Posts mit dem Label Firehair werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Firehair werden angezeigt. Alle Posts anzeigen

Mittwoch, 28. Oktober 2009

Showcase #87

Showcase #87 (On Sale: October 28, 1969) has a Firehair cover by Joe Kubert.

"The Shaman" by Joe Kubert is the last of the three Firehair issues of Showcase. It is also the weakest of the three as you will see, yet it still has the wonderful art of Joe Kubert at his peak.

In his travels, Firehair comes to the edge of the Grand Canyon, where he is attacked by a mountain lion. The lion's sharp claws cut deeply into Firehair, but he uncoils his rope and wraps it around the lion's neck. However, before it can do much good the lion's aggressive action throws them both over the edge. Firehair manages to grasp onto a scrub plant as he falls and climbs back onto a ledge where he quickly passes out. When he awakens it is night and he sees the fire of a tribe on the canyon floor. He somehow makes it down the canyon wall and into the camp, where the tribe's shaman says they have been expecting "Firehair."

The shaman calls Firehair "the evil one" and dunks a totem of Firehair into a pot of water, causing Firehair's lungs to fill with water. The shaman removes the doll and Firehair is placed on a mound surrounded by a pit of rattle snakes, where he falls fast asleep. When he awakens he is taken into a cavern to the edge of a bottomless pit when a spirit of the nether-world is called to pass judgment on Firehair. The giant man with the head of a coyote says Firehair must face the judgment at the black pool of "he that holds the world."

Firehair is taken deeper into the cavern to a black pool where he is tied up and left to face "he that holds the world," a giant mutated turtle. Somehow Firehair escapes his ropes as the cave begins to crumble. Firehair must dodge large pillars of rock. Suddenly his world goes black and when vision returns he is in a Navajo camp, where they have tended to him as he has lain delirious from the poison of the lion's claws. Quite a let down from the two previous stories, almost a filler issue and not what you would expect only three issues into the series.

Also in this issue is a one-page Warrior piece on Chief Joseph of the Nez Perce Indians of Idaho drawn by Ken Barr.

Edited by Joe Kubert.

Freitag, 11. September 2009

Showcase #86

Showcase #86 (On Sale: September 11, 1969) has a Firehair cover by Joe Kubert.

Firehair in "River of Gold" is written and drawn by Joe Kubert. I can't tell you how much I am enjoying rereading these stories. In Firehair Kubert created the perfect tool for telling his tales of morality, human nature and the turbulent times on the late 1960s. An old prospector searching for gold stumbles into the land of the Crow and finds himself surrounded by warriors thirsty for revenge against the white men. Firehair comes across the confrontation and calls out the Crow for even contemplating "murdering defenseless of people."

Black Eagle, the son of the Crow Chief's issues a personal challenge to Firehair for interfering in their business. Years of having to fight for a place in his own tribe gives Firehair the advantage and he soon forces Black Eagle to concede. Firehair demands to be taken to Black Eagle's father, who as a great chief must be a just man.

The chief chastises his son for attempting to use his protection to right his loss in single combat to Firehair, but he also worries that the old prospector may not deserve the gift of life that Firehair has given him. He worries that the old man seeks the "yellow stones! The soft, worthless pebbles they value more than life or land" and that should he find any that their land would be "over-run by his kind!" Firehair explains to the old man that at tomorrow's sun dance ceremony he must fight Black Eagle again and that if he wins again that they will both be set free, but that the old man must not search for gold and must leave the land of the Crow.

The old man says he understands. but that night he attempts to sneak out of camp. However, he sees that he is being watched and returns to camp but not before spotting a trove of gold nuggets in the stream running through the village.

The next morning Firehair and Black Eagle once again square off in single combat and once again Firehair is victorious. The chief declares that they "will be as one -- in honor and trust!" and Black eagle and Firehair become blood brothers. The old man notes to himself that "they sure know how to settle their arguments!' but while the sun dance ceremony begins he sneaks off with his mule and a few sacks of gold from the stream.

Later when they discover he has gone, it is Firehair who must search for him as it is Firehair who has accepted responsibility for the old man. Firehair tracks him down and finds him just as a grizzly has also found him. Firehair intercedes and kills the bear. The old man however, pulls his gun on Firehair and says he will kill him rather than let Firehair take him back to the Crow.

Back at the village Black eagle wonders if Firehair will return when a moment later he and the old man are seen coming back. The old man turns over his gold saying that "I couldn't shoot someone who'd saved my life...twice! I guess...there's some things even more valuable than an whole river of gold!" The chief gives the old man his freedom and Firehair moves on in his search for a place he can belong.

"Saturday -- 1787" is written and drawn by Ric Estrada is a great little slice of frontier life and hardships of the early settlers. It does a terrific job of showing the hard choices the early settlers sometimes faced. A little gem from the late Ric Estrada.

Edited by Joe Kubert.

Freitag, 14. August 2009

DC Special #5

DC Special #5 (On Sale: August 14, 1969) has a cover by and about Joe Kubert. This is the second of the DC Special issues honoring a specific artist and it is too bad they did not continue with these. In a way it is sort of a cross between a reprint book and a fanzine, though it is mainly a reprint book.

We begin with "The Cartoonist -- at Home" a four-page introduction by Joe Kubert of Joe Kubert and which I thought was very well done. It has lots of humor, introduced us to his family (including later to be artists Adam and Andy Kubert). the script is funny and has a wonderful cameo by Russ Heath, who calls to say he won't be able to finish his story on time, but he is working hard and hasn't slept for days. Russ is pictured at the Playboy Club with a blond on his arm.

I loved the style Kubert utilized for this one, great stuff indeed.

We begin the reprints with Sgt. Rock in "Eyes of a Blind Gunner" by Robert Kanigher and Joe Kubert and reprinted from Our Army At War #113. Easy Company is attacked while crossing a river. Wild Man takes out a plane with his bazooka, then gets dumped in the river with Sgt. Rock and Jackie. Together the trio take out a tank. Jackie and Wild Man then form a team.

When Easy awaits a supply drop, they are ambushed. The only weapon they have to rely on is a machine gun. Jackie and Wild Man are set on guard duty with the gun, when another attack occurs. Jackie is blinded by an explosion, and Wild Man's hand are injured. Wild Man uses his eyes to guide Jackie in firing the machine gun. Together the two soldier successfully hold off their attackers.

Next is "Rider of the Winds" also by Robert Kanigher and Joe Kubert and reprinted from Showcase #2. This short tale is of an Indian boy, Eagle feather, who was given his name when Rider of the Winds, a giant eagle caught a feather during the boy's naming ceremony. As the boy turns 14 he is told to guard over the tribes flock of sheep. One day one of the lambs gets stuck in quicksand and Eagle Feather wades in and tosses the lamb to safety, but is himself stuck. Rider of the Winds appears and Eagle Feather grabs one of his wings and is pulled to safety himself.

But while this was happening Black Lightning, a mountain lion, slaughters five of the sheep. Eagle Feather is disgraced and the whole village holds him in shame. He seeks the council of a wise man who tells him that he must defeat the bearer-of-that-disgrace, Black Lightning in order to remove his shame. Eagle Feather tracks Black Lightning down ans with the help once again of Rider of the Winds is able to kill the big black cat and regain his standing in the tribe.

That is followed by Hawkman in "Menace of the Matter Master" by Gardner Fox and Joe Kubert and reprinted from Brave and the Bold #35. While attempting to turn base metals to gold, chemist Mark Mandrill discovers the secret of Mentachem, a chemical which gives him control of any material in its natural state. He creates a directing wand, and uses the material to steal a half-million dollars from an armored car, then creates an army of meteor men to loot the Midway City Art Center. Tipped off by Commissioner Emmett, Hawkman and Hawkgirl battle the rockmen, but Matter Master intercedes, and escapes with the treasures by directing helicopter blades at them.

The criminal trips up, however, when directing flowers to steal a parchment from the museum, as Hawkman’s acute sense of smell comes to the force in time to track these flowers to Matter Master’s underground lair, where he and Hawkgirl capture him.

Next is a two-page spread by Joe Kubert of a number of characters he has drawn over the years, each done in the style he used "back in the day." This spread features Doctor Fate, Johnny Quick, Hawkman, The Flash, Wildcat, The Vigilante, Sargon the Sorcerer, Zatara and Firehair.

We end with Viking Prince in "Threat of the Ice King" by Robert Kanigher and Joe Kubert and reprinted from Brave and the Bold #18. Kubert's work on this strip is just beautiful. Jon, the Viking Prince, continues his quest to complete the twelve tasks of Thor in order to regain his throne. His travels bring him to the domain of the Ice King on a mission to awaken a rose. Jon fights his way past the Ice King's two-headed bear and other dangers until he reaches the castle. Inside he finds a sleeping maiden which he awakens with a kiss.

The woman is the rose princess who was placed in a trance by the Ice King. Jon's kiss broke the spell. He then faces the Ice King himself who has the power to freeze men. Jon prevails in the duel, then escapes the castle with the rose princess. With the rescue, he completes the fourth task of Thor.

Edited by Joe Kubert.

Freitag, 24. Juli 2009

Showcase #85

Showcase #85 (On Sale: July 24, 1969) has a very nice Firehair cover by Joe Kubert.

We have a feature-length Firehair origin story, "I Don't Belong Here -- I Don't Belong There" which is obviously a labor of love for writer/artist/editor Joe Kubert. the story opens sometime in the early 1800's with our hero riding bareback across the desert being chased by a gaggle of towns-people shooting in his direction. Firehair is a teen-aged boy in Native American garb, with white skin and glowing red hair in two long tails trailing down his back. he has been shot but continues to ride.

When he reaches a rock face he leaps for it and begins to climb its face. The towns-folk dismount and take aim just as a hand reaches out of a cave in the rock and pulls Firehair to relative safety. The enraged towns-people fire off so many shots that they cause a landslide which covers the mouth of the cave, trapping Firehair and his unknown benefactor. Inside we find a Shaman and Evening Star, a young woman of the Blackfoot nation.

Firehair has been shot multiple times and they cannot move him from the cave, As the Shaman dresses his wounds, Firehair is enveloped by delirious dreams of his past. He sees a tribal fire he never witnessed where the Shaman tells the tribal elders of the terrible destruction of the Blackfoot and their brother nations at the hand of the paleface that he has foreseen. He also speaks of a great warrior who will arise, who will not look like any warrior in the Indian Nations, who will be despised by his own people and those he will seek to help. A great warrior who is the Blackfoot's only hope for salvation.

As Firehair's vision continues he sees the same tribe gathered on a mesa and attacking the wagon train below. Attacking relentlessly until all the pale ones are dead, all save one child with flaming red hair, whom Chief Grey Cloud takes to raise as his own. The resentment and hostility towards the white child runs deep in the village, but to some extent hidden. As young Firehair grows he learns that in order to survive and to prove himself worthy of being the Chief's son, he must be better than all the other children in the village, and so he is. But he is also alone and friendless. The years pass and Firehair reaches the age of manhood and goes off on a vision quest; the only one in the village offering him good luck is Evening Star. He fasts for five days seeing visions of his past, present and future and arises a man.

Back at his village he tells his father he dreamed of others with skin like his and wants to find them, to see if he belongs in their world. And so, Firehair heads off for the town, where he is attacked by a bully in the general store and when he fights back the whole town wants his hide. The town Sheriff steps in to break things up, but Firehair has had enough and breaks away, riding out of town, the towns-people shooting at his back.

His feverish vision ends and he finds himself in the cave with Evening Star, who says that now that he is better they can return home. But Firehair says he does not have a home, not with the Blackfoot and not with the palefaces. And so he sets off to travel the Earth looking for a place where he can belong.

I can not say enough about Joe Kubert's artwork on this book. He obviously spent a lot of time doing research on the Blackfoot nation and culture and you see it in every panel. He littered the book with wonderful detail and employed a grease pencil on every page, some times just a little, some times a lot, to give the pages a look different from any of the other books being published at that time.

Firehair would appear in two more issues of Showcase before finding a spot as a back-up strip in Tomahawk for another three issues. He didn't show up again till the character-packed Showcase #100 and then again in Crisis on Infinite Earths. In 1989 he was in one issue of Swamp Thing and then completely forgotten until the publication of War That Time Forgot in 2008 and where he can still be seen today.

Edited by Joe Kubert.
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