Challengers of the Unknown #72

Challengers of the Unknown #72 (On Sale: December 2, 1969) has a cover by Neal Adams.

The Challengers of the Unknown star in "A Plague of Darkness" by Denny O'Neil, Dick Dillin and Frank Giacoia. The back-up story is "Nobody Lives Forever... or Do They?" by Dave Wood and Lee Elias.

Edited by Murray Boltinoff.

DC Special #6

DC Special #6 (On Sale: November 11, 1969) has a beautiful cover by Neal Adams with a really big logo for The Wild Frontier issue.

We begin with Daniel Boone in "Son of Chief Black Fish" from Legends of Daniel Boone #1, drawn by Nick Cardy. Next is Tomahawk in "The Junior Ghost Patrol" from World's Finest Comics #69 by Dave Wood and Nick Cardy. That is followed by Davy Crockett in "War Stick of Chief Fighting Elk" from Frontier Fighters #4, drawn by John Prentice. That is followed by Kit Carson in "The Raiders of the Oregon Trail" also from Frontier Fighters #4 and drawn by Howard Sherman. We have Buffalo Bill in "Young Bill -- of the Pony Express" from Frontier Fighters #6 by Dave Wood and Joe Kubert. We end with Pow-Wow Smith in (The Tenderfoot Deputy) from Detective Comics #178 and drawn by Leonard Starr.

Edited by Dick Giordano.

Unexpected #116

Unexpected #116 (On Sale: October 7, 1969) has a cover by Nick Cardy.

We begin with a Mad Mod Witch story, "Express Train to Nowhere" by Dave Wood and Artie Saaf. Four passengers board a train to, well, we are not sure. they are Alex, just fired from his job for having no imagination or drive; Doc, a brilliant surgeon leaving the city to become a country doctor because of shaky hands; Linda, an artist who flopped int he big city and is now heading back home in shame, and Zaroff, a circus aerialist who turned to crime to make ends meet, now on the lam.

The train heads into a strange mist and stops. The four exit the train only to find a world of zombie like automatons. They realize their train has vanished in the mist so they attempt to follow the automatons but find themselves trapped by an electronic barrier. Alex convinces Linda to use her makeup to make him look like one of the automatons and in his disguise he is able to pass through the barrier. With Linda's help they all get free.

Only now they find their path blocked by a giant skull. Though Doc doesn't think he can do it, they talk him into climbing the skull and using Linda's nail file and scissors he is able to operate on the skull, triggering the jaw to open. Inside they find a path that eventually is bisected by a deep chasm. Zaroff uses their shirts and jackets to make a rope and uses it to carry Linda across the chasm, like walking a tightrope. Doc realizes that he has seen Zaroff's face on a wanted poster and wants nothing to do with him, but the others convince him to use the improvised rope to cross with them.

Once on th other side they hear the sound of a train whistle in the distance and make a run for it, finding the train pulling out just as they get there. In a mad dash they all make it and the train ends up back where they started. But Linda now has confidence in her artwork and decides to stay, Alex feels he has plenty of imagination and aggressiveness and decides he will prove it, Doc realizes he still has some surgical skills and notices how steady his hands now are, and Zaroff decides to turn himself in and take his punishment. As Alex leaves he knows that once he feels he is a success he will be looking Linda up.

Next is "Steps to Disaster" drawn by Pat Boyette. A Dutch cobbler finds a piece of mahogany floating int he water and decides to make some wooden shoes out of the beautiful wood. A worker in the tulip fields kills his boss and takes the payroll and heads out of town, planning to steal a boat for England. One night a week later he sees the cobbler making shoes and needing shoes he steals the mahogany ones and kills the cobbler. He then steals a sloop and heads for England, but is pulled out to the deep Atlantic by a storm, being pulled ever northward for days. A sudden lurch tosses him into the water where the wooden shoes begin to pull him down. He sees an iceberg as a spectre of death and then sees hundreds of skeletal people trapped in an ice prison. A giant face materializes saying that it is his own evil that has brought him to this place. The shoes pull him under and as he dies the shoes slip from his feet sinking to the bottom where they come to rest at the wreck of the Titanic, where the mahogany beam had come from. Reprinted in Unexpected #162.

Next is "Mad To Order" a one-pager inked by Murphy Anderson. I don't know who penciled it. In it a man invites two tailors into his room for a fitting of a new jacket, but finds the jacket too small, too tight and too constraining. As they leave the room we see him in a straight jacket in his cell saying how he will never by anything from them again.

That is followed by "Ball of String" drawn by Bernie Wrightson. Ethatn had been saving string since he was a small boy and had amassed a gigantic ball, when his landlord threw him our for keeping "that sphere of rubbish." In a fit of rage Ethan kills his landlord and wraps his body up in the ball of string. He places the ball into an open carriage and heads out for the country to bury the body. However, his cat had grabbed a hold of the end of the string and as Ethan drove through town the ball was slowly unwinding, revealing the body inside to a passing policeman. Reprinted in Unexpected #161.

Lastly is "Ashes to Ashes, Dustin to Dust" by Murray Boltinoff and Sid Greene.

Edited by Murray Boltinoff.

Unexpected #115

Unexpected #115 (On Sale: August 7, 1969) has a cover by Neal Adams.

We begin with "Diary of a Madman" by Carl Wessler and Ed Robbins. Some sources indicate that this was the last story Ed Robbins drew for DC, others say he drew some war stories in 1970 and 1971, but I haven't tracked those down yet. Robbins' last comic book work appears to be for Western in Grimm's Ghost Stories in 1975-76. Born in 1919 Ed Robbins died in 1982.

He was one of those guys who worked everywhere, but rarely made a name for himself. He worked at the Beck and Costanza Studio between 1942 and 1953, the Iger Studio in 53-54 and the Simon and Kirby Studio in 1955.

For Archie he drew Roy, the Super Boy, the Scarlet Avenger, The Shield, Steel Sterling and Zamboni, the Miracle Man. At Centaur he drew Craig Carter and the Masked Marvel. At Charlton he crime and war stories. At DC he drew Gang Busters in the 50s and horror, romance and war stories in the 1960s. At Dell he drew horror stories in the early 60s and at Feature Comics he drew romance stories during the late 50s. At Fawcett he drew romance comics for years along with Captain Marvel, the Marvel Family and Mary Marvel. In the 40s and 50s he work for Atlas/Marvel on the Black Avenger, the Human Torch, the Thunderer and assorted horror and war stories. He did one story for Warren in 1970.

If Ed Robbins ever made a name for himself though, it was during his two-years stint on the Mike Hammer newspaper strip in the 1950s, where his hard-boiled gutsy graphic style was years ahead of the British strips of the 60s, such as Jim Holdaway on Modesty Blaise and Yaroslav Horak on James Bond (I used to follow both of these strips in the wonderful Menomonee Falls Gazette in the 1970s).

Next we have "Abracadabra -- You're Dead" by Dave Wood, Curt Swan and Jack Abel. We end with "The Day Nobody Died" by Dave Wood, Werner Roth and Frank Giacoia. This story was reprinted in Unexpected #161.

Edited by Murray Boltinoff.

Unexpected #114

Unexpected #114 (On Sale: June 5, 1969) has an unimpressive cover by Neal Adams.

We begin with Johnny Peril in "My Self -- My Enemy" by George Kashdan, Ed Robbins and Vinnie Colletta. That is followed by our cover-story, "The Well of Second Chances" by Dave Wood and Artie Saaf.

Edited by Murray Boltinoff.

Unexpected #113

Unexpected #113 (On Sale: April 3, 1969) has a cover by Neal Adams. Its another of Neal's image within an image pictures.

We begin with Johnny Peril in "The Shriek of Vengeance" by George Kashdan, Jack Sparling and Vinny Colletta. Next is "The Eyes of Death" by Dave Wood and Pat Boyette. We end with our cover-story, "The Tunnel of Fear" by Dave Wood, Curt Swan and Mike Esposito.

Edited by Murray Boltinoff.

Unexpected #112

Unexpected #112 (On Sale: February 6, 1969) has a nice cover by Neal Adams.

Johnny Peril stars in "The Brain Robbers" by George Kashdan and Jack Sparling. "Burn, Match, Burn" is by Dave Wood and Artie Saaf and "The Corpse That Didn't Die" is by Dave Wood and Pat Boyette and was reprinted in Unexpected #162.

Dave Wood's (AKA D. W. Holtz and D. W. Holz) first writing for DC was in Big Town #1, January 1951. In the early '50s he also wrote a number of Strong Bow stories for All-Star Western and Foley of the Fighting Fifth for All-American Western and Western Comics. He wrote for numerous issues of Rex the Wonder Dog beginning with issue #1 and pulled a long stint on the DC war books, All-American Men of War, Our Army at War and Star Spangled War Stories.

For World's Finest Comics he wrote Green Arrow, Tomahawk and Batman/Superman stories. He also wrote Batman stories in Batman and Detective Comics and Superman stories in Superman. For Mystery In Space he wrote Adam Strange, Space Ranger and Ultra the Multi-Alien (Dave's creation) and for Strange Adventures he wrote Star Hawkins and Animal Man (Dave's creation). Dave Wood also wrote a number of Dial H for HERO stories for House of Mystery and the Martian Manhunter for House of Secrets.

In 1968 he made the rounds of the Mort Weisinger books doing Supergirl in Action Comics and the Superboy and Superman's Pal Jimmy Olsen features, but by 1969, Dave was relegated to this single Murray Boltinoff mystery title, where, except for a fill-in back-up story in the Boltinoff-edited Challengers of the Unknown (a story most likely written for the Unexpected), Dave would finish his career at DC.

Before coming to DC, Dave wrote Blackhawk stories for Quality from 1940-1949 and wrote Bombshell for Lev Gleason. During his time at DC Dave also wrote adventure stories for Harvey Comics and between 1958 and 1960 wrote the daily syndicated strip Sky Masters of the Space Force drawn by Jack Kirby and Wally Wood.

I don't know why Dave left DC or what happened to him after he left DC except for a single story he wrote that appeared in Creepy Magazine in 1971. This was the time when the old guard of writers were being pushed out and Dave Wood was most likely just part of that push. Dave's stories in Unexpected would appear regularly for the rest of 1969, then in three issues in 1970 then one issue in 1971, 1973, 1974 and finally in 1975.

Edited by Murray Boltinoff.