Before I could answer this gentleman's inquisitive gestures (which I was not going to do), what should I spy with my little eye but the embodiment of awesome in adorable toy form...


Here is the long version of what "X-Cutioner's Song" was. The slightly shorter (or maybe longer, we'll see) is that it was a twelve-part crossover between Uncanny X-Men, X-Men, X-Factor and X-Force that came out in 1992 when I was ten and in the midst of becoming a ginormous X-Men fanatic. Me and my buddy Matt Corley would ride our bikes to the comic shop each week to pick up the newest chapter then race home to take turns reading them (being one year older than Matt and playing the seniority card was awesome in this case).
The gist of the plot is that mysterious X-Force villain Stryfe poses as Cable, whom he is the identical twin of (but we didn't know why at the time), attempts to assassinate Professor X, kidnaps Cyclops and Jean Grey so he can take them to the moon and whine to them about how awful his childhood was, and also manipulates Apocalypse, Mr. Sinister and their various lackeys into assorted tasks that keep the X-Teams preoccupied. My favorite chapter was probably the fourth, where the X-Men and X-Factor hunt down X-Force, who didn't know where Cable was but were presumed guilty accomplices until proven innocent, and the younger team holds their own for a bit before getting demolished.
There were other free-for-all skirmishes throughout the crossover, as the X-Men also scrapped with the Mutant Liberation Front, Dark Riders, and various other henchmen types as well as going up against Apocalypse and then Stryfe himself. I remember one particular issue of X-Factor where Wolverine and Bishop went after Cable in a fight drawn by Jae Lee that at the time I thought was hideous, but looking back from a perspective that is able to tolerate not every art style needing to look like Jim Lee find quite stunning. The melees were broken up nicely by Stryfe's oft-over-the-top Shakespearean soliloquies and laments to Cyclops and Jean about how awful his life was and how it was all their fault. Throughout, obviously the implication was that Stryfe was the grown-up child Cyclops had once sent to the future, but it was never explicitly stated.
X-Cutioner's Song is a story I'm in no great rush to go back and read now, simply because I remember it through such fond childish eyes and would possibly be let down when it doesn't live up to my recollections. However, it was probably the single story that hooked me for certain as a lifelong comics fan, and hokey and bombastic as parts of it were, I will maintain it was fast-paced, well-constructed, and flat-out fun; it wasn't Watchmen, but it wasn't aspiring to be. It also had the artistic talents of the aforementioned Mr. Lee, Andy Kubert, Brandon Peterson and Greg Capullo going for it in tandem with the seasoned writing trio of Peter David, Fabian Nicieza and Scott Lobdell.

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