Kenny Keil covers Doom Patrol 95

Original cover by Bob Brown; DC 1965. Kenny Keil's website is here.

James Miller covers Tales of the Unexpected 40

Original cover by Bob Brown; DC 1959. James Miller's website is here.

Fred Hembeck covers Tales of the Unexpected 53

Original cover by Bob Brown; DC 1960. Fred Hembeck's website is here.

Superboy #168

Superboy #168 (On Sale: July 7, 1970) has another of my favorite Neal Adams' covers. Just beautiful.

We begin with "Leave Us... or We Perish" by Frank Robbins, Bob Brown and Murphy Anderson.

The back-up Superboy story must have been in inventory for a few years. "The Negative Boy of Steel" is by Arnold Drake who was fired in 1968, Al Plastino who was also fired in 1968 and Mike Esposito. Except for a Superman's Wedding Album pin-up in 1996, this is Al Plastino's last work for DC.

Al Plastino's earliest comic work was as an assitant to Bill Everett working on Sub-Mariner for Timely Comics and his first credited work was the cover of Novelty Press' Blue Bolt Comics #9 in 1943.

In 1948 Plastino showed samples of his work to editors at DC and began a 20-year stint on the Superman family of books. At first he was required to mimic Wayne Boring's style but as time went on he was allowed to draw like Al Plastino. The worked on Superman, Superboy, and Lois Lane. With Otto Binder he co-created Supergirl and The Legion of Super-Heroes.

Plastino also drew the Superman newspaper strip in the late 60s and the Batman strip from 1966-1972. When DC ousted him from their books in 1968 Al Plastino also took over the Ferd'nand newspaper strip which he drew until he retired in 1989. In 1983 he drew the Sunday episodes of Nancy after Ernie Bushmiller died and he also drew a year's worth of Peanuts strips in the early 1980s to be used if Charles Schulz became ill. I don't think those will ever see the light of day, but it does make for an interesting trivia question, "Who besides Charles Schulz drew an entire year's worth of Peanuts strips?"

Edited by Murray Boltinoff.

Superboy #166

Superboy #166 (On Sale: April 2, 1970) has a cover by Neal Adams.

We begin with our cover-story, "Here Lies the Real Superboy" by Frank Robbins, Bob Brown and Mike Esposito. The back-up is "The Kryptonite Conqueror" also by Frank Robbins, Bob Brown and Mike Esposito.

Edited by Murray Boltinoff.

Detective Comics #399

Detective Comics #399 (On Sale: March 26, 1970) has a great cover by Neal Adams.

Our cover-story is "Death Comes to a Small, Locked Room" by Denny O'Neil, Bob Brown and Joe Giella. During a demonstration for cadets at the Gotham City Police Academy, Batman embarrasses Khan, a master of judo, karate and kung fu. When an enraged Khan comes after Batman with a steel identification bracelet across his knuckles, Batman decks him. In steps Arthur Reeves, the mayor's new Public Works Coordinator and soon to be a regular pain in Batman's backside.

Reeves wants to know what Batman is hiding behind that mask, why he isn't up front and out in the open. When Batman asks Reeves if that is what he believes in and Reeves answers in the affirmative, Batman lifts up Reeves toupee and quickly ducks out a window.

A month goes by and the incident quickly slides form Batman's memory till one night, 30 days later Batman is called to the site of Khan's training school which has been destroyed in a furnace explosion with Khan inside. Reeves shows up and accuses Batman of maybe causing the explosion to get back at Khan and Batman suggests that Reeves stick to sharing his fantasies with his barber.

Gordon and Batman have an appointment to get to, a séance of some sort to which they have been invited in an invitation that hinted at "solving a crime if we show." As they pull into the parking lot in Gordon's cruiser the car is strafed with machine gun bullets and crashes into a tree. As the machine gun-toting thug comes out to inspect his handy-work, Batman takes him out. Just then a man appears, "Big Dough" Joe Brunner a man sent to the pen by Gordon who is now out and wants to thank Gordon for setting his life straight. After he leaves Gordon wonders is "Big Dough" might not be behind the attack, but Batman says if he is, they know where to find him.

Inside the séance they meet the Great Dilbert--Medium Extraordinary who says he will "zummon spirits of dead!" He begins and the "spirit" has a message for Batman. The spirit seems to be speaking in Khan's voice and says that since Batman humiliated him in life he will humiliate Batman in death by killing Commissioner Gordon at midnight tomorrow. The lights go out and zee Great Dilbert has skedaddled. Batman says that Dilbert was a ventriloquist and wore a high collar to hide the movement of his throat muscles.

The next night Reeves tries to lock Gordon into a sealed vault for his protection, but one of the guards is actually Batman, who once again makes Reeves look life a fool. But the embarrassment just keeps on coming as Batman reveals that Gordon is not Gordon but actually the Great Dilbert. Pulling of Dilbert's mask and handing it to him Batman explains that "Gordon" was too clean shaven to have been on the job all day. Dilbert says that he might as well tell them where Gordon is really being held, but as he attempts to do so he dies from a poison on the outside of the Gordon mask Dilbert was holding. As he dies Dilbert says "D...do...j...jo..." and one of the guards says that it is obvious that the filler is "Big Dough" Joe Brunner, AKA Dough Joe.

Reeves sends men out to pick up Joe Brunner, but Batman has other ideas and heads back to Khan's training school, or dojo! There in a fireproof vault under the rubble Batman confronts and takes out Khan before he can harm Commissioner Gordon.

The back-up is Robin in "Panic by Moonglow" by Frank Robbins, Gil Kane and Vinny Colletta. Continuing from last issue where the moon rock turned geeky student Herb Stroud squeaky green and all, raising a panic within NASA, but leaving Robin with that not so subtle taste of hoax in his mouth. So much so that he went and checked out the shower Herb used, finding some funny smelling soap and a massive headache when someone slammed his head into a wall and stole the soap of questionable properties. When Robin comes around it is with the help of Zukov, the Russian exchange professor, whose hands have that tell-tell smell of gimmicked out soap.

The campus is quarantined by NASA so Robin needs a place to crash and Zukov offers his cottage guest-room. using a stolen stethoscope, Robin listens in as Zukov and some cronies hidden under his floor discuss their plan to make NASA look irresponsible for "polluting our glorious planet," losing public support and dropping out of the space race so that the Soviets can get their moon program on track and once again be the leaders in space. But first they want to get Robin out of the way.

However, when they kick down the door to his room, he has of course fled the scene and is heading for the science-hall to retrieve the lunar rock sample. After skirmishing with some of Zukov's men, Robin comes in through the roof, but gets his cape caught on a piece of broken glass, hanging him up in the air. Zukov shows up with a pencil laser gun he used to drill a hole into the glass case containing the moon rock, so that he could inject a secret gas that could be triggered by cosmic rays to turn the rock and Herb a lovely shade of green. Now he plans to use the same pencil to drill a hole into Robin's brain, but Robin slips out of his cape and collar and swings into the darkness on a batrope (or do we call this a robinrope?)

Shooting wildly after Robin's ever-moving voice, Zukov severs one of the legs of a Lunar Module on display and it crashes down on him with a satisfying KRUNCH! With Robin's information the NASA people are able to determine that Herb has been exposed to a Russian nerve-virus and they are able to give him an antidote in time to stave off the bitter green end. This story has been reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.


Edited by Julius Schwartz.

Detective Comics #398

Detective Comics #398 (On Sale: February 26, 1970) has a cover by Neal Adams.

This issue begins with our cover-story "The Poison Pen Puzzle" by Frank Robbins, Bob Brown and Joe Giella. It begins with Bruce Wayne on a jet headed for Los Angeles where Wayne Enterprises is about to buy into the picture business by purchasing a stake in Seven-Star Pictures. Sitting next to him is writer Maxine Melanie, who creates quite a stir on the plane when her identity is revealed by a couple of flight attendants. Her latest Hollywood tell-all "novel" has just been published and when she asks Bruce if he would like an autograph, he makes it clear how he feels about her type of literature, "I wouldn't be seen dead with your--book!"

But as fate would have it Seven-Star Pictures has just optioned the thing and after landing Bruce makes a big stink in the boardroom of Seven-Star, threatening to call of the merger if Seven-Star makes the movie. One of the board-members rightfully accuses Bruce of being a boorish "censor" for criticizing a book he has not read and when they go to get Bruce their advanced copy, they find it missing. This sends Bruce to a nearest bookstore where Maxine just happens to be signing her work.

Bruce is told that if he wants an autograph from Maxine that he better bring his own pen as "Maxine ran out of hers hours ago..." Just then an old woman asks to be let into the line awaiting autographs as she is "too frail to take this pushing around." As Maxine signs her book, she spasms, screams and collapses. The old woman tries to beat a hasty retreat but drops her book. Bruce tries to return it to her and is flipped onto his back by the old broad. By this time a doctor has shown up and pronounces Maxine dead. Bruce notices that there is a pin-prick in Maxine's finger and that there is a needle sticking out of the pen. When Bruce looks at the dropped book he sees that it is an advanced copy.

Back at Seven-Stars Bruce finds that they know of Maxine's death and that one of their top "properties," Loren Melburn has confessed to the murder. She is half of Hollywood's "perfect couple" with husband Dorian Spence. They were both "speared by Maxine's poison-pen in her novel." They mention to Bruce that there is a third major star mentioned in the book, Ronald Dart, who also had motive to kill Maxine. Another board-member walks in and announces that Dorian Spence has also confessed to the murder of Maxine.

Bruce says he will handle this personally and as Batman visits the Los Angeles police where he tels them to announce that Batman is on the case. Later Batman visits the Spense's where Dorian tries to convince him that he is the real killer. Planning to head over to Rod Drake's place next door Batman is confronted by Drake in the garden, where he says he overheard Spence planning Maxine's death. When Drake comes out of the shadows he is wielding a fireplace poker and is not Drake, but Dorian Spense. But just as quickly he is grabbed by Dorian Spence who pulls the mask off the attacking Spence to reveal Rod Drake.

Drake confesses that he fed Maxine most of the dirt in her "novel" with the promise that he would star in the movie version. Only, she reneged and he decided to kill her for it. Does much of this make any sense at all? Not really.

The back-up is Robin in "Moon-Struck" by Frank Robbins, Gil Kane and Vinny Colletta. Hudson University is being visited by a moon rock which NASA is giving to Russia and is being accepted by Russian Exchange Professor Zukov. Geeky student Herb Stroud, the campus "profit of doom" who "showers every hour--on the hour" arrives to say that the moon rock may be dangerous. His prediction appears to have been right as the rock flashes green and Herb's skin turns the exact same color. The campus is quarantined and NASA people grab Herb for testing. They can find no radiation issues at all.

Meanwhile Robin is suspecting a hoax and is visiting the showers and finds a strange bar of green soap with an odd scent. Just hen the lights go out and so does Robin, who is attacked trying to keep the soap. When he awakens he smells an odd scent on the hand of the person who awakened him. Reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB. Not much to say about this one except the art is horrible and I don't blame Gil Kane.

Edited by Julius Schwartz.

Superboy #164

Superboy #164 (On Sale: February 17, 1970) has a cover by Neal Adams. Given the subject matter, this one should have been much more effective and emotional.

This issue begins with "Your Death Will Destroy Me" by Frank Robbins, Bob Brown and Mike Esposito. The back-up story is "Revolt of Ma Kent" by Frank Robbins, Bob Brown and Mike Esposito.

Edited by Murray Boltinoff.

Superboy #163

Superboy #163 (On Sale: January 8, 1970) has a superb Neal Adams' cover which seems inspired by Cool Hand Luke.

This issue begins with Superboy in our cover-story, "Reform School Rebel" by Frank Robbins, Bob Brown and Mike Esposito.

The back-up is "The Super-Robot" from Superboy #52 and produced by Otto Binder, Curt Swan and John Fischetti. Two swindlers build a Superboy robot. They then sell the robot to the gullible Pop Peabody who thinks the robot has super powers. Superboy tricks the crooks by posing as the robots and performing super deeds for Pop. When the crooks see that the robot possesses powers they offer to buy it back for twice the price. The crooks then take the real robot back to their workshop where they discover it to be worthless junk. Superboy explains his trick to Peabody and gives the extra money to charity.

Edited by Murray Boltinoff.

Detective Comics #396

Detective Comics #396 (On Sale: December 23, 1969) has a cover by Neal Adams.

This issue begins with Batman in "The Brain-Pickers" by Frank Robbins, Bob Brown and Joe Giella. Wall Street wiz-kid Rory Bell makes the cover of Now! Magazine and the notice of Bruce Wayne and three thugs led by a guy named Sharf. Bell rides around on his motorcycle and radio-phones in his orders to his broker and girl friend, Nan Owens.

Sharf has a buddy who works at the garage where Bell keeps his bike and has had his helmet bugged, so that when he places an order Sharf and his buddies will be able to "share in the wealth." Their plan goes south when they find out Bell phones in his orders in code.

As it ends up Nan is Bruce's broker as well and Bruce calls in to see how "the street" is reacting to Wayne Enterprises proposed merger with Seven-Star Pictures. Nan mentions how Bell has bought in for a "big slice" and how others are following his lead. Meantime, Sharf and his buddies waylay Bell on his bike and say they are going to hold him up in a motel room for a few days and make all the same trades as he does to get rich quick.

Bell tells them it doesn't work that way, that if he can't ride his bike he can't figure out what to trade, so the thugs agree to just follow him by car. Bell's first order is to sell Wayne Enterprises which forces Nan to Call Bruce to try and soften the blow on "the street." Eventually Bruce figures out that Bell's orders are really a code for where he located and as Batman Bruce goes to intercept him.

At a gas station Batman confronts the thugs and has to use the remote-control features of the new Batmobile to foil the thug's plans. All in all a pretty stupid story. I remember liking Robbins' run on Batman, so either it gets a lot better or I didn't have very good taste in writing back then.

Much better written by Frank Robbins is the back-up Batgirl story, "The Orchid-Crusher," drawn by Gil Kane and Murphy Anderson. The Orchid-Killer is murdering one redhead after another and Barbara Gordon is even dreaming that as Batgirl she is a victim of the killer. She learns that the last victim had registered at a computer dating service when she finds a book with the woman's dating card used as a bookmark. She tracks down the last borrower of the book, but he has moved out of his apartment. Barbara immediately rents the apartment and also joins the computer dating service. She has to brush off Jason Bard's advances as she waits for the trap she is setting to be sprung.

She does get a date through the service, a mousy looking man named Max Tournov, but he seems harmless, till he buys her an orchid and then tries to kiss her. She sends him over her shoulder and he responds by crushing he orchid and running off. As Batgirl Barbara gives chase, but loses him. As she frantically searches, she is pulled into a dark alley by an unseen figure who says, "A red-headed Batgirl will do for now!"

The filler story is "The Master of Mind Over Matter" from Strange Adventures #26 by Jack Miller, Gil Kane and John Giunta. This is a tight little story about a psychiatrist and amateur magician named Blake, whom the police asked to report on the sudden death of a magician named Elmo the Great, since the man had been investigating Elmo for a while. It seemed Elmo could do miraculous things: levitate people, turn water into wine, etc. Blake was present when Elmo suddenly died. In his report he tells the police that he believes an alien creature had entered Elmo's body and was the source of his amazing powers. The police scoff at such nonsense and leave. Blake then reveals that he knows what he says to be true because when Elmo died the creature entered his own body.

Edited by Julius Schwartz.

Superboy #162

Superboy #162 (On Sale: November 20, 1969) has a cover by Curt Swan and Murphy Anderson.

The feature-length Superboy tale, "The Super-Phantom of Smallville" is by Frank Robbins and Bob Brown.

Edited by Murray Boltinoff.

Hurk covers Challengers of the Unknown 32

Original cover by Bob Brown; DC 1963. Hurk's website is here.

Patrick Kain covers House of Mystery 84

Original cover by Bob Brown; DC 1959. Patrick Kain's website is here.

Tomahawk #126

Tomahawk #126 (On Sale: November 4, 1969) has a nice cover by Neal Adams.

We begin with Tomahawk in "The Baron of Gallows Hill" by Robert Kanigher and Frank Thorne. The back-up is "Raids of the Invisible Braves," a Tomahawk reprint from Tomahawk #62 drawn by Bob Brown.

Edited by Murray Boltinoff.

Detective Comics #394

Detective Comics #394 (On Sale: October 30, 1969) has a nice cover by Neal Adams.

We begin with Batman in "A Victim's Victim" by Frank Robbins, Bob Brown and Joe Giella. Oh, does this issue continue harming the Batman legend. This is the second of the inane Victim's Incorporated Program (V.I.P.) stories. Picking up from the end of this month's Batman story, Bruce Wayne is confronted in his V.I.P. office by a Native American sporting a gun and an eye-patch, one Dakota Jones, race-car driver. It seems Dakota thinks Bruce Wayne hired someone to shoot him in the eye during the last Gotham Classic Cup Race, so that the car owned by Bruce could win.

I take note here that this month DC put out two comics staring Batman and featuring racing, The big difference is that in The Brave and the Bold both Batman and Bruce Wayne take an active part in the racing, while here Bruce owns the car. Anyway, Bruce and Dakota spar and Bruce wins and figures that someone must be feeding Dakota the idea that Bruce was involved.

Later that night as Batman, Bruce heads for the scene of the crime in one of the stupidest looking Batmobiles of all time. This is some Italian race-car looking thing, with one-way mirrors for windows, diplomatic license plates and an ugly spoiler on top. He thinks this will be less obtrusive than the old Batmobile. World's greatest detective my ass! I digress. At the track Batman determines that the shot must have come from the inside of the track, and since there is no place for a sniper to hide, the shot must have come from Wayne's car.

For some reason, Wayne's car is still at the track and on inspection, Batman finds a shell casing under the floor mat (a race car with a floor mat?). Just then he hears some low lifes, "Chance" Collins and some of his goons, coming, talking about how they convinced Dakota that Bruce had ordered the "hit" on Dakota, not them, who bet heavily on the Wayne car to win. They are back to retrieve the gun from behind the glove compartment of Wayne's car. Batman does see the gun there and hides in the car.

When Collins' men open the car batman attacks them but is overpowered. They tie him up and are going to use the same remote-controlled gun rig that they used to shoot Dakota to kill Batman. Before they can do that though, Dakota arrives and takes out a couple of thugs while Collins slips away in Wayne's race car. Dakota takes after him and Collins crashes the car on the same turn where Dakota was shot. An eye for an eye, as they say.

I can't go forward without mentioning the lack-luster Bob Brown and Joe Giella artwork. Brown didn't seem to be trying very hard (one Batman face is repeated three times) and Giella never was one for thrilling inks.

The back-up story features Robin in "Strike... While the Campus is Hot" by Frank Robbins, Gil Kane and Murphy Anderson. The artwork on this one is a night and day reversal of the main story. Gil Kane's pencils are exciting and vibrant, and Murphy Anderson's inks are lush and inviting, smoothing off some of the rough edges of Kane's pencils. The story begins with Batman and Alfred reading a letter from Dick, telling of his first college "bust."

Dick relates how he has found a room in a boarding house with a conveniently-placed drain pipe for Robin to exit and enter and how on his first day on campus he ran into a protest by a group called CTT (Citizens Tomorrow--Today). They seem to be provoking the campus administrators when the dean shows up to say that they will talk with the protesters and tat they will be no police action or interference. This seems to take the wind out of the protesters who appeared gunning for violence. Suddenly police cars appear and the leaders are taken into custody.

However, Dick notices that the cops are phonies and is knocked out and taken as well. At the campus the remaining CTT leaders accuses the school of lying and along with the press head down to police headquarters. Finding no CTT leader there, CTT accuses the police of being in on a massive cover-up. Meanwhile Dick awakens in an old silo and changes into Robin (something about a reversible shirt and hidden pockets that makes little sense, but hey, it's the comics, right?). He finds the "cops" bandaging up the CTT leader. Robin leaps down and starts fighting the leader only to find the "cops" standing on the sidelines watching and smiling.

This story has been reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.

Edited by Julius Schwartz.

Superboy #161

Superboy #161 (On Sale: October 7, 1969) has a cover by Neal Adams.

"The Strange Death of Superboy" is by the regular team of Frank Robbins, Bob Brown and Wally Wood.

Edited by Murray Boltinoff.

Detective Comics #393 (On Sale: September 30, 1969) has just a really ineffective cover by Irv Novick. The Batman figure seems squeezed in under the massive logo and it is hard to tell exactly how old Novick thinks Robin is. Ugh, I just don't like this one.

"The Combo Caper" is by Frank Robbins, Bob Brown and Joe Giella and although the cover scene does sort of happen in this issue, it is basically the last panel, so in that way this cover is sort of a cheap "come on." as the captioned question, "Why?," is never addressed. We begin with Batman and Robin noticing while on patrol a light on at the Winslow mansion. They knew very well that the Winslows are vacationing at their beach front estate next to Bruce's in Ocean Point so they enter and surprise an thief in mid caper. Before the thief escapes in the Batmobile no less, Robin lands a right jab to his covered face. The thief didn't have enough time to crack the Winslow's safe, but left behind a clue, an aluminum pop-top with the two sets of safe combinations scratched into its surface, the Winslow's and one other.

The next morning, after retrieving the abandoned Batmobile, Bruce, Dick and Alfred head out for Ocean Point for a little R & R. On the way they pick up Skeet Callum, an under-privileged teen in crisis that Bruce is attempting to mentor for the Civic Conscience Council. Skeet has an attitude the rub Dick the wrong way, and he also has a shiner and an addiction to Kool-Up soda, in the aluminum pop-top cans.

Once at the beach, Dick and Skeet run into Deena Winslow, who is also sporting a shiner and a Kool-Up addiction. That night Bruce, Dick and Skeet attend a big bash at the Winslow estate where they are introduced to world-traveler and yacht-owner Aristide Naxos. The teens all head out for a party on the beach where Skeet and Deena have an argument and Skeet takes off alone.

As the night wears on, Aristide makes his exit to his yacht and Mrs. Winslow tries to hit on Bruce, resulting in Bruce going upstairs to fetch her wrap, only to discover that the Winslow's safe here has been robbed. Looking around Bruce finds another pop-top with this safe's combination. Bruce remembers that Skeet is always drinking Kool-Up and tells him that if he robbed the place he can still give the jewels back, no questions asked. Skeet runs off and later Bruce laments that he may have pushed Skeet towards crime by accusing him. This sends Dick out to find him, which he does lying unconscious on the beach. Skeet says that he found Deena digging in the sand and that she was being signaled from Naxos's yacht and when he tried to ask her what was going on she decked him with her surfboard.

Later Dick rides out on a surfboard toward the yacht, gathering the attention of the guards on board. What they don;t see is Batman tagging along with the board underwater. using a rebreather. While Dick catches a few waves at night, Batman sneaks on to the yacht where he confronts Naxos and Deena. When Naxos pulls a gun Deena disarms him. Inside her can of Kool-Up are the jewels, which she stole to punish her parents for only buying her things instead of loving her. Later Skeet finds out that Batman came to his aid and that if Batman thinks he is worth something, then maybe he should too.

The final panel is a close-up of Batman thinking, "The case is over...the team-up is finished! This is good-bye for Batman and Robin!"

The Batgirl back-up is "Downfall of a Goliath!" by Frank Robbins, Gil Kane and Murphy Anderson. Reprinted in Showcase Presents: Batgirl Vol. 1 TPB.

Edited by Julius Schwartz.

Detective Comics #392

Detective Comics #392 (On Sale: August 28, 1969) has a cover by Neal Adams.

Inside we have Batman in "I Died... a Thousand Deaths" by Frank Robbins, Bob Brown and Joe Giella. I have this book around here some where and will read it soon and give a detailed description.

The back-up Batgirl story is "A Clue... Seven-Foot Tall" by Frank Robbins, Gil Kane and Murphy Anderson. and introduces Jason Bard. This story was reprinted in Showcase Presents: Batgirl Vol. 1 TPB.

Edited by Julius Schwartz.

Superboy #160

Superboy #160 (On Sale: August 19, 1969) has just an astounding cover by Neal Adams. Every once in a while Neal just knocks one out of the park and this is one of those!

Superboy stars in "I Chose External Exile" by Frank Robbins, Bob Brown and Wally Wood. I find it hard to believe that these stories have never been reprinted. I remember Frank Robbins doing a good job on the scripts and hell, this is Wally Wood inks we are talking about.

Edited by Murray Boltinoff.

Detective Comics #391

Detective Comics #391 (On Sale: July 31, 1969) has a cover by Neal Adams.

We begin with Batman in "The Gal Most Likely to Be -- Batman's Widow" by Frank Robbins, Bob Brown and Joe Giella. Tim Clark a masseuse and physical therapist at Bruce Wayne's club is having problems with his girlfriend, Ginny Jenkins (from Detective Comics #380). She has started working for Mr. Arnold at Dining Out Magazine. Through an accidentally turned on intercom Tim and Bruce learn that Mr. Arnold is using the magazine to extort advertising money out of restaurants. While Bruce leaves to change into Batman, Tim learns of Ginny's inadvertent involvement in the plan, as she is the magazine's reviewer.

That night at a restaurant being visited by Mr. Arnold and Ginny, two good threaten to ruin the food if the owner does not buy an expensive ad. the plot is broken up by Batman, but the owner refuses to finger Arnold as the instigator. that night Tim tries to warn Ginny that Arnold is a crook, but Ginny just thinks he is jealous and won't listen to him. Tim thinks she would listen if Batman was the one telling her and then hatches a plan.

Arnold meets his henchmen in the sauna at the club once again and gives them the orders for tonight's restaurant attack. When they leave Batman is seen leaving the building and an unseen person removes a bar of soap from the sauna. At tonight's restaurant, the owner is prepared to pay the extortion money when Batman comes to him with a plan. Shortly the waiter brings Arnold and Ginny a souvenir of the restaurant, only Batman shows up and reveals that the small models actually contain the pay-off money. Arnold pulls a gun, but Batman knocks him out and then comforts Ginny.

Arnold comes to and calls for his men who sneak up on Batman and knock him out. Before they throw him off the balcony to his death they unmask Batman and find that he is Tim Clark. Only the real Batman shows up at that time and mops up the gang, reveals that the money they were given was marked by the owner and also reveals a small tape recorder hidden in a bar of soap that Batman used to gather evidence against Arnold and his men.

The back-up Robin story is "Strike" by Mike Friedrich, Gil Kane and Murphy Anderson and continues from last issue. Personally, I thought last issue was a pretty much jumbled mess and this issue doesn't really do much to rectify that feeling.I never liked the Friedrich Robin stories, they never rang true for me, though he sure wrote a lot of them in his five years at DC.

The head negotiator for the college has abruptly ended negotiations with the Teachers' Union. Dick Grayson and Gotham Owl editor Rocky follow the negotiator and see him talking to two kids wearing Skyline jackets, one of whom Dick recognizes as the one that got away from the skirmish Friday night.

Rocky leaves and Dick is free to change into Robin and after a relatively quick fight the head negotiator tells how he was blackmailed into ending negotiations and that someone had tried to run over his son. One of the Skyline kids tells Robin who their boss is, where to find him and what type of protection he has.

Robin quickly foots it to the bosses HQ, and knock out the two guards he was warned about outside the building. He then races into the big man's office only to find two more gunsels that he knew nothing about. Robin realizes he has been set up , but as the thugs prepare to blast him, the police call out over a loudspeaker for the thugs to surrender with their hands up. Robin uses the momentary distraction to take out the two thugs and the big boss. When he calls for the police to come in and take them all away he finds that it was only Rocky, who had followed Robin to the thugs hideout.

It ends up the big boss owned land adjacent to the college and wanted to make sure that his land was used for the campus expansion. Later the negotiations are begun again and a new contract is quickly signed. This story was reprinted in Batman in the Sixties TPB and Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.

Edited by Julius Schwartz.