My Five Favorite Wonder Woman Artists

Back during my Wizard days, somewhere in the neighborhood of 2006, I got assigned—or pitched, I can’t remember—a piece on Wonder Woman, a character I didn’t know all that much about aside from what everybody knows. The article was examining why a property as universally known as Wonder Woman had trouble sustaining the commercial success of contemporaries like Superman and Batman or even the burgeoning Green Lantern. I recall not being entirely happy with the finished product mainly because I found it to be a huge topic and couldn’t condense it into the space allotted, but I really enjoyed working on it because I got to chat with intelligent folks like Phil Jimenez, Greg Rucka and Allan Heinberg to get insight into the subject and learned a lot.

(NOTE: You can have a good conversation with Phil Jimenez about pretty much anything, but ask him about Wonder Woman and prepare to have your mind blown—also don’t plan to get anything else done that day)

The ultimate conclusion I reached on the question posed was that in many ways Wonder Woman had peaked early. More than any other character created in the 1940’s—including Captain America—she was very much of the era in terms of being designed with a specific purpose and thriving in a particular environment. There have been many great Wonder Woman stories told in print as well as through other mediums; in particular the classic Lynda Carter television series, but it was interesting to find how fondly remembered her Golden Age stories were by true fans of the character. With most properties, you find the 30’s and 40’s were a formative period but not so technically proficient; the original Wonder Woman stories have an undeniable energy to them and it also happened to be when the character achieved her greatest commercial success.

Basically, Wonder Woman got a reputation for being an equal point of DC’s “big three” triangle out of the gate and has been struggling to justify it ever since without the timelessness Superman and Batman seem to enjoy.

However, as I said, there are a lot of good Wonder Woman stories out there. In researching that article, I got to read quite a few. What I came to appreciate even more than the writing though was how challenging it must be for an artist to approach this icon and how impressive it is when they succeed. Created to be the female role model girls were lacking, Wonder Woman is the embodiment of feminism, but she’s also a beautiful woman in a form the idealizes—and often exaggerates—the female form. For an artist to walk the line between archetype and sex appeal with this character is an achievement that demands recognition.

Honorable Mention

HARRY G. PETER
The man who started it all deserves to be credited for a great design.

ADAM HUGHES
The most prolific Wonder Woman cover artist I can think of, and more or less defines the character for many, but I want to see interiors.

J.G. JONES
He can depict her as a beauty, as a fighter, and as a horror—see Final Crisis; one of the more versatile Wonder Woman artists for sure and he just misses the cut.

5. FRANK MILLER
Nobody draws Wonder Woman like Frank Miller. His bold choices when it comes to the costume or how he composes her face are undeniable. His Wonder Woman is not a lady you mess with. She’s got a primal energy that speaks to her status as a warrior princess. He’s number five only because I see too much of too many of his Sin City vixens in his take; if he had an extended run to make a mark on the character, he’d most likely be higher.

4. MIKE SEKOWSKY
As the designer of the bold “Mod Wonder Woman” redesign of the 1960’s, there’s no denying Mike Sekowsky has a major spot in the character’s visual history. Though I think it was definitely a good short term look rather than long term given the strength of the typical design, I look back at the “New Wonder Woman” as an era that featured very pretty art. Sekowsky had a knack for making something as simple as a white or black jumpsuit come alive through a strong use of basic shapes, dynamic inking and bold colors in the background to accentuate the figure. He drew great action sequences as well, really hurling Diana into the thick of it. Even before he took on Wonder Woman solo, Sekowsky spent years defining her look in Justice League of America and I would presume influenced many who came after.

3. DOUG MAHNKE
For a guy who made a lot of at least his early reputation on doing exaggerated extremes when it came to super heroes with The Mask, Major Bummer, etc., Doug Mahnke for my money draws a great Wonder Woman because he makes her look down to earth. When Mahnke was on JLA, I loved his mammoth Martian Manhunter and his ever-shifting Plastic Man, but I always thought the way he managed to make Diana look pretty in a relatable way as well as dangerous but not bloodthirsty was pretty neat. I dug the little things, like how he drew her with straight hair that matted down—as hair would when it’s fairly consistently drenched in sweat—as opposed to the wildly curly or silky smooth manes other artists give her. He gave her a nose that made her seem both unique and exotic; her eyes were a bit haunted. He was also able to balance her figure between sexy and sturdy; he used smooth, heavy lines to convey that this was a woman who had honed her body as a weapon, but possessed a more grounded strength as opposed to a bodybuilder’s physique. To describe Doug Mahnke’s Wonder Woman in a word, I’d go with “enchanting”—she’s a lady you admire from afar, but think twice before getting too close to.

2. PHIL JIMENEZ
I’ve encountered no bigger Wonder Woman fan than Phil Jimenez, and he brings the enthusiasm as well as the work ethic that comes with that distinction whenever he works on the character. He doesn’t draw every wisp of hair or every star on her costume because it’s his job, he does it because he loves it and he’s afraid to do her a disservice. During his run on Wonder Woman—notably as writer as well as artist—his Diana always seemed to tower over the rest of the cast—as she should—but as every bit the Amazon princess she is, not an awkward giant. He was—and is—excellent at framing the scene, her posture and her outline so as to emphasize her strength without detracting from her beauty. Phil doesn’t skimp when it comes to using as many lines as it takes to tell the story of the characters he’s drawing, but with Diana he also knew when to stop and let what he had on the page finish the job; he does a tremendous job of getting her face to “act,” whether it’s anguish over the loss of her mother, joy at the prospect of a new love, or rage en route to delivering an ass kicking. In his Wonder Woman stories—which are among my favorites—Phil seemed to delight in bringing in huge ensembles, be it dozens of Amazons or every female hero and villain in the DC Universe, but he never let the guests overwhelm his star; there was never a question that Diana was front and center and you believed she belonged alongside Superman and Batman. It was also Phil’s birthday yesterday—he only gets better with age!

1. GEORGE PEREZ
When I spoke at the beginning about the Wonder Woman stories I read while researching her that really made the character shine for me, I was talking about a few, but mainly George Perez’s run on her title. Rebooting her post-Crisis, Perez didn’t just make some costume tweaks or a change to the origin, he reinvented the entire world of Wonder Woman from the ground up. If you’ve followed George Perez’s work—and I have—you know among his many incredible qualities as an artist, perhaps nothing stands out so much as his unparalleled attention to detail. He will draw every piece of rubble in a fight scene; he will squeeze a hundred characters into a panel where most would put two. He brought this all-or-nothing approach to Wonder Woman as both writer and artist, mining every aspect of the character for story—warrior, teacher, ambassador, foreigner, daughter, hero—and sparing nothing when attacking her visually. His Diana was one who possessed statuesque and intimidating beauty, but a naive innocence in her eyes that made you trust her and want to protect the most powerful woman in the world. In battle, he made her formidable, with a grimace that you believed would scare a war god, but at peace he bestowed upon her a smile that said everything would be ok. My descriptions are lapsing into pretty sappy poetry here, but frankly that’s what Perez’s brilliance inspires in me as a fan. He also never settled to depict Wonder Woman in merely her iconic costume or to make a change and stick with it; he drew the heck out of the classic look and owned it, but he’d also create variation both subtle and bold as the occasion required, be it armor for war or a stately look for diplomacy. George Perez imbued every single character that appeared in his vast Wonder Woman cast with a singular energy and vitality, creating a diverse gallery of faces rather than an army of clones, but none shone brighter than Diana herself; nobody touches the master on this one.

My First Justice League

In the inaugural post of my new blog over at Marvel.com, I talked about being initially exposed as a comics reader (not as a video game player, toy buyer or general consumer of pop culture knowledge) to the X-Men in the backdoor manner of discovering them via the Kings of Pain crossover because I was buying New Warriors, and thus having the first roster I ever encountered consist of Legion, Madrox, Polaris and the rest of the Muir Island misfits who filled in while the real team was momentarily disbanded. I mused on how particularly as a kid the first impression you get of a comic book team is an odd thing and sticks with you even if you first “met” a short-lived and unremembered line-up, which certainly happened a lot in the 90’s.

Take the Justice League.

My actual first experience with the Justice League was as a very young kid when I would go to visit my friend Josiah and he had a big chest in his basement of probably around a hundred old comics he’d gotten from some older relative. They ran the gamut, but were mostly from the later Silver Age with a lot of DC’s, particularly lengthy runs of the Satellite Era Justice League of America. One of my first vivid comic book memories is reading the issue where the JLA fights Jonah Hex and a bunch of other time-displaced heroes who are being manipulated by The Lord of Time.

(Fun fact: It was also at Josiah’s house that I concocted my infamous homemade Flash costume which my mother took a picture of that she later blew up to a poster when I was 18 and has since made its way online if you look hard enough)

I didn’t become a serious comic book fan until the 90’s though, starting with Marvel, primarily New Warriors and the X-Men books. It was the Death of Superman that first got me curious about DC and it was via that storyline that I first came across a contemporary Justice League.

And they got their asses kicked in the first issue of their book I purchased.

Shortly before Superman got killed off, the guy who committed the deed—not Doomsday—writer/artist Dan Jurgens had just taken over Justice League America (“of” was not very 90’s, hence why Legion of Super-Heroes never saw the success it did in the prior decade). He brought Supes in as team leader—a big deal since in that post-Crisis On Infinite Earths/pre-Infinite Crisis period Superman had never been part of the League, his Silver Age stints retroactively wiped out—to a group that included then-mainstays Guy Gardner, Booster Gold, Blue Beetle, Fire and Ice, as well as reformed villain Maxima and supposedly all-new character Bloodwynd (spoiler alert: it was Martian Manhunter with amnesia and the most 90’s name this side of X-Treme).

A comic book neophyte, I had no exposure to the glory days of Justice League International and thus no clue why Guy, Booster, Beetle, Fire and Ice were on the team. I had no idea who Maxima and Bloodwynd were. Having read those old 70’s issues and just knowing the big DC heroes via cartoons and lunchboxes and whatnot, Superman was the only guy on the team who made any sense to me, yet he was treated like an odd fit and about to die anyhow.

As I mentioned, this team was not long for the DC Universe. They were served up as cannon fodder to Doomsday in order to demonstrate how badass he was (which as you might imagine didn’t work for me as I was totally unfamiliar with the characters and thus unimpressed that he whooped a guy in bug goggles and girl with green hair). Before all was said and done, Beetle was in a coma, Booster’s power-providing gear was shredded, Fire burned out her abilities and Ice got traumatized into retirement.

Just as soon as I had been introduced to the Justice League, they were shuffled off. The next issue, a new team debuted, led by Wonder Woman—who, remember, like Superman had never technically been in the League before, so this was a big deal—retaining Guy, Maxima and Bloodwynd, then adding Agent Liberty, Black Condor and The Ray. This configuration was also short-lived, with Liberty and Condor taking off after an arc and being replaced by the returning Beetle/Booster/Fire/Ice quartet as well as Captain Atom. As Zero Hour drew near, the Judgment Day crossover came and went, paving the way for consolidation of the various Leagues—there was a Justice League Europe/International as well plus a Task Force led by Martian Manhunter after the Bloodwynd thing ended—for the Gerard Jones era I wasn’t too high on and ended up jumping off of.

The funny thing is it didn’t drop my jaw when the first X-Men I saw was a guy with a Mohawk instead of Wolverine. Likewise it didn’t seem unusual that “Earth’s Mightiest Heroes” as far as Marvel was concerned were The Black Knight and Sersi when I started reading comics. I was aware of Marvel, sure, and that’s where I started as a fan, but I had residual sense of how things were “supposed to be” gleaned from cultural osmosis. If the comic I was reading told me that Scott Lang was Ant-Man and also kind of in the Fantastic Four, then I took that at face value, because it was all I knew.

It was different with DC. Whether it was the Batman TV show from the 60’s or Super Friends or coloring books or actions figures or just the old comics from Josiah’s basement, I had a pre-formed opinion of how the DC Universe was supposed to be, and when those Justice League stories didn’t deliver what I was expecting, I felt oddly betrayed. Not by the creators or company, but by the characters themselves. How dare Batman not have time to spend away from Gotham? What the heck were The Flash and Green Lantern doing hanging out in Europe? Did Aquaman seriously have conversations to hold with fish that were more important than fighting Despero?

When I returned to reading comics around 2000, Grant Morrison had brought the Big Seven back to the JLA and all seemed right with the world. Likewise, thanks to Kurt Busiek and George Perez’s work, I now understood that being an Avenger was a bigger deal than Crystal and Deathcry would have had me believe.

It’s somewhat ironic that the current Justice League line-up is closer to the one I grew up reading than the Satellite/Morrison team—and the New Avengers at least aren’t far off from the Bob Harras-penned team I followed in my youth in terms of relative A-listers—but now it seems far more like these quirky teams exist when a creator sees potential, not simply because the characters they really want are preoccupied.

In other words, Aquaman may have snubbed the Justice League 20 years ago because he was playing with his hook hand, but now James Robinson won’t return his calls! Eat it, Sea King!

5 Random Wonder Woman Pictures

So hey, everyone and their sister-in-law (or at least MY sister-in-law, who's a Wonder Woman nut) already heard about Wonder Woman getting a new costume and origin. For the basic facts of the change, you can check out my interview with writer J. Michael Straczynski, and for a great reaction round up check out Robot 6.

I actually didn't think I had much to say about Jim Lee's design or the story surrounding it beyond "it looks all right I guess for something that won't probably last more than two years" and "JMS defines hit or miss for me, so we'll see," but after seeing all the blog reactions and people Tweet-a-booking about it and whatnot, I figured I'd share some random Wonder Woman pics that have crept across my browser.

1. OK, despite what I said about not having any real problems with the new design, it really doesn't hold a candle to the Jamie McKelvie one Shaun Manning reminded me existed this morning:


Seriously, I would buy him drawing that character in that book in a heartbeat. I've never understood why more comic artists don't tap actual fashion sense when designing characters and costume choices. Remember back in the day when Ian Churchill did Cable and everything Nate wore was straight out of classy British fashion mags? That was rad.

2. Heidi MacDonald's post of Wonder Woman covers throughout the years covered a lot of ground including the recent run of cheesecake-tastic images by Adam Hughes, but how she could have missed Hughes' WW masterpiece is beyond me:


I was actually an intern at DC when this cover came in, and if I recall correctly, Hughes created the piece by drawing the old school H.G. Peter homage and then stuffing that art under his recliner cushion to be sat on for a few weeks until it was worn enough to look time-damaged and then he slotted the modern Diana in.

3. I haven't read Wonder Woman #600, the issue where the new costume debuts, just yet so maybe I'm off base here, but when I saw this preview page on DC's The Source blog featuring WW and a roundup of DC superheroines...


...I thought to myself, "Damn, is that really what a lineup of the company's best and brightest female superheroes looks like?" And then I realized that no, it isn't. I'm not sure why Gail Simone didn't include, say, Catwoman, Black Canary, Huntress, Power Girl, Fire, Ice, etc. in the story. There might be an actual reason for it once I read the whole damn thing. But as it is, a bunch of the Teen Titans and Birds of Prey supporting characters really isn't packing quite the Oompf it should for me, you know?

4. Is there ever a reason NOT to link to Kate Beaton's Wonder Woman?


I think not. Also: you should really read the full strip.

5. Finally, after reading this post, MY best guess as to why DC has changed the costume is to cast Helen Mirren in a Wonder Woman movie:


Think about it: she's been around since the 1940s, and she's got great cans.