Challengers of the Unknown #74

Challengers of the Unknown #74 (On Sale: April 2, 1970) has a very nice cover featuring the Challs and mentioning Deadman.

The 23-page "To Call a Deadman" brings together not only the Challengers of the Unknown and Deadman, which seems like a match made in heaven, but als features Johnny Double in his first appearance since his Showcase tryout. The story is by Denny O'Neil and the artwork is by George Tuska, except for the panels featuring Deadman which are drawn by Neal Adams. I thought putting Deadman and the Challs together was a brilliant idea that would save this book, but of course, I was wrong. Starting next issue the Challengers of the Unknown became a reprint book; DC wasn't even waiting to see if Deadman helped out sales. This strange tale was reprinted in World's Finest Comics #230 and Deadman Collection HC.

The one-page filler this issue is "Dark as Death" by Murray Boltinoff and Bernie Wrightson.

Edited by Murray Boltinoff.

Detective Comics #399

Detective Comics #399 (On Sale: March 26, 1970) has a great cover by Neal Adams.

Our cover-story is "Death Comes to a Small, Locked Room" by Denny O'Neil, Bob Brown and Joe Giella. During a demonstration for cadets at the Gotham City Police Academy, Batman embarrasses Khan, a master of judo, karate and kung fu. When an enraged Khan comes after Batman with a steel identification bracelet across his knuckles, Batman decks him. In steps Arthur Reeves, the mayor's new Public Works Coordinator and soon to be a regular pain in Batman's backside.

Reeves wants to know what Batman is hiding behind that mask, why he isn't up front and out in the open. When Batman asks Reeves if that is what he believes in and Reeves answers in the affirmative, Batman lifts up Reeves toupee and quickly ducks out a window.

A month goes by and the incident quickly slides form Batman's memory till one night, 30 days later Batman is called to the site of Khan's training school which has been destroyed in a furnace explosion with Khan inside. Reeves shows up and accuses Batman of maybe causing the explosion to get back at Khan and Batman suggests that Reeves stick to sharing his fantasies with his barber.

Gordon and Batman have an appointment to get to, a séance of some sort to which they have been invited in an invitation that hinted at "solving a crime if we show." As they pull into the parking lot in Gordon's cruiser the car is strafed with machine gun bullets and crashes into a tree. As the machine gun-toting thug comes out to inspect his handy-work, Batman takes him out. Just then a man appears, "Big Dough" Joe Brunner a man sent to the pen by Gordon who is now out and wants to thank Gordon for setting his life straight. After he leaves Gordon wonders is "Big Dough" might not be behind the attack, but Batman says if he is, they know where to find him.

Inside the séance they meet the Great Dilbert--Medium Extraordinary who says he will "zummon spirits of dead!" He begins and the "spirit" has a message for Batman. The spirit seems to be speaking in Khan's voice and says that since Batman humiliated him in life he will humiliate Batman in death by killing Commissioner Gordon at midnight tomorrow. The lights go out and zee Great Dilbert has skedaddled. Batman says that Dilbert was a ventriloquist and wore a high collar to hide the movement of his throat muscles.

The next night Reeves tries to lock Gordon into a sealed vault for his protection, but one of the guards is actually Batman, who once again makes Reeves look life a fool. But the embarrassment just keeps on coming as Batman reveals that Gordon is not Gordon but actually the Great Dilbert. Pulling of Dilbert's mask and handing it to him Batman explains that "Gordon" was too clean shaven to have been on the job all day. Dilbert says that he might as well tell them where Gordon is really being held, but as he attempts to do so he dies from a poison on the outside of the Gordon mask Dilbert was holding. As he dies Dilbert says "D...do...j...jo..." and one of the guards says that it is obvious that the filler is "Big Dough" Joe Brunner, AKA Dough Joe.

Reeves sends men out to pick up Joe Brunner, but Batman has other ideas and heads back to Khan's training school, or dojo! There in a fireproof vault under the rubble Batman confronts and takes out Khan before he can harm Commissioner Gordon.

The back-up is Robin in "Panic by Moonglow" by Frank Robbins, Gil Kane and Vinny Colletta. Continuing from last issue where the moon rock turned geeky student Herb Stroud squeaky green and all, raising a panic within NASA, but leaving Robin with that not so subtle taste of hoax in his mouth. So much so that he went and checked out the shower Herb used, finding some funny smelling soap and a massive headache when someone slammed his head into a wall and stole the soap of questionable properties. When Robin comes around it is with the help of Zukov, the Russian exchange professor, whose hands have that tell-tell smell of gimmicked out soap.

The campus is quarantined by NASA so Robin needs a place to crash and Zukov offers his cottage guest-room. using a stolen stethoscope, Robin listens in as Zukov and some cronies hidden under his floor discuss their plan to make NASA look irresponsible for "polluting our glorious planet," losing public support and dropping out of the space race so that the Soviets can get their moon program on track and once again be the leaders in space. But first they want to get Robin out of the way.

However, when they kick down the door to his room, he has of course fled the scene and is heading for the science-hall to retrieve the lunar rock sample. After skirmishing with some of Zukov's men, Robin comes in through the roof, but gets his cape caught on a piece of broken glass, hanging him up in the air. Zukov shows up with a pencil laser gun he used to drill a hole into the glass case containing the moon rock, so that he could inject a secret gas that could be triggered by cosmic rays to turn the rock and Herb a lovely shade of green. Now he plans to use the same pencil to drill a hole into Robin's brain, but Robin slips out of his cape and collar and swings into the darkness on a batrope (or do we call this a robinrope?)

Shooting wildly after Robin's ever-moving voice, Zukov severs one of the legs of a Lunar Module on display and it crashes down on him with a satisfying KRUNCH! With Robin's information the NASA people are able to determine that Herb has been exposed to a Russian nerve-virus and they are able to give him an antidote in time to stave off the bitter green end. This story has been reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.


Edited by Julius Schwartz.

Justice League of America #80

Justice League of America #80 (On Sale: March 10, 1970) has cover by Murphy Anderson.

"Night of the Soul-Stealer" is by Denny O'Neil, Dick Dillin and Joe Giella. The Flash finds Hawkgirl floating in space outside the JLA headquarters and when the other JLAers arrive Atom relates how Hawkman and Hawkgirl were taking the deranged Jean Loring to Thanagar in hopes of curing her mental problems. When Hawkgirl revives she is in a vegetative state. The team breaks up, Batman and Green Arrow head for Midway City, Superman heads for Thanagar, Atom and The Flash head for the Grand Canyon where there is some sort of disturbance and Black Canary gets to cool her heels in the JLA satellite.

At the Grand Canyon the annual Boy Scout Jamboree is going very wrong as the boys are all mindlessly walking towards the edge of the canyon to do the big drop. Flash builds a barrier between the canyon and the kids and they learn that the kids were fine until a creature on a flying broomstick passed overhead.

In Midway City while looking for Hawkman Batman and Green Arrow see a creature riding over the city on what looks like a rocket-powered broomstick. Arrow brings the rider down and in the ensuing scuffle with Batman the rider drops a box he is holding. He makes quick work of both Batman and Green Arrow and as he is about to leave comments that had he not damaged his Ghenna Box he would of added their souls to his collection. Oh and we also learn that his name is Norch Lor and he is on some kind of mission.

Meanwhile, out in space Superman finds Hawkman's ship about to be eaten by a neutron star. Using all his strength he is able to pull the ship from the star's gravitational grasp. Someone we don't see come upon the exhausted Superman and whacks him but good!

Back at JLA headquarters Canary is practicing her sonic wave power when Batman and Green Arrow arrive. Batman has a patch he ripped off of Norch Lor's uniform and the JLA computer says the patch is from Thanagar. Because of Hawkman, the JLA computer is programmed to ignore Thanagarian ships and once Batman adjusts the programming they see the alien ship. However, Norch Lor is at that moment cutting through the wall of the JLA headquarters. Luckily Black Canary is able to reach the switch for the emergency sealer before they are all sucked out into space, but now that Norch is inside the HQ, he opens the Ghenna Box and steals the JLA member's souls.

At the some time on OA, Green Lantern has been summoned by the Guardians who explain that they dispatched the Green Lantern of Xudar, Tomar-Re, to a Thanagarian ship that was under attack. the Green Lantern found a Kryptonian there and thinking he was the attacker, took him out. In minutes Green Lantern is on the scene and he and Tomar-Re take the unconscious Superman inside of Hawkman's ship where they find Hawkman and Jean Loring in a state of mindlessness. Playing back the ship's records they see that they answered a distress signal from another Thanagarian ship and rescued it's pilot, but the pilot opened up a strange box he carried with him and the Hawkman, Hawkgirl and Jean were all incapacitate.

As he was leaving the ship the pilot, Norch Lor, said that they will thank him some day as the signs all point to the end of the universe and only the Ghenna Box and preserve the identity, the soul of beings. As Norch left the ship, Hawkgirl's body drifted out with him and moments later the ship "drifted into space-warp and was carried to its present location" whatever that means.

The two Green Lanterns and a revived Superman head for Thanagar in search of Norch Lor. But back at the JLA headquarters where Norch really is, Black Canary was not affected by the Ghenna Box, perhaps protected by her sonic power and she attacks Norch just as Flash and the Atom show up. Between the three of them they are able to take care of Norch and rescue the Ghenna Box. When the others return the box is opened and everyone's souls return to them. Kind of a confusing story, requiring a lot of coincidences to make it work. It has been reprinted in Justice League of America Archives Vol. 9 HC and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

Green Lantern #76

Green Lantern #76 (On Sale: February 24, 1970) is an obscure, little-known book of no real importance. Not! Neal Adams provides the cover to this ground-breaking comic with the new Green Lantern Co-Starring Green Arrow logo.

I remember seeing this book on the stands like it was yesterday. Having read the Green Arrow make-over issue of The Brave and the Bold and having been following his exploits in Justice League of America I was hankering for some more Green Arrow, and I was always ready for a new Neal Adams' series. This issue I got both and so, so much more. "No Evil Shall Escape My Sight" is the classic Denny O'Neil and Neal Adams revamping of the ailing Green Lantern franchise that changed the direction of comics for years to come and introduced the word "relevance" to comics.

This landmark issue almost went out with this cover instead, but editor Julius Schwartz passed on this one, perhaps because it looks like Green Arrow is about to shoot Green Lantern in the back. I've seen another version of this cover on-line somewhere which has the Green Lantern figure inked by Adams.

Stop me if you've heard this one before... or not. Green Lantern is in the area of Star City and decides to drop in on Green Arrow to see how he is doing. Once in town he sees a guy in a suit being accosted by "a punk" on the street. Lantern does a little green-ring razzle-dazzle and sends the "punk" off to police headquarters. He then picks the accosted man off the street and dusts him off accepting his gratitude. Then the crowd gives Lantern their opinion of his performance as they begin to pelt him with bottles, cans and other assorted garbage.

Green Lantern grabs the nearest punk and is about to work him over when Green Arrow arrives with the classic lines, "Touch him first, Green Lantern, and you'll have to touch me second...and I'll touch back!--Believe it chum!" "I was almost tempted to throw a can at you myself!" Arrow takes Lantern aside and explains that the accosted guy was Jubal Slade, the fat-cat landlord who owns these tenement slums, and who is now evicting everyone to turn the buildings into parking lots.

Up on the roof of the building, the straight-laced Green Lantern says he was only doing his job and Arrow accuses him of being a Nazi. Then in one of the more powerful moments in comic history an old black man asks Green Lantern a question, "I been readin' about you...How you work for the blue skins.. And how on a planet someplace you helped out the orange skins...And you done considerable for the purple skins! Only there's skins you never bothered with--! The black skins! I want to know... How come?! Answer me that, Mr. Green Lantern!"

This is one of two scenes that everyone seems to remember from this book and regard as its high point, but for me it is the first panel on the next page that makes this scene kill. More precisely, it is the caption of that first panel: " In the time it takes to draw a single breath...the span of a heartbeat--a man looks into his own soul, and his life changes..." What makes this story work and the whole concept of the book work, is that Denny O'Neil is able to give voice to two opposing views through the two main characters, but he is obviously slanted toward Arrow's more liberal views.

In a way, O'Neil turned this book into his own take on Steve Ditko's the Hawk and the Dove, only he is playing the favorite that Ditko never would ever have considered. Arrow gives a powerful voice and presence to the Dove and Lantern finds himself conflicted as the black and white Hawk. The country, certainly the youth of the country, was rejecting Ditko's black and white view of the world and embracing a more humanistic approach. Green Arrow was the perfect tool to bring that view to comics.

Back in our story, Green Lantern goes to Jubal Slade and tries to talk him out of razing the buildings. Slade calls him a "bleeding heart" and has his men attempt to throw him out. Lantern takes out Slade's thugs and is about to open a can of whoop-ass on Slade when the Guardians intervene, telling Lantern to report to Oa immediately. The Guardians are pissed that Hal attacked Slade, who in their eyes, had committed no crime. They send him out to save a moon of Saturn from a swarm of meteors and tell him to wait there for further orders. Tired of doing the work of the "blue skins" and thinking back on the words of the "black skin," Hal disobeys the Guardians and heads back to Earth.

At that moment Arrow is visiting Slade and convincing him that he needs to pay Arrow for "protection." They set up a meeting for later than night for a payoff. We watch the two guns heading for the rendezvous, silencers in place. Seeing a figure in a chair they pump it full of lead, only to find it is a dummy and Green Arrow is upon them! After handling the men, Arrow retrieves his hidden tape recorder, only to find that one of the gunsel's stray bullets has scored a direct hit on the tape and Ollie is back to square one.

When Arrow and Lantern get together, Ollie relates his failure and Hal comes up with a plan. One of the gunmen shows up at Slade's penthouse and Slade erupts, telling him never to come there and wanting to know if the "hit" on Green Arrow was a success, "Green Arrow! Did you finish him? I paid you to kill him...remember?" At which point the gunman turns into Green Lantern and Green Arrow shows up with the District Attorney in hand to arrest Slade.

All that is left is Slade's attempt to get away via a hand grenade he uses as a paperweight, but Green Lantern makes quick work of that and the D. A. takes Slade away. Happy ending, right? Not so fast bucko! There is the Epilogue and the other famous scene from this story.

The Guardians are pissed off at Hall for disobeying their orders and Green Arrow lays into them and Hal in some of the most amazing dialog ever written. For the time it was shocking. "Listen...Forget about chasing around the galaxy!...and remember America...It's a good country...beautiful...fertile...and terribly sick! There are children dying...honest people cowering in fear...disillustioned kids ripping up campuses...On the streets of Memphis a good black man died...and in Los Angeles a good white man fell...Something is wrong! Something is killing us all...! Some hideous moral cancer is rotting our very souls!"

And so Ollie tasks the Guardians to do something about it and after much deliberation they send down one of their own, disguised as a human and together, the three of them take off in a pick-up truck to find America. "Three set out together, moving through cities and villages and the majesty of the wilderness...searching for a special kind of truth...searching for themselves."

This classic tale has been reprinted in Green Lantern/Green Arrow #1, Greatest Team-Up Stories Ever Told HC, Greatest Team-Up Stories Ever Told TPB, DC Silver Age Classics Green Lantern 76 (#6), Green Lantern/Green Arrow Collection Vol. 1 TPB, Millennium Edition: Green Lantern 76 (#5), Green Lantern/Green Arrow Collection HC and Green Lantern/Green Arrow Vol. 1 TPB.

Edited by Julius Schwartz.

Challengers of the Unknown #73

Challengers of the Unknown #73 (On Sale: February 3, 1970) has a cover by Nick Cardy.

This issue begins with our Challengers of the Unknown cover-story, "The Curse of the Killer Time Forgot" by Denny O'Neil and George Tuska. This is Tuska's first action strip for DC. The back-up is "A Flash of Memory" by Murray Boltinoff, Dick Dillin and Vince Colletta.

Edited by Murray Boltinoff.

Detective Comics #397

Detective Comics #397 (On Sale: January 29, 1970) has a beautiful Batman cover by Neal Adams.

There is a real difference between the Batman in "Paint a Picture of Peril" by Denny O'Neil, Neal Adams and Dick Giordano, and the Batman DC has been publishing for decades. I think Denny O'Neil understood where to take the character better than any writer at DC and of course, Neal Adams really "got" who Batman was.

The opening sequence of this story could be used as a crib sheet for writers and artists for years to come on how to portray "the Batman." Sure, he has his "toys," his batarang and in this story a pretty cool undersea sled, but for the most part, his major tools of the trade are that he is a fairly good fighter and he scares the hell out of people.

Great stuff by both Denny O'Neil and Neal Adams. As you can see the story opens with Batman attempting to foil a nighttime robbery of an art exhibit. By the way, there was nothing special going on during Batman's eerie stand against the robbers; he simply tried to dodge the spears by moving his body under his cape. Yeah, tried to dodge; he almost pulled it off, but got hit in the nerve of his right arm, making it all but useless and him unable to follow the underwater robbers. Up top he finds that they took a painting called "The Startled Mermaid," the least valuable item in the exhibit.

Changing back to Bruce Wayne he heads to his mid-town penthouse where he finds his cleaning lady has left the TV on. There is a special documentary on the life of wealthy Orson Payne, a Charles Foster Kane type, who bears a striking resemblance to Orson Welles. He was engaged to opera star Caterina Valance 25 years earlier when she mysteriously vanished and Payne became a recluse in his huge castle home. This is playing in the background while Bruce tends to his wounds and does yoga to "restore circulation."

As he finishes up, his cleaning woman, Cathy, comes back for her forgotten handbag and turns off the TV calling it a "vile thing." As she leaves Bruce remembers that while under water he noticed that the algae was glowing and surmises that the glow came from a submarine with low-yield nuclear engines. So come midnight we find Batman at a deserted pier launching a new underwater bat-sled and following the lingering radiation trail. The trail leads to a small nuclear sub at one of the island estates. Batman recognizes the place, it is Orson Payne's.

Sneaking past Payne's personal guards, Batman finds the man talking to an empty room of statues and paintings. Batman confronts Payne and points out the stolen painting. Payne says that he must have every likeness of Caterina, the woman who spurned him and when owners will not sell, he still acquires the piece. Since he cannot have Caterina, he now consoles himself with images of her.

Batman chases the crazed Payne through his estate, where he is lured into a trap, falling through a trap door into a small cell. Payne pulls a lever that slowly lowers a two-ton deathfall into the cell. Using a batarang on a rope Batman pulls down a chandelier, wedging it between the top of the cell and the lowering deathfall. As he comes for Payne, Payne's grip on sanity finally snaps and he sees his beloved Caterina floating in the air outside his balcony. He reaches for her, stumbling through the crumbling railing and over the edge of the balcony. Swinging out an a bat-rope Batman catches Payne who thinks he is in the arms of his beloved.

The following morning a healing Bruce is watching the coverage of the story on the news when his cleaning woman Cathy comes in and turnes off the TV saying, "You shouldn't be watching such trash." Bruce realizes it is not the TV she hates, but rather Orson Payne, and asks her if she was ever an opera singer. She says that, yes, she was, but she gave it all up to gain her freedom. Bruce says her secret is safe with him, that he sympathizes with people who want to keep secrets. Reprinted in Limited Collectors' Edition C-44 and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up story is "The Hollow Man," the conclusion of last issue's Batgirl story, by Frank Robbins, Gil Kane and Murphy Anderson. Remember, Batgirl is trying to catch the Orchid Killer, who has been preying on redheads, and is using Barbara Gordon as bait, joining the same computer-dating service as the victims. Mousy Max Tournov brought her an orchid and she tossed him over her shoulder. He crushed the orchid and ran off and she gave chase as Batgirl, only to lose him and be pulled into a dark alley by someone who says, "A red-headed Batgirl will do for now!" So much for the recap!

She tosses this guy and is surprised that he is not Max, but instead is a rather handsome guy. Startled she lets the mystery man get the best of her, knocking her out cold. When she wakes up she is being comforted by Max Tournov, who she thanks before leaving.

Two nights later as Barbara she is back in the computer-dating scene, saddled with a really homely guy named John Milman who meets her at the door with an orchid. When the uneventful date is over, Barbara says she hopes they can see each other again and when Milman presses her on it, he becomes angry. John says he knows she doesn't mean it, that he is ugly and repulsive, "Liars! All of you! You're all fragile blossoms--too precious to touch! Well--I dare to touch! And crush you all!" As Barbara gets ready to attack back, John is accosted by Jason Bard, who with his "darned trick knee" fouls everything up and lets John escape. Jason says he saw them coming out a movie and followed them out of jealousy.

Ditching Jason, Batgirl crashes John Milman's apartment, only to find him packing for a quick exit from town. Only, he isn't John Milman, he is the handsome mugger from the alley and in his possession Batgirl finds rubber masks of John Milman and Max Tournov. When he comes to the man explains that women have always fawned over him for being so handsome, but that he felt his beauty was a barrier to finding the inner beauty of women. So he used a mask to hide his own beauty and dated homely women in order to release their inner beauty. But he found them all hollow and so he needed to crush them. Batgirl says that the hollowness was not within the women but within him, that he is "the hollow man--finding ugliness in everything!"

Edited by Julius Schwartz.

Justice League of America #79

Justice League of America #79 (On Sale: January 27, 1970) has a nice cover by Neal Adams.

This issue has the book-length by "Come Slowly Death, Come Slyly" by Denny O'Neil, Dick Dillin and Joe Giella. Continuing from last issue, we have Superman and Green Lantern on the desolate planet Monsan seeking a clue to the identity of the Doomsters, while Green Arrow is being forcibly removed from the office of the Star City City manager and Batman, Atom, Black Canary and the Vigilante are being slowly lowered into a vat of something pretty vile. As luck would have it though the two guards escorting Green Arrow are not cops and don't particularly like the City Manager, so they let Green Arrow go.

Racing back to the Doomsters' plant he gets there just in time to jam the machinery lowering his pals into the vat of icky stuff. He revives his teammates just in time to take on a cadre of Doomsters who, when overwhelmed by the JLA, lock themselves into the inner workings of the plant. That ends up being a disguised rocket that the Doomsters use to blast away from the JLA.

Meanwhile on Monsan, Superman and Green Lantern find a survivor who with his dying breath tells the tale of one of their leaders, Chokh, who when the industrial might of the planet so fouled the air came up with a way of altering Monsan physiology so that they could breathe polluted air and thrive of poisoned water. But the alteration not only modified their bodies, it warped their minds, turning them into Doomsters, who want nothing more than to spread the pollution of Monsan to other worlds.

back on earth, Batman radios Hawkman in the JLA satellite and tells him he must stop the alien spaceship above Star City. Using his Thangarian space cruiser, Hawkman is going to use a gravity beam on the flying building when it explodes exposing the sleek battleship hidden inside. The Doomsters jam Hawkman's controls forcing him to abandon his ship which they then blast in half. Realizing the the Earth people are more threatening than they thought the Doomsters drop pollution canisters all around the globe and then send out a warning message to the people of Earth that they have one hour to make peace with themselves, before they are inundated with "total pollution."

The JLA assemble in their satellite just as the returning Superman and Green lantern recover the wounded Hawkman. Once he is safely in the JLA satellite Superman and green Lantern begin a full attack on the Doomsters' spaceship, defeating the aliens. However, Chokh escapes and penetrates the JLA satellite where he captures Black Canary. Batman and Green Arrow try to stall him by telling Black Canary how much they appreciate her and Green Arrow even says that he may be in love with her.

Chokh is finally defeated by the Atom and later Arrow tells Canary that he meant what he said, but she says she is not ready for a new relationship just yet, but is happy that they saved the Earth. Arrow looks at the soot and ash spewing from some plants in the background and says, "Did we? I wonder..." Reprinted in Justice League of America Archives Vol. 9 HC and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

Justice League of America #78

Justice League of America #78 (On Sale: December 11, 1969) has a more than slightly misleading, though nicely-drawn cover by Gil Kane.

We begin with "The Coming of the Doomsters" by Denny O'Neil, Dick Dillin and Joe Giella. In Star City Green Arrow assists a night watchman at a factory on the docks shooting it out with a group of armed thugs, using a Flare Arrow to throw some light on the situation. When the arrow hits the water it erupts in flames and Arrow signals for some JLA assistance. Answering the call is Green Lantern and Superman who make quick work of the flames now threatening the city. Once the fire is out they disburse, not hearing the plea of the watchman to talk about something that the watchman says may hold the key to the future of the entire human race.

Green Lantern and Superman take Green Arrow to, well, to New York (not called by name of course) to the top of the building which houses DC Comics (also not called by name of course) to show him the Thanagarian relativity beam system (think Star Trek-like transporter device) which the JLA has installed there. Superman explains that since their headquarters was compromised by the Joker in Justice League of America #777, they have built a new headquarters and Green Arrow in now standing in the doorway. The transporter energizes and Green Arrow is teleported to the new JLA satellite headquarters 23,300 miles above New York in a geosynchronous orbit, where the rest of the team is waiting for him.

The JLA are to appear at a charity event that night and down earthside the watchman is making his way toward it when he is the victim of a drive-by shooting. He avoids the gunfire though and returns his own, blowing out a car tire and sending the car into a pole. When the thugs extract themselves from the wrecked car, the watchman is gone, but they now think they know where he is going and their conversation makes it clear that they are not from Earth.

Meanwhile, at the charity event the JLA are introducing the crowd to Black Canary when the watchman arrives, followed closely by the two goons from the car. Canary attacks using her judo and Green Lantern protects her from the goons' alien weapons. As the thugs go down Superman jumps on their bodies shielding everyone from the self-destruct blast of the thugs, now revealed as androids of some sort. The watchman grabs the alien weapons and he and the JLA retire to a more private facility, their orbiting headquarters.

The watchman explains how he was hired on by the new factory in town and was assaulted by the amount of pollution the thing put out. When he asked workers what they were producing, no one seemed to know. The watchman soon realized that the product the factory was making was pollution and he stole some papers proving it. Some "men" from the factory chased him and that is where Green Arrow found him. The watchman introduces himself as Greg Sanders, who used to go by the name of the Vigilante, but gave up that life years ago. Now of course, since the Vigilante from the Golden Age was from Earth 2, this is actually the first appearance of this character. So, not only has Denny O'Neil given us the new JLA headquarters this issue, he has introduced a new DC character as well.

The stolen paperwork includes a star map and Superman and Green Lantern head off to explore that end of the story. The rest of the JLA head off to the factory, except for Green Arrow who wants to have a "conversation" with the Star City City Manager, where it seems the City Manager knows the factory only makes pollution and doesn't care as it provides jobs and taxes and that is all that matters. He has Green Arrow thrown in jail Personal aside here: as the husband of an ex-City Manager, the person you might find with that sort of attitude would be a Mayor, i.e., a politician, not a City Manager, who is governed by a whole set of ethics that politicians know nothing of.

Meanwhile the rest of the JLA have made a quick stop at a western goods store and purchased the makings of a new Vigilante costume. Along with that and the alien guns, the Vigilante is back in business. While at the same time on the alien world pointing at by the stolen paperwork Green Lantern and Superman find a desolate destroyed ash-can of a planet where once a vibrant civilization existed.

At the factory the JLA and the Vigilante are confronted and eventually overwhelmed by the alien automatons. As we leave for the month they are being lowered into vats of bubbling, noxious death! This tale has been reprinted in Justice League of America Archives Vol. 9 HC and Showcase Presents:Justice League of America Vol. 4 TPB.

The back-up story is "The Man Who Hated Science!" by Jack Miller and John Giunta and reprinted from Mystery In Space #6.

Edited by Julius Schwartz.

Challengers of the Unknown #72

Challengers of the Unknown #72 (On Sale: December 2, 1969) has a cover by Neal Adams.

The Challengers of the Unknown star in "A Plague of Darkness" by Denny O'Neil, Dick Dillin and Frank Giacoia. The back-up story is "Nobody Lives Forever... or Do They?" by Dave Wood and Lee Elias.

Edited by Murray Boltinoff.

Detective Comics #395

Detective Comics #395 (On Sale: November 26, 1969) has a wonderful cover by Neal Adams. The cover could only have been improved if they had let it go the full height of the book, with the logo on the illustration instead of above it.

We begin with Batman in "The Secret of the Waiting Graves" by Denny O'Neil, Neal Adams and Dick Giordano. This classic issue redefined what a Batman story should be. Building on the ideas Neal Adams has told Julius Schwartz months earlier, this is a different Batman than we have seen before. First, without any of the nonsense of his previous few issues, this is Batman alone. No Robin, no Alfred, no Wayne Manor or Wayne Foundation, no V.I.P., no Batmobile or Batarang. Besides his body and his mind, the only tool Batman uses is a rope (not called a Batrope mind you). The entire story takes place at night and one of the tools Batman does use is that his appearance scares people. Nothing campy or hammy in this story.

This is not the guy you have seen before; the character has been remolded to more aptly fit the way Neal Adams draws him. It is not the most complicated of stories, but it is just enough to give you a feel of this new character, the one replacing the Batman you have known in the past.

The entire story takes place on a single night in Central Mexico. Bruce Wayne and every other "social butterfly in the Western Hemisphere" have been invited to a huge fiesta on the estate of notorious recluse Juan Muerto. Bruce is out touring the estate when trouble first appears. Some of the guests are engaging in a night-time hot-air balloon race when the balloon of one of the competitors, Pedro Valdes, is attacked by trained falcons, which shred his balloon. As Valdes plummets to the ground he is saved from certain death by Batman, who as Bruce Wayne quickly returns to the party.

There Bruce dances with Juan's wife, Delores, a beautiful young woman who speaks to Bruce in an oddly condescending way, as if she were talking to a child. Bruce senses a strange mustiness about her, that he can't explain. Bruce mentions how odd it is for them to hold their fiesta in a graveyard and Delores responds that she and Juan choose to laugh at death rather than fear it. Just then the returning Valdes is attacked once again, as a brazier near him shatters and Bruce hears the muffled sound of a silenced gun. Slipping away from Delores Muerto, Bruce once again sheds his civilian guise to become the Dark Knight.

He finds a group of killers on top of a nearby ridge and leaps into their midst. His sudden appearance frightens them and his quick fists begin to work them over. But one of the men summons a pair of wolves who attack Batman. He leaps into a tree to escape their jaws and from there leaps off a cliff, plummeting over the edge. The killers hear no splash of batman hitting the water below and assume he has hit the rocks and is no longer a problem.

Back at the fiesta, the Muertos decide that two bungled assassinations are enough for one night and will take matters into their own hands. They find Valdes and say they want to show him something that can be found in the old monastery on the grounds. Valdes wonders if it might be a flower. Hanging from a rope under the cliff, Batman hears the discussion and follows the group to the monastery. The Muertos show Valdes the Sybil flowers, which according to legend bestow immortality at the cost of one's sanity. Valdes reveals that he is a government agent, here to arrest the Muertos who accidentally left one of the Sybil blossoms in their hotel room during a recent stay in Mexico City. The Muertos attack Valdes and overpower him and when Batman comes to his rescue he is overtaken by the hallucinogenic nature of the scent given off by the Sybils.

Batman is knocked out by Muerto and when he comes to he and Valdes are tied up in the Monastery. The Muertos let loose the trained falcons to tear their captives apart, but Batman has been using Valdes' badge to cut at his ropes and the pain caused by the falcon attack has cleared his brain somewhat. He kicks a few falcons senseless and bags the last one with his cape before dragging Valdes out of the monastery. Once clear of the flowers Batman tosses back a torch setting the Sybils afire.

From afar the Muertos see the flames. Delores laments that this is the last patch of Sybils left and that their immortality is being "burned from the soil" She rushes off to save them and Juan follows, extolling her to calm herself, to remember that extreme excitement cancels the effect of the flowers fumes. As they race through the graveyard toward the monastery, Juan warns her that she will lose her beauty, that age will seize her, that her limbs will stiffen, the skin of her face will crack and crease and her heart will wither. that they are opening the portals of death itself. With each step they grow older and more enfeebled till finally they fall together into a set of waiting graves. Batman arrives and adds in their date of death. Juan was 129, his wife 126.

This classic tale, the first real modern Batman story has been reprinted in Batman from the 30s to the 70s HC, Dynamic Classics #1, Saga of Ra's Al Ghul #2, Millennium Edition: Detective Comics 395 (#27) and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up is Robin in "Drop Out...or Drop Dead!" by Frank Robbins, Gil Kane and Murphy Anderson. Continuing from last issue the phony cops are happy when Robin shows up and starts pounding Jonah the CTT leader. They are more than happy to have Robin provide the physical proof of their police brutality. Robin is knocked unconscious. While out the other CTT members are stirring up the campus, but the students are still not ready to strike. From the campus the CTT members call the "cops" to bring in the "clincher."

Jonah tells them not to harm Robin and Dick (who they think is locked in the silo) and the "cops" agree, but after Jonah has left they attempt to kill Robin. They are some sort of "reds" who want to shut down America's campuses one at a time. Robin takes them out and as Disk, returns them to the campus, where they are in time to stop the strike vote and expose the fraud of the CTT. This story has been reprinted in Millennium Edition: Detective Comics 395 (#27) and Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.

Edited by Julius Schwartz.

Strange Adventures #222

Strange Adventures #222 (On Sale: November 18, 1969) has an Adam Strange cover by Gil Kane and Murphy Anderson.

We begin with "Beyond the Wall of Death" by Denny O'Neil, Gil Kane and Murphy Anderson. This was the first new Adam Strange story in a very long time and I guess was a try-out of sorts to see if new material picked up sales. Apparently it did not, as there were no more new Adam Strange stories in Strange Adventures. I used to own this book, but can no longer locate it, so I don't remember anything about the story.

Next is "Treasure Planet" from Mystery In Space #15 by Gardner Fox, Gil Kane and Bernard Sachs.

We end with the Atomic Knights in "Thanksgiving Day -- 1990" from Strange Adventures #132 and by the standard team of John Broome and Murphy Anderson. Using the seeds obtained from the Atlantean island and new cultivation techniques, the Atomic Knights are able to grow trees in Durvale within a few months. To celebrate the success of the trees, they invite people from several surviving communities to celebrate Thanksgiving.

Elsewhere, Khagan, the leader of the Atlanteans has escaped the peril that befell the island of Atlantis. In the months since he escaped the island, he has been able to learn much of the post-World War III world and the Atomic Knights.

When Khagan learns of the Thanksgiving celebration, he sends his men to attack. Douglas is wounded by the mirror weapons of the Atlanteans. The other Atomic Knight defend themselves and defeat the attackers. Wayne Hobard is appointed to guard the prisoners.

Edited by Julius Schwartz.

Justice League of America #77

Justice League of America #77 (On Sale: October 28, 1969) has a cover by Murphy Anderson and the first appearance of the JLA headshot line up along the left edge. This would of course become a familiar addition to the JLA covers for some time to come.

"Snapper Carr -- Super-Traitor" is by Denny O'Neil, Dick Dillin and Joe Giella. While walking down the street one evening, Snapper Carr is assaulted by a group of men, who seem upset that he is friends with the JLA. Snapper is rescued by John Dough, the most normal man in America. Meanwhile, back in JLA headquarters, Green Arrow is trying to help Black Canary tame her Canary Cry, but the destructive waves seem to go in the opposite direction Canary is trying to send them.

When Batman and the Atom go to investigate an alarm set off by one of the JLA, they find Snapper, who along with John Dough attacks them using laughing gas. As they subdue both heroes, John Dough reminds Snapper that he is working for the greater good of average Americans. Does this line of idiotic thought remind anyone of a certain Presidential campaign from last year?

When Batman awakens he finds himself with John Dough, tied up and wearing an oxygen mask. Dough explains that Batman will watch on a monitor the destruction of the JLA and that as soon as Dough leaves, the chamber he is in will be filled with poisonous gas, which is the reason for the mask. Meanwhile, the Atom is back at JLA headquarters and explains what happened and that he woke up alone. Superman points to a newspaper which discusses John Dough's popularity as "Mr. Average" and how he is gaining followers all over the country. Though the JLA are not average people, Flash says that they use their extraordinary powers toward the cause of justice for all, while Atom says that he doesn't blame average people for distrusting super-heroes. Green Arrow says that's "Baloney" and that the human race has progressed enough to accept people who are different. Batman shows up to say that Arrow will have chance to prove that as they have all been invited to a John Dough rally that night.

Batman goes on to explain that he had a talk with Dough and that Snapper just got "carried away" with things. Batman has passes fro all of the JLA except Black Canary who he doesn't seem to know. Of course the real Batman is watching this all happen from his gas-filled chamber. That night as the crowd fills the stadium for a debate between the JLA and John Dough we see Dough aims a large machine which he says will stimulate the crowd's parasympathetic nervous systems, making them jumpy and ready to believe anything.

Snapper speaks first for Dough, saying how super-heroes are harmful and that we have become too dependent on them and that we have forgotten how to fight our own battles. In the crows a group of men attack Black Canary because she is much better looking than most and therefore, not normal. As the JLA jump to her rescue they are one by one beset by problems: The Flash is woozy and can't control his speed, Green Lantern can't concentrate and control his will, Superman feels slow and stupid, Green Arrow can't remember which arrow does what.

The JLA all leave and a special Senate subcommittee is called to investigate John Dough's charge that the JLA caused a riot at the stadium. Batman escapes John Dough's chamber in time to unmask the Batman testifying at the Senate as John Dough. Dough uses fire grenades to mask his escape while the JLA saves the Senate. They capture Snapper Carr and ask him why he helped sabotage them with the tickets to the debate that contained tiny transmitters while interfered with their nervous systems? Snapper says that he was tired of being the JLA mascot and that no one liked him for himself. Also, he says that he believed Dough, that the JLA are too different from the rest of the world. Green Arrow tries to straighten him out on that line of thinking.

Batman says he knows where to find John Dough and who he really is, that he is hiding in their headquarters. They confront Dough and Canary is able to use her Canary Cry to take Dough down. Batman unmasks Dough as the Joker. This story was reprinted in Justice League of America Archives Vol. 9 HC, JLA: The Greatest Stories Ever Told TPB and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

Challengers of the Unknown #71

Challengers of the Unknown #71 (On Sale: October 2, 1969) has a cover by Nick Cardy.

The full-length story "When Evil Calls" is by Denny O'Neil, Jack Sparling and Frank Giacoia.

Edited by Murray Boltinoff

Justice League of America #75

Justice League of America #75 (On Sale: September 11, 1969) has a cover by Murphy Anderson.

Inside we have "In Each Man There is a Demon" by Denny O'Neil, Dick Dillin and Joe Giella. The story is told by both Green Arrow and Black Canary and continues the changes started last issue and in Brave and the Bold #85. Green Arrow relates how his finances were ruined through the use of forged documents and while wondering the streets as Oliver Queen he finds a man in need and as Green Arrow saves the day. But as in the Brave and the Bold issue, he is plagued by indecision and wonders if Green Arrow is needed.

Black Canary then relates how after the death of her husband, Larry Lance, she accepted Superman's offer to move to Earth 1, where Superman wanted to immediately make her a member of the Justice League. Hawkman however, argued that given that she was just a judo expert, that that was not enough of a power to allow her in the JLA. Canary becomes upset at the JSA'ers for talking about her like she wasn't in the room and as she speaks up to voice her complaint she emits a sonic shock-wave that knocks the JLA members on their respective behinds!

Meanwhile, Green Arrow goes to see another psychiatrist (he and Batman both saw one in Brave and the Bold #85) for his identity issues, a Dr. Oyal, who has invented a machine called the ID-Actualizer which can dig down into a person's subconscious and reveal who they really wish to be. Ollie tries out the machine but once it is turned on a ghostly green version of Green Arrow emerges from his body, saying that he is "the Real Green Arrow-- the warrior who live within Oliver Queen's body," and attacks the Dr.

Back at JLA headquarters Superman and the Atom have determined that Black Canary is an "instant mutant," that one of Aquarius's spells altered the structure of Black Canary's nervous system giving her the ability to emit ultra-sonic waves. This will eventually become known as her "Canary Cry." Just then the ghostly green Green Arrow burst into the headquarters and as he touches the members of the JLA green ghostly versions of themselves erupt from their bodies, all except Superman, and calling themselves the "evil that lives within you" they begin to rip apart the JLA HQ. Superman tries to stop them, but as they are being of magical power (most likely created by another of Aquarius's spells), he is powerless against them.

The JLA become despondent over the thought of having to fight their evil selves when suddenly a ghostly green Superman appears and dares Superman to face his own evil self. Superman says he is up to the challenge and eventually defeats his evil doppelganger. The others take courage from Superman's action and head off the face their own evil twins. After they leave Superman reveals that his "evil ghost" was actually a Superman robot, that he was not affected by Aquarius's spell, but that he knew he needed to do something to snap the group out of their funk.

One by one the JLA track down their evil twins and defeat them. However, when Green Arrow finds his twin, the story is different. He catches his twin robbing a jewelery store. His twin says that he is not Queen's evil side, he is his true side, "...underneath, you were always Oliver Queen -- much, much more interested in wealth than heroism! Can you deny it?" Queen says he can't and throws down his bow and arrows and walks away, but the owner's of the jewelery store confront him and plead with him to help. "We're poor, plain fold...we don't count for much! Still, we always figured you were different! We figured you...cared! And heaven knows people like us need somebody to care!"

Oliver faces his twin, saying that there is a better part to him and that he cannot let that part die. They face off with arrows and Green Arrow is shot in the leg, while his twin shrinks back into Oliver's body just as the other twins return to their original hosts. The JLA is once again contaminated with evil, just like the rest of mankind. Green Arrow and Black Canary are left still at crossroads, their old lives are over and their new lives are on the horizon. This is the beginning of a couple that has stood the test of time.

Reprinted in Best of DC #31, Justice League of America Archives Vol. 9 HC, Justice League of America Hereby Elects… TPB, Green Arrow/Black Canary:For Better or For Worse TPB and Showcase Presents: Justice League of America Vol. 4 TPB.

One final note: In the letters page is a letter by Alan Brennert, who went on to be one of my favorite writers at DC though he only wrote nine stories. I still remember them to this day. Last year my wife read Brennert's novel Moloka'i in her book club.

Edited by Julius Schwartz.

Green Lantern #72

Green Lantern #72 (On Sale: August 25, 1969) has a cover by Gil Kane.

Inside we have "Phantom of the Space-Opera" by Denny O'Neil, Gil Kane and Joe Giella. I have this book around here some where and will read it soon and give a detailed description. This story was reprinted in Showcase Presents: Green Lantern Vol. 4 TPB.

Edited by Julius Schwartz.

Bat Lash #7

Bat Lash #7 (On Sale: August 25, 1969) has another great cover by Nick Cardy.

Inside we have "(Brothers)" which is plotted by Sergio Aragones, scripted by Denny O'Neil and drawn by Nick Cardy. One night Bat Lash runs into Don Pasqual, his father's best friend, who relates to Bat the night his family was killed and how Pasqual was able to pull Bat's brother, Billy, away from the
"evil ones" who burned his family's farm to the ground and killed his father and mother.

Pasqual related how he took Billy and fled to Mexico, to the house an an aunt, but how Billy would not speak and would not take notice when spoken to. A doctor examined Billy and said his problems were of the soul and he offered to adopt Billy. On the way back to the Lash ranch Don Pasqual was shot by bandits and "struggled with death" for a year. When he finally returned to the farm he learned how Bat had dealt with those who murdered his family and how since that time Don Pasqual has been searching for Bat.

Meanwhile in El Paso, a blond-haired bounty hunter is pulling a Bat Lash wanted poster off the wall and heads off in search of the man he does not know is his brother, while at the same time Bat and Don Pasqual set off in search of Billy. As the bounty hunter searches he recalls his lack of a childhood and how he does remember Dr. Jimeniz taking him to a camp of revolutionaries where he was trained like a man in the ways of shooting. As a revolutionary the young boy fought against the tyrannical Mexican government before traitors in their midst were their undoing. He sought out and hunted down the traitors, killing them one-by-one, and when he was through, he felt as if a part of him had died with each man. All that he was good for was killing, so he took up the life of a bounty hunter.

Billy hit the small town of Encinitas just after Bat and Pasqual, who are in the cantina trying to enjoy a meal wile being eyeballed by a group of brothers who think Bat looks a whole lot like the bounty hunter that nailed their pa, though, the bounty hunter looked younger than Bat. Bat overhears the brothers, knocks them around and then he and Don Pasqual convince them it is better for them to leave the cantina vertical rather than horizontal. As they are chased into the street they meet Billy coming into town and can't believe that there at two of them.

Unable to figure out which one nailed their pa, they run for cover and decide to take them both out. As bat and Don Pasqual leave the cantina, they are confronted by Billy. Bat tries to talk Billy down to no avail and as they prepare to stand off against each other, a shocked Don Pasqual attempts to break up the fight, telling them "You are bro--!" before he is shot in the back by the ambushing brothers. Fighting side-by-side, Bat and Billy neatly handle the four brothers. A dying Don Pasqual tries in vain to tell them who they each are, to no avail.

Billy lets bat go, for Don Pasqual's sake as he seemed like he "was a brave old hombre...an' he seemed to think yo're worth savin'!" As they go their separate ways, both brothers are haunted by the familiarity of the other. Billy is drawn to watch as Bat buries Don Pasqual while Bat laments how everything he touches dies. A sad ending.

What is unfortunate is that this is the end, the last issue of Bat Lash; a book killed way too soon. I think DC ran the ads touting the book's near arrival longer than they published the book itself.

This story was reprinted in All-Star Western #11, Weird Western Tales #12 and Showcase Presents: Bat Lash TPB.

Edited by Joe Orlando.

Challengers of the Unknown #70

Challengers of the Unknown #70 (On Sale: August 5, 1969) has a cover by Neal Adams. This is the first cover with their new costumes and with new Challenger Corinna Stark.

"A Scream of Yesterdays" is by Denny O'Neil and Jack Sparling.

Edited by Murray Boltinoff.

Atom & Hawkman #45

Atom & Hawkman #45 (On Sale: August 5, 1969) has a nice cover by Joe Kubert for this the last issue of the book. I never thought this book was a good idea in the first place as these two characters had little in common.

The book ends with a feature-length Atom/Hawkman story, "Queen Jean, Why Must We Die?" by Denny O'Neil, Dick Dillin and Sid Greene. It was reprinted in Showcase Presents: Hawkman Vol. 2 TPB.

Edited by Julius Schwartz.

Justice League of America #74

Justice League of America #74 (On Sale: July 24, 1969) has a cover by Neal Adams.

"Where Death Fears to Tread" by Denny O'Neil, Dick Dillin and Sid Greene continues from the previous issue. Banished living star, Aquarius, got hold of Starman's Cosmic Rod and used it to wipe out of existence all of Earth-Two, except for a sextet of Justice Society members. who along with Black Canary's husband, Larry Lance, are trapped in a mystic sphere of Dr. Fate's creation and the android hero Red Tornado who escaped to Earth-One and is now bringing back the Justice League.

I need to stop here for just a moment to discuss foreshadowing. Foreshadowing is a literary device where the author drops hints or clues early on in a story, the more innocuous and seemingly unimportant the better, only to have those hints come back later on as a key component in solving whatever predicament arises in the story. For foreshadowing to work, there has to be somewhat of a slight-of-hand going on, the reader must take in the information but not realize it has any importance. What Denny O'Neil does next is a bit of foreshadowing, but it is so clumsily handled that anyone reading the story can see it for what it is and it takes away something from a story that is of classic importance. Yeah, this is a classic issue for a couple of reasons, as you will soon see, but what you are going to see first is a really fumbled attempt at foreshadowing.

As the JLA traverse the dimensions between Earth-One and Earth-Two, most of the member are protected by Green Lantern's ring. Right before they complete the journey, Green Lantern makes sure he avoids the negative matter universe, whose entrance just happens to be right there, along the inter-dimensional path the heroes travel. Oy!

Aquarius is growing bored with the JSA heroes and is contemplating finishing them off when the JLA heroes pop up. Needing time to figure out what is going on, Aquarius places a mesmeric command in the air and then disappears. Seeing Aquarius flee, Dr. Fate relaxes his energy bubble and when he does so Aquarius's command to "Destroy the Intruders!" takes hold.

We are then treated to a fairly interesting eight-page fight between the JSA and the JLA. The only really important part of this fight is when Green Arrow hits Black Canary with a "stickum arrow" which covers her in a gloppy mess, adhering her to the ground (OK, since Earth-Two and everyone on it have been destroyed I have no idea to what "ground" she is stuck, but she is.). The important thing to remember is that she is stuck and can't move. OK, there is one other important thing, Green Lantern of Earth-One has used his ring to find Aquarius and bring him to the JLA.

Aquarius fights off Green Lantern's energy beams and sends some of his own back in Lantern's direction. The beams of energy coalesce into a huge multi-hued sphere, but Aquarius's aim is a little off and instead of heading for Green Lantern the sphere is heading for Black Canary. Canary's husband, Larry Lance, senses the danger to his wife and does the only thing he can think of to save her, he jumps in front of the sphere and shields her body with his own...and it kills him!

The energy released by the exploding sphere releases the JSA from the murderous command of Aquarius and it also restores Earth-Two and everyone on it, but it kills Black Canary's husband. A few hours later the combined heroes bury Larry Lance and Aquarius shows up and laughs at the anguish of the heroes.

The heroes attack Aquarius and the Green Lanterns are able to taunt Aquarius into following them in the negative matter universe where their rings protect them, but Aquarius is destroyed.
The threat ended the JLA say their good-byes and prepare to return to Earth-One, but before they leave, Black Canary, saying she can't stand the thought of living in a world full of memories of Larry, asks if she can go with them to Earth-One. Superman picks her up and the first of the Golden Age DC characters moves from Earth-Two to Earth-One. This has been reprinted in Crisis on Multiple Earths Vol. 2 TPB, Justice League of America Archives Vol. 9 HC and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

Bat Lash #6

Bat Lash #6 (On Sale: June 24, 1969) has a cover by Nick Cardy.

(Revenge) is by Sergio Aragones, Denny O'Neil, Mile Sekowsky and Nick Cardy. Some people claim that Nick Cardy was the penciler and Mike Sekowsky was the inker, but this is nonsense. Cardy even talks about this issue in The Art of Nick Cardy saying, "...I was too busy and his pencils really lightened the load. Mike and I went way back so he was great to step in and assist. Mike had a wonderful eye for design. I always felt Mike's talent was wasted on super-hero books."

The story opens with Bat Lash riding through a driving rainstorm when he comes upon a funeral in progress. As he is getting off his horse he notices that the preacher's voices sounds sort of familiar. Bat walks up to the grave and faces off against the preacher gunning him down with a lightning quick draw. The local sheriff is present and pulls his gun on Bat, saying that was "the brazenest thing I ever seen...cold-blooded murder in front of twenty witnesses!" Only Bat points out that the "preacher" has a .44 derringer in his had and was about a second away from gunning down Bat. The sheriff doesn't know what to make of this, but decides to lock Bat Lash up till he figures out what is going on.

While in a nice dry cell Bat relates the story of "preacher" Rickett, how 10 years earlier Bat lived on a farm with his family and how one day Rickett rode into their property, bringing good news. Seems he had discovered oil on their land. Rickett talks Bat's father into selling his farm to get the cash up for well equipment. Only, they drilled for an entire week and never hit any oil. When young Bat was looking for rocks to build a fireplace he found an empty oil barrel and knew his family had been swindled.

I'd love to tell you the rest of the story, only I can't find my copy. All I can locate is my copy of All-Star Western #9, which reprints the first half of this issue. Reprinted in All-Star Western #9, All-Star Western #10 and Millennium Edition: All-Star Western 10 (#17).

Edited by Joe Orlando.