’s script for Brave and Bold 86." I can't find any verification of this actually being the case. I know that Neal says that about this time Julius Schwartz came to him with "a handful of letters and he stops me in the hallway and he says, “How come all these fans say the only Batman at DC Comics is in Brave and Bold?” I said, “Well, Julie, in Brave and Bold he’s really Batman. He is not walking around in the daytime in his underwear, he is skulking around at night.” He said, “What makes you think you know how to do Batman?” I said, “Julie, it’s not me who knows how to do Batman, it’s me and every kid in America who knows what Batman ought to be. The problem at DC Comics is that no one knows what Batman is.” He said, “Get back here. Now you are going to be drawing Batman.” So it may have been a more gentle parting of ways than the DC Timeline says, but who knows.

It is rather telling though that in the same Comics Bulletin interview, Neal says of his talk with Boltinoff when getting the book, "I said, “Only one thing, I don’t want to change anything in the writing, I just want to every once in a while change locations and time of day.” I wanted to change the time to night because it just seems silly to have Batman walking around in his underwear in the daytime. Murray said, “That’s fine, no problem.” So, I took the script and I started drawing Brave and the Bold." If this is true and what I suspect as to the identity of the real plotter of #86, Boltinoff may have given Neal the boot.

It's just another night in Gotham as Batman and Robin break up an extortion racket, except that after mopping up the bad guys, Robin picks up a gun and tries to shoot Batman. Blinding the boy wonder with a smoke pellet saves Batman's hide and Robin strangely snaps out of it. When Commissioner Gordon and his men reach the scene Gordon uses an officer's service revolver to try and shoot Batman as well. Everyone is clueless, except Batman who has surmised that his "old friend Deadman is trying to kill me!"

Out on the street Batman runs a gauntlet of people suddenly possessed by Boston Brand's ghost and out to kill Batman. After almost being run over by a truck, Batman heads for the rooftops where Deadman will have a much harder time finding a host to possess. However Deadman finds a pigeon fancier and comes after Batman with a club. Batman tries to talk sense into Deadman, saying they are friends, but Deadman says he is trying to kill Batman. Batman's response is that Deadman is a liar and that he can prove it. "If you really want to kill me, do it the simple way...jump into my body and make me jump off the roof...clean and simple!" The logic of this causes Deadman to freak out and quickly exit the man's body.

Meanwhile, in Hong Kong at the secret headquarters of the Society of Assassins, the Sensei is listening to a report from Willie Smith. Smith recounts how Deadman found his killer, the Hook and after confirming that he was dead, returned to Nanda Parbat seeking out Rama Kushna and the end of his unnatural existence. Deadman interfered with Smith's plan to destroy Nanda Parbat and thinking Smith dead, Deadman met with Rama Kushna. Afterward, Deadman chose to leave Nanda Parbat and return to being a ghost (a pretty good recap of Strange Adventurers #215 and #216). As Deadman was leaving, Smith shot him with a poison dart, but because he was only partially corporeal at the time it did not kill him but left him dazed and susceptible to suggestion. Smith used the opportunity to turn Deadman's hatred of the Sensei into a hatred for Batman. With Deadman busy trying to kill Batman the Sensei sees this as the perfect time to once and for all destroy Nanda Parbat.

Back in Gotham Batman visits the Hills Bros. Circus where Boston's brother, Cleavland, has taken over the role of the trapeze artist Deadman. Boston enters his brother's body and once again takes to the high platform, where he attempts his famous quadruple somersault, only to find that his brother's muscles are not as supple as his once were and he is saved only by the intervention of Batman. Boston is more confused than ever now that Batman has saved his brother's life. Just then circus mystic Vashnu arrives to say that Rama Kushna wants Deadman to return to Nanda Parbat.

Batman and Deadman in his brother's body are shot at as they parachute over the Himalayas down to Nanda Parbat. Deadman leaves his brother's body and leaps into the body of his attackers, turning one against the other. Returning to Cleavland's body Deadman leads Batman to Nanda Parbat where upon entrance he leaves Cleve's body and becomes corporeal once again. But as he does so the poison from Willie Smith's dart takes affect and he collapses to the ground.

Rama Kushna appears and explains that Boston has been poisoned but that one of the men coming to attack Nanda Parbat carries an antidote. Batman and Cleve head out to stop the assault on Nanda Parbat and to find the antidote. Using a now arrived blinding snowstorm for cover they take out the Sensei's men one by one, till they finally get to Smith and retrieve the antidote. The Sensei challenges them both, but they ignore him and hurry back to Boston.

Once back in Nanda Parbat Batman uses the antidote to save the life of a Deadman. Boston realizes the absurdity of it all and that Nanda Parbat is the only place where he can be harmed and therefore decides to leave and become a ghost once more. The Sensei is seen trudging down the mountain plotting his revenge on Batman and Deadman.

This classic story has been reprinted in Best of DC #26, Deadman #7, Deadman Collection HC, Batman Illustrated by Neal Adams Vol. 2 HC and Showcase Presents the Brave and the Bold Batman Team-Ups Vol. 1 TPB.

Edited by Murray Boltinoff.